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EN
The lamps studied in this article come from Metropolıs, a strategically located site between Pergamon and Ephesos, functioning in the Hellenistic and Roman periods. Two different techniques of decorating the surfaces of the lamps were distinguished: Red-on-White and Red Slip. The lamps were dated contextually by terracotta oil lamps of the same morphological type found in the same assemblages. The material spanned a chronological range from the 1st to the 6th century AD.
Świat i Słowo
|
2013
|
vol. 11
|
issue 2(21)
235-248
EN
The essay presents the “flame dreamers” fascinated by kerosene lamps and gas lighting: Bachelard, Benjamin and, last but not least, Bohumil Hrabal, whose novels Taka piękna żałoba (Such a beautiful mourning) and Postrzyżyny (Cutting it short) describe childhood fascination with the beauty of those lamps. However, due to the twentieth century modernization, those lamps were replaced by electric light. Thus one can say that Benjamin and Hrabal lived in the times of decline of kerosene lamps and gas lighting, the lamps which added colours to their childhood world. The author links the disappearing of kerosene and gas lamps with the typically modern process of “colonizing the night” (A. Giddens). In this respect gas lighting and electric light become an element of the same process of the constant modernization. However, the writers of the emerging modernity clearly differentiate between the two types of lighting. They never sing praises of the “beauty” of electric bulb, yet quite often they admire the charm of gas and kerosene lamps which are bound to vanish. Thus they celebrate the loss as such, without realising what else is lost with their decline. This experience finds its fullest expression through language, in particular in the disappearance of the possessive pronouns (G. Bachelard). Electric bulbs are not wrapped in such words as my, mine, our, as kerosene or gas lamps used to be, and, as a consequence, modern man loses a friendly relationship with the surrounding objects.
EN
At the archaeological site of Marina el-Alamein in Egypt, many monuments and everyday objects feature motifs related to Aphrodite and her cult. One recurring theme is the seashell that lamps are often decorated with. In one case, it accompanies the depiction of the goddess herself. This article collects oil lamps with the image of a scallop shell from the research of the Polish-Egyptian Conservation Mission, as well as already published specimens from earlier archaeological research. It has been noted to date that this motif is one of the most common on lamps found in Marina el-Alamein. Shells also appear on architectural elements – in the finials of niches with a religious purpose, located in the main reception halls of houses. In such aediculae they are well exposed, but the use of shells does not arise from the shape of the architectural framing. Therefore, other reasons, possibly symbolic ones, for including this motif in decoration should be considered.
EN
In the present paper I focus on the occurrences of the motif of the lamp (λύχνος) in the fifth book of the Palatine Anthology. It turns out on numerous oc­casions the lamp is not merely an element of night scenery but it also performs functions typical of people or gods. An analysis of twelve epigrams from Book V shall demonstrate the variety of contexts in which the lamp appears and give a few remarks about the language used in the poems in which this motif occurs.
EN
Homilies addressed to young people are difficult but really vital. Word of God has to illuminate this particular stage of human life. Meeting Christ does not only broaden the life horizon but, above all, it does give hope. The article concerns preaching to young people on the basis of excerpts of Sermon of Mount on salt and light. The positive side of homilies is strong priests’ desire to encourage young listeners to become the salt and the light of life. However the focus on man’s attitude makes Jesus Christ be the great absent one in this preaching. In fact it is Him who is truly the Salt of the earth and the Light of the world. Young people are demanding listeners. To burn the fire in their hearts one has to make the homily the light and the fire. The Words, full of Jesus and His Love to a man, are always the Good News. They give the guarantee that the fire in young hearts will burn like a candle which sets fire of love in other people’s hearts.
PL
Homilie do młodzieży są trudne, ale bardzo ważne. Słowo Boże ma oświetlić ten szczególny etap ludzkiego życia. To spotkanie z Chrystusem nie tylko poszerza horyzont życia, lecz przede wszystkim daje nadzieję. Artykuł dotyczy przepowiadania do młodzieży na podstawie fragmentu Kazania na Górze o soli i świetle. Pozytywne w homiliach jest to, że kaznodzieje bardzo mocno chcą zachęcić młodych słuchaczy do tego, by ich życie było solą i światłem. Ten akcent na postawę człowieka sprawia jednak to, że wielkim nieobecnym w przepowiadaniu do młodzieży staje się Jezus Chrystus. A przecież to On i tylko On jest prawdziwą Solą ziemi i Światłem świata. Młodzi ludzie to słuchacze bardzo wymagający. By rozpalić w ich sercach ogień, trzeba homilię uczynić światłem i ogniem. Słowa pełne Chrystusa i Jego miłości do człowieka zawsze są Dobrą Nowiną. Gwarantują, że ten ogień w sercach młodych zapłonie jak świeca od której mogą zapłonąć ogniem miłości inne świece ludzkich serc.
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