In the theoretical part, we present a historical tradition of the so-called montage effect as a relation between a text and a picture, which relates to the discipline known as linguistics of an image. In the material part, we analyze the intermedial narration technique on the example of a Polish translation of a quasi-novel (a debut novel) by Jaroslav Rudis Niebo pod Berlinem which is examined in the light of Walter Benjamin’s theory of culture.
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