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EN
The article focuses on the project carried out in 2015 in the Mstów commune (Częstochowa district, Silesian Voivodeship), consisting in the installation of information boards in the area (in the landscape) of this Jurassic commune under the common title “Śladami Przeszłości po Gminie Mstów”. The boards, presenting photographs and a short note on the history of a place (today often non-existent or having a different character), were placed in the original locations of objects connected to the local history and heritage. The authors of the project are the Commune Office, “local experts – enthusiasts” and residents. It was them who not only shared their memories (for creating descriptions), but also opened their home archives and made available unique photographs, not available in the official studies. The proposed ethnographic footnote is a commentary to this field exhibition, which has a sightseeing, educational character, preserving the memory of places which existence in social consciousness and the values attributed to them help to maintain the local identity. The concept that organizes and gives context to the considerations is landscape understood as a cultural, social and time construct.
PL
Artykuł poświęcony jest przedsięwzięciu zrealizowanemu w 2015 r. w gminie Mstów (pow. częstochowski, woj. śląskie), polegającemu na zainstalowaniu na terenie (w krajobrazie) tej jurajskiej gminy tablic informacyjnych pod wspólnym tytułem „Śladami Przeszłości po Gminie Mstów”. Tablice, prezentujące fotografie oraz krótką notatkę dotyczącą historii danego miejsca (dziś już często nieistniejącego lub posiadającego inny charakter), ustawione zostały w pierwotnych lokalizacjach obiektów wpisujących się w lokalną historię i dziedzictwo. Twórcami projektu są Urząd Gminy, „lokalni eksperci – pasjonaci” oraz mieszkańcy. To oni nie tylko dzielili się wspomnieniami (stanowiącymi bazę do tworzenia opisów), ale również otwierali swoje domowe archiwa i udostępniali unikatowe, bo niedostępne w tzw. oficjalnych opracowaniach, fotografie. Zaproponowany etnograficzny przypis jest komentarzem do tej terenowej ekspozycji, która służyć ma m.in. celom krajoznawczym, edukacyjnym, zachowaniu pamięci o miejscach, których istnienie w społecznej świadomości i przypisywane im wartości pomagają podtrzymywać lokalną tożsamość. Pojęciem porządkującym i nadającym kontekst rozważaniom jest krajobraz rozumiany jako konstrukt kulturowy, społeczny oraz czasowy.
EN
The palace and park in Nakło were built by Count Kajetan Bystrzanowski in the years 1770–1780. After his death the property was passing from hand to hand, to finally get to the Komorowski family (Matilda, the wife of the successor to the throne of Belgium and Franciszek Starowieyski, a painter, belong to this family). Komorowski managed the assets until the end of The Second World War but then he lost them to the state. For several years, the palace housed an agricultural, technical school and later – to 1989 – an orphanage. Since 2002, Marzenna and Kerth Reyher have been the owners of the building. The theme of the article are the stories, memory and community importance of the palace in Nakło, forming a part of the physical and cultural landscape of the Lelów municipality. The authors show the local narratives which were collected during the ethnographic research on the places especially important for the Lelów community, which are the witnesses and traces of the past. Another aim of the article is to discuss the issues of carvings on trees – forms of material culture that are valuable elements in the processes of reconstructing the events from the past. Their reading and interpretation is important in supplementing the state of knowledge about the places and people associated with them, who left carvings on the trees. Like forgotten stories, carvings also lose their legibility with time, yet remaining a legacy that is difficult to grasp and is transient just like life is. Therefore, it is worth noting while analyzing and restoring the memory about them, the more so as they show the unforced, governing need of the moment, and leaving the historical continuity of correspondence between culture and nature. The palace and park is treated as a place in the anthropological meaning and as an element of the landscape understood in the context of aesthetics, perception, memory and ideology.
PL
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