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EN
The aim of the article is to survey the correspondence of Viktor Astafyev, published in three different books, for statements about the work of contemporary writers, his own creativeness and comments on literary life in the Soviet Union and Russia. It is worth noting that the Siberian prose writer exchanged letters with critics and writers for many years. In the text much attention is paid to his critical opinions and evolving views on the Russian literature
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EN
The review is a look at the book Z romantycznych rodowodów biblijnych. Apostoł Paweł w twórczości Cypriana Norwida (From the Romantic Biblical Origins. St Paul the Apostle in Cyprian Norwid's Work) as an inter-disciplinary publication showing the author's great competence in all the problems he tackles, with theology and study of literature at the head. In the background the question appears about the method accepted by Piotr Marchewka, which may seem complicated to an average reader, but his style of shaping the text (the “case” one) is clear and harmonious enough to make the seemingly formal text a nice reading. Numerous references, digressions and penetrating analyses of Dwa męczeństwa (Two martyrdoms) and Salem consistently lead to the finale that is a convincing suggestion of an explanation of Norwid's fascination with the figure of St Paul.
EN
The review is a look at the book “Z romantycznych rodowodów biblijnych. Apostoł Paweł w twórczości Cypriana Norwida” (From the Romantic Biblical Origins. St Paul the Apostle in Cyprian Norwid’s Work) as an inter-disciplinary publication showing the author’s great competence in all the problems he tackles, with theology and study of literature at the head. In the background the question appears about the method accepted by Piotr Marchewka, which may seem complicated to an average reader, but his style of shaping the text (the “case” one) is clear and harmonious enough to make the seemingly formal text a nice reading. Numerous references, digressions and penetrating analyses of “Dwa męczeństwa” (Two martyrdoms) and “Salem” consistently lead to the finale that is a convincing suggestion of an explanation of Norwid’s fascination with the figure of St Paul.
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