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Художественное произведение в идеологическом контексте литературной критики

100%

Говорухина Ю.

Studia Wschodniosłowiańskie

2019

vol. 19

35-47

Critical judgments are forms of political and ideological statements. Criticism assigns new and already known literary facts, meaning them as “own”, “foreign”, “classical”, “folk”, etc. The analysis of the literary critique of the “patriots” reveals a specific communication, which is carried out both between the critic and the reader, and between the critic and discourse. There is a doctrine that determines the way of seeing the world, the way of ordering reality and is manifested in the conscious and unconscious rules of speaking about the facts of literature, in cognitive presuppositions that generate patriotic texts. This is the perception of literary-critical activity as a struggle with a sophisticated “enemy”, thinking by opposition, the assumption of catastrophic consequences in the case of the victory of “alien” ideology, accusatory way of talking about “alien”.

Symbolismus v podání Tancrèda de Visan

80%

Šuman Z.

Svět literatury – Časopis pro novodobé literatury (World of Literature – Journal for Modern Literatures)

2015

vol. 52

27-31

This paper analyzes Tancrède de Visan’s early views on Symbolism as they appear in his foreword to the poetry collection Paysages introspectifs (1904). We put a special emphasis on some Bergsonian key notions, such as intuition or élan vital, and the way Visan uses them in order to distinguish the Parnass’ methods from those used by the Symbolists.

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1 Studia Wschodniosłowiańskie

1 Svět literatury – Časopis pro novodobé literatury (World of Literature – Journal for Modern Literatures)

1 Šuman Z.

1 Говорухина Ю.

1 2019

1 2015

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Художественное произведение в идеологическом контексте литературной критики

Symbolismus v podání Tancrèda de Visan