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PL
Spośród wielu rodzajów analfabetyzmu został omówiony analfabetyzm aksjologiczny. Jest on formą analfabetyzmu kulturowego. Określają go: poziom wiedzy aksjologicznej, wrażliwość aksjologiczna, poziom kompetencji językowych. Przykładową ilustracją jest analfabetyzm miłości. Słowa kluczowe: alfabetyzm, analfabetyzm, aksjologia, dojrzałość aksjologiczna, daltonizm aksjologiczny, banalizowanie wartości, miłość, godność.
EN
Of the many types of illiteracy I discuss illiteracy axiological. It is a form of cultural illiteracy. They define it: the level of knowledge axiological sensibility axiological level of language competence. An example is illustrated illiteracy love.
EN
This work attempts to present one of the most popular characters in the Young Poland imagery – the faun, which the artists treated as equivalent to the god Pan and the satyr. The subject of this work is the analysis and interpretation of the sonnet W Arkadii [In Arcadia] by Kazimierz Przerwa- Tetmajer. The results indicate that the poem reveals the spaces of nature and the philosophical thinking about the natural world, which are characteristic of the period. It exposes sensuality in the perception of the world. There are no secrets there. The most important secret has been revealed. That secret is life that is love. This is the essence of happiness or the Arcadian nature. The exposure of the sun, which somehow “patronises” things that happen on the earth, attracts attention. The entire Arcadian landscape is penetrated by the power of life. Each individual element of the landscape indicates fertility. Moreover, it may simultaneously be the emblem of femininity and masculinity. Gender and sexuality define not only the last stanza of the poem with the tangled figures of the faun and the girl, but also the entire sonnet. As in the works of Arnold Böcklin, so appreciated by Tetmajer, nature occupies the foreground. On the other hand, positioning a barely visible faun in the depth of it may suggest that it is characterised by faun-related aspects (gender and sexuality). The poem is evidence that the bright solar fascination of the Young Poland authors also occurred during the 1890s, announcing the slow replacement of catastrophism with vitalism.
PL
Niniejszy artykuł zawiera analizy wybranych wierszy dwojga poetów: kobiety i mężczyzny, żony i męża. Nietypowa sytuacja twórcza, jaką stanowi małżeństwo poetyckie, stanowić może ciekawą perspektywę badawczą. W artykule omówione zostały zawarte w wierszach przedstawienia tematów miłości, rodziny, domu i małżeństwa. Rozważania oparte są głównie na tomiku Cztery twarze domu. Antologia rodzinna, którego tytuł zaprasza czytelnika do zatrzymania się nad problematyką domu i rodziny. Autorka odwołuje się przy tym do kategorii autobiografizmu, powołując się między innymi na prace Małgorzaty Czermińskiej i Andrzeja Lama. W analizach opisuje podobieństwa i różnice wyrażone w wierszach Ferenc i Jankowskiego i stara się ukazać je jako poetyckie świadectwa ludzkiego indywidualnego przeżywania świata, które nie wyklucza porozumienia i bliskości. W wierszach obojga poetów ujawnia się, w odmienny sposób obrazowana, konieczność życia z niemożliwymi do zrozumienia doświadczeniami: bólem i miłością.
XX
The article contains reflections about selected poems of two poets: a woman and a man, a wife and a husband. This untypical life situation brings an interesting perspective to research. The article treats of how both poets describe subjects of love, family, home and marriage. Considerations are based especially on the book Cztery twarze domu. Antologia rodzinna, which title and construction encourage to look at this question. Comparing writings of people that are close to each other requires referring to the autobiographic matter. The author refers to the works of, inter alia, Małgorzata Czermińska and Andrzej Lam. The article also brings up the question of what the homes, which are simultaneously one home, are. The author describes differences and similarities which are expressed in poems by Ferenc and Jankowski, and tries to show them as poetic testimony of abundance of human individuality. The variety doesn’t prevent a union between people, but it is an opportunity of conversation and understanding distinct ways of thinking about life and world. In the article, the author analyses poems in which two different attitudes are noticeable, but both result from a similar reason – the necessity to live with incomprehensible pain and love.
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