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EN
The paper offers a speculative inquiry into the pragmatic possibilities of incorporating intimacy direction within the realm of Polish theatre. Drawing upon dialogues with representatives of the theatrical community, the author formulates four models. Subsequently, an analysis of the merits and drawbacks associated with each model is provided. This article aims to initiate a discussion on the implementation of solutions concerning work with informed consent and safe work with intimacy into Polish theatre.
EN
The aim of the paper is to present intimacy coordination, a discipline that is dynamically developing in Poland. The content has been divided into three parts. The first part presents the most important principles of intimacy coordination, the basic concepts related to it and its history in the United States and Poland. The second part describes the workshops for acting students which are conducted by the intimacy coordinator Kaja Wesołek-Podziemska at The Aleksander Zelwerowicz Theatre Academy in Warsaw. The third is an attempt to reflect on the importance of including elements of intimacy coordination in the process of educating actors and actresses.
PL
Na fali ruchu #metoo na planie filmowym (oraz w debacie publicznej) pojawił się nowy zawód: koordynatorka intymności. Jej zadaniem jest zapewnienie bezpieczeństwa i komfortu pracy aktorkom oraz aktorom uczestniczącym w scenach intymnych wymagających nagości lub symulowania seksu. Koordynacja (lub mediacja) oznacza również, że wysiłki te są podejmowane z myślą o artystycznych celach twórców filmu. Dyskusja na temat koordynacji intymności w filmie budzi dużo nadziei, ale też wiele wątpliwości i kontrowersji. Sygnalizują one zmiany dokonujące się w przemyśle filmowym, ujawniają długie życie pewnych przekonań i uprzedzeń, dotyczących zarówno seksualności oraz jej reprezentacji, jak i rozumienia sztuki filmowej. Autorka wskazuje niektóre z nich, dotyczące statusu aktorki i jej ciała, istoty aktorstwa oraz procesualnego i zespołowego charakteru pracy na planie. (Materiał nierecenzowany).
EN
With the #metoo movement, a new profession appeared on the film set (and in the public debate): the intimacy coordinator. Her task is to ensure the security and comfort of actresses and actors participating in intimate scenes requiring nudity or simulating sex. Coordination (or mediation) also implies that these efforts are made with the filmmakers’ artistic goals in mind. The discussion on intimacy coordination in film evokes a lot of hope, doubts and controversy. They signal changes taking place in the film industry and reveal the long life of certain beliefs and prejudices, related both to sexuality and its representations and to the understanding of the film art. The author indicates some of them, concerning the status of the actress and her body, the essence of acting, and the processual and team nature of working on the set. (Non-reviewed material).
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