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Semiotyczne aspekty virtual reality

100%
Hendrykowski M.
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
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2017
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vol. 21
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issue 30
EN
The dynamic development of virtual reality technics opened new possibilities of creating visual, audial and audiovisual moving pictures. VR is coming and invaiding XXIst century cinema. There is a grand challenge for filmmakers imagination: show delivering vision of reality or so-called reality made without using real physical objects. Are we really prepared for this technological revolution? Hendrykowski’s paper poses certain crucial questions connected with that change in making movies. Among them: ambigous nature of digital sign, possible regions of spectator’s new experiences, symbolic function of digital images and deep transformation of category od aesthetics in expanding world of multimedia.
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O właściwościach narracji filmowej

99%
Hendrykowski M.
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
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2018
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vol. 23
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issue 32
EN
The aim of the article is to present a synthetic conception of film narrative both in the theoretical and practical context. The author considers the subject in terms of film theory and history. He also examines features of film narrative by using both the synchronous and diachronic method.
3
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Lambeth Walk, czyli widz wyzwolony spod presji obrazu

83%
HENDRYKOWSKI M.
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
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2016
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vol. 18
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issue 27
97-110
EN
The Lambeth Walk, or the spectator liberated from the pressure of the picture A quintessential work of British and European cinema of World War II “The Lambeth Walk” is the epitome of world-class art of moving picture editing. Marek Hendrykowskis close-reading analysis places this short movie in its aesthetic, cultural and generic contexts and in the international landscape of the anti-propaganda film.
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Metodologiczne problemy historii powojennego dokumentu filmowego w Polsce

67%
Hendrykowski M.
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
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2015
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vol. 16
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issue 25
249-255
EN
The Methodological Problems of Studies on the History of Polish Postwar Documentary   The author discusses the narratives and stereotypical (ideological) point of view as a matrix for constructing an overly simple image of the Polish documentary in the postwar period (1944–1955) as shadowed in the untruth of political discourse. In Marek Hendrykowski’s opinion this particular period in Polish documentary film was much more complicated and multi perspectived (in a “dialogical” sense) as a research object posing new questions and opening new perspectives for film historians.
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