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This study focuses on the current situation in Czech research of toponymy (place names), particularly urbanonymy (urban names, predominantly street names). The study of place names offers considerable potential for interdisciplinary approaches to research; however, scholars (both in onomastics and in non-onomastic disciplines) currently lack interest in such cooperation, and this represents a major barrier to the development of mutually inspirational research in the field. The article outlines three main reasons underlying this situation: the long-established tradition of Czech onomastic research drawing on etymological and historical approaches towards place names; the prevailing emphasis on onomastic material; and an overly simplistic view of what constitutes onomastic research and methodology as well as of their application in interdisciplinary cooperation. In response to this situation, the author discusses a modern research concept which has the potential to offer a new methodological impulse to Czech onomastics and restore it to its former status as a respected discipline — the concept of the linguistic landscape. This concept could be successfully applied to research exploring the urbanonymy of modern Czech cities built during the post-war era — such as the new Socialist cities dating from the 1950s, or concrete housing estates. However, several problems need to be discussed — including the proprial status of urbanonyms, the definition of the urban area, and the relations between standardized (predominantly official) and non-standardized (unofficial, popular) forms of urban place names.
EN
In Chicana/o prose, namely the fiction of Helena María Viramontes, the artistic depiction of the city of Los Angeles becomes a synecdochic expression of the frontier space. It is a crossroads of viewpoints stemming from the confrontation of the dividing physical frontier and the porous cultural frontier that leads to miscenegation. The article analyzes such a literary representation of space using the contrasting dynamics of the literary images of the Latino barrio and the urban freeways that threaten to destroy it. It emphasizes a different approach of Viramontes to the urban myth of the Californian metropolis. With its references to Latin-American authors, the article furthermore suggests the possibility of reading the Viramontes novel as part of the Latin-American literary tradition.
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