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Las dos culturas. Literatura y ciencias del universo en la obra de Rubén Darío

100%
Martínez J.
Svět literatury – Časopis pro novodobé literatury (World of Literature – Journal for Modern Literatures)
|
2016
|
vol. Special Issue: El mundo de la literatura
51-60
EN
The gap between the knowledge related to the field of literature and to that of science begins to widen at the end of the 19th century, and this separations gets more pronounced in the 20th century. However, already in the 19th century the relationship between natural science and literary science was subject of Rubén Darío’s attention, and for some time he saw them as closely related, working with the examples offered by the works of Edgar Allan Poe, Jules Verne, and G. H. Wells, on each of whom he wrote an essay. Towards the end of his life, Darío’s youthful enthusiasm for sciences dwindled.
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Despotyczne oko? Romantyczne unaukowienie obrazu natury (Słowacki–Bacon, Mickiewicz–Kepler)

80%
Leszczyński M.
Forum Poetyki
|
2021
|
issue 24
42-61
EN
The article discusses and deconstructs the nature-culture dichotomy, examining how the image of nature in Romanticism was filtered through cultural matrices, especially in connection with the development of natural sciences, and the concept of cognition, which was most often perceived as based on the senses. Science, rooted in culture and society, and various cultural codes influenced a new poetics of nature. The analysis of the works by Mickiewicz and Słowacki demonstrates that old astronomical theories (attractive in terms of poetics and aesthetics, though widely rejected) co-existed in poetry alongside newer discoveries (Kepler), ultimately allowing poets to combine modern empiricism and materialism with spiritualism using the same method (inductive reasoning).
PL
Artykuł prezentuje, dekonstruując dychotomię natura–kultura, jak w okresie romantyzmu obraz natury filtrowany był przez kulturowe matryce – zwłaszcza związane z rozwojem nauk ścisłych, a więc z poznaniem, które postrzegano najczęściej jako oparte na zmysłach, czysto materialne. Nauka, sama uwikłana w kulturę i społeczeństwo, dostarczała tworzywa do nowej poetyki natury wraz z repertuarem kodów kulturowych. Na przykładzie Mickiewicza i Słowackiego ukazane zostanie, jak mogła współistnieć stara astronomia (poetycko i estetycznie atrakcyjna, choć powszechnie już odrzucona) obok nowszych odkryć (Kepler), a wraz z nowożytnym empiryzmem i materializmem (Bacon) można było zespolić spirytualizm, korzystając z tej samej metody poznawczej (indukcja).
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