Taking from numerous historical and modern examples set in realities of social and spatial living conditions of inhabitants of Szczecin, examples form the space of social communication, marine education and cultural sociology, the author justifies the following thesis: the sailing ship was, and still is, a medium of transmission, a medium and simultaneous transmissions.
Born at the beginning of the 20th century, the popular Polish writer and captain of the Polish Merchant Marine, Karol Olgierd Borchardt, belonged to a generation brought up on the literary work of Henryk Sienkiewicz. Potop was Borchardt’s favourite novel, and Sienkiewicz his most acknowledged writer. Recalling his sailing at sea, especially in the novels Znaczy kapitan (1961) and Szaman morski (1985), Borchardt eagerly and frequently made references to characters and events from Trylogia. Even in his unfinished book of childhood memories, Pod czerwoną różą (1991), published posthumously, while telling a family anecdote, Borchardt made references to Kiemlicze, known from Potop. One may say that Borchardt remained faithful to Sienkiewicz for the rest of his life, invariably con amore referring to and citing the works of Sienkiewicz.
JavaScript is turned off in your web browser. Turn it on to take full advantage of this site, then refresh the page.