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Nieznane dzieło graficzne Adolfa Fryderyka Dietricha

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EN
An unknown lithograph by Adolf Fryderyk Dietrich, executed after his own drawing, is discussed. The portrayed female is identified to be most likely Leontyna Halpert née Żuczkowski.
PL
The subject of the article is an attempt to look in a new way at three lithographs: The Echo of Ruins, Scherzo and Solo from 1861 as a result of Norwid’s cooperation with the Paris workshop Saint-Aubin. Analysis of particular graphic works treated both as individual ones and as a three-part cycle, aims at finding the symbolic message contained in them. Interpretation of erudite compositions referring to both tradition and the sign space contemporary with the poet, in the context of Norwid’s conception of art and the artist’s views on its place in social life, allow noticing the wealth of their symbolic meaning, comprising at the same time a commentary of the phenomena contemporary with the poet and the dimension of universals.
EN
The subject of the article is an attempt to look in a new way at three lithographs: The Echo of Ruins, Scherzo and Solo from 1861 as a result of Norwid's cooperation with the Paris workshop Saint-Aubin. Analysis of particular graphic works treated both as individual ones and as a three-part cycle, aims at finding the symbolic message contained in them. Interpretation of erudite compositions referring to both tradition and the sign space contemporary with the poet, in the context of Norwid's conception of art and the artist's views on its place in social life, allow noticing the wealth of their symbolic meaning, comprising at the same time a commentary of the phenomena contemporary with the poet and the dimension of universals.
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