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EN
In the beginning of the pontificate of Innocent III (1198–1216) the necessity of creating a large coalition for a better organization of the Fourth Crusade convinced the pope to establish diplomatic relations with Bulgaria and Serbia, and to support Hungarian expansion in Bosnia. His aim was to surround Constantinople with a ring of states loyal to the Roman Church, thus forcing the empire to participate in the crusade. In order to achieve this result, Innocent was more than willing to put aside his concerns for strict religious orthodoxy and allow the existence, to a certain extent, of non-conforming practices and beliefs in the lands of South-eastern Europe. While this plan was successful at first, and both Bulgaria and Serbia recognized pontifical authority in exchange for political legitimization, the establishment of the so-called Latin empire of Constantinople in 1204 changed the picture. Its relations with Bulgaria were extremely conflicted, and the threat posed by Bulgaria to the very existence of the empire forced again Innocent III to a politics of compromise. The survival of the Latin empire was of the greatest importance, since Innocent hoped to use it as a launching point for future crusades: yet, he tried until possible to maintain a conciliatory politics towards Bulgaria as well.
EN
In the article, a phenomenon of promotion and marketing in the medieval Serbia was discussed, as well as the strategies of creating a specific, desired and functional image of the ruling dynasties. Due to this, the basic communication practices were recalled that is, a management of impression, building the so-called brand (social, political, cultural property of the dynasty, its family pattern), and also specifically conceived branding itself (that is, a management of consciousness and value of the dynastic brand), what ultimately proved that the lineage of social-cultural usage of images, along with the models and devices serving the politics of public relations is deeply rooted in the middle ages. The phenomenon of promotion and marketing in the medieval Serbia was presented on the basis of the medieval Serbian literature, hagiography, hymnography, historiography, and iconographic implementations were also included. The article presents images of rulers and dynasties prevailing in the historical, religious and ideological context, the phenomenon of promotion and marketing in the context of characteristic ideological structures, such as state and church tradition, imperial-monastic tradition, charismatic dynasty, sanctity of the ruling family, land and the Serbian nation e.t.c. The timeless phenomenon of promotion and marketing has been presented as a lasting component of shaping the culture model of the medieval Serbia.
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