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Gender Hybridity and Power in Angela Carter’s “The Lady of the House of Love” and Werner Herzog’s "Nosferatu: Phantom der Nacht"

100%
Kowal E.
Kwartalnik Neofilologiczny
|
2018
|
issue 2
239-252
PL
Artykuł stanowiący stadium porównawcze opowiadania Angeli Carter “The Lady of the House of Love” (1979) i filmu Wernera Herzoga Nosferatu: Phantom der Nacht (1979), analizuje kreacje bohaterek i bohaterów w obu dziełach w odniesieniu do stereotypowych cech kobiecych (anoreksja, agorafobia i nieracjonalność). W oparciu o Between Men: English Literature and Male Homosocial Desire (1985) Eve Kosofsky Sedgwick artykuł pokazuje, w jaki sposób genderowa hybrydowość u Carter i Herzoga reprodukuje patriarchalny transfer władzy.
EN
In this comparative study of Angela Carter’s “The Lady of the House of Love” (1979) and Werner Herzog’s Nosferatu: Phantom der Nacht (1979) eating habits, relation to the domestic and to (ir)rationality are examined in the female and male characters in both works to show how their authors create gender hybridity. Drawing upon Eve Kosofsky Sedgwick’s Between Men: English Literature and Male Homosocial Desire (1985), the article proposes that the hybridity reproduces patriarchal transfer of power.
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