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Literarische Werke entstehen wie Erinnerungen – zu Erica Pedrettis Erzählungen Sonnenaufgänge, Sonnenuntergänge

100%
Kłopotowska J.
Germanica Wratislaviensia
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2013
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vol. 138
55 - 67
EN
The text deals with the stories of Erica Pedretti that have been published 1984 in an anthology under the title Sonnenaufgänge, Sonnenuntergänge. It is elaborated the theory that the creative process – that the author analyses in these stories – is closely connected with the memory process. The starting point of the investigation remain considerations of Baudelaire to the memories and their functioning not only in the literary text.
2
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Psycho/soma/topografie w polskiej współczesnej poezji kobiet

88%
Morzyńska-Wrzosek B.
Acta Neophilologica
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2022
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vol. 1
|
issue XXIV
181-198
PL
This article attempts to identify the issues of experiencing the city and its multi-faceted conceptualizations, which are rarely exhibited in research concerning women’s poetry, but often appear in contemporary literature. It offers interpretation of the works of some of the most interesting Polish poets representing various generations (the essay discusses works by Julia Hartwig, Anna Frajlich, and Anna Augustyniak) and worldviews, highlighting specific places and emphasizing the meaning of the senses and emotions in their concretization. It directs attention to the category of experience, examines its constitution and layering progressing in time. It distinguishes particular dimensions – the memory process, the feeling oftransience, irreversible loss – and various relationships between them. The analysis, focusing on depicting the sensual and affective experience of urban space, aims to characterize the category of the subject originally included in poetry and illustrates its transformations.
3
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Paradoks Chestertonowskiej wizji wolności społecznej na przykładzie wiersza "To St. Michael, in Time of Peace"

88%
Sobiech M.
Acta Neophilologica
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2022
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vol. 1
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issue XXIV
199-212
EN
Even though Gilbert Keith Chesterton remained a political Rousseauism-like radical throughout his life, with time the ideal of political liberty understood in line with the philosophy of Jean-Jacques Rousseau found less and less vivid expression inhis writings, leaving the most important element animating them virtually invisible for less knowledgeable readers. The aim of this paper is to demonstrate and explain thisfact on the basis of the analysis of one of the most famous poems penned by the English author, entitled To St. Michael, in Times of Peace (1929). The analysis follows the methodology devised by a distinguished Polish scholar, Stefan Sawicki.
4
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Kilka uwag na temat aktualnej recepcji literatury polskiej we Francji

63%
Monluçon A.-M., Szeflińska-Baran M., U.F.R LLASIC U. w. G., Uniwersytet Łódzki K. F. R., Anne-Marie Monluçon – literaturoznawca p. U. S. G. J. z. b. o. l. e. X. i. X. w., Anne-Marie.Monlucon@u-grenoble3.frgrenoble3.fr
Czytanie Literatury. Łódzkie Studia Literaturoznawcze
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2014
|
vol. 03
EN
Various factors influence the contemporary reception of Polish literature in France. Economic criteria have succeeded ideological constraints, but new developments in the memory process in Poland and France also play a major role, all the more so as they are not synchronised, especially when it comes to the history of WW2 and Jewish -Polish relations. An analysis reveals the combination of at least four factors: the role of literary translations (re-editions and new translations), the results of his- toriographical research, the evolution of collective memory in both countries, as well as the interaction with foreign – mostly Anglo-Saxon – publications on the sub- ject. Through a cursory presentation of the reception of Polish literature for youth and adults in the early 2000s, we intend to show that WW2 and Jewish-Polish rela- tions, among other themes, occupy a central position. The two “re-enactments” of the figure of Jan Karski published in 2009 in French novels by Yannick Haenel and Bruno Tessarech and the ensuing polemic, as well as the re-edition of the testimony by the great Polish freedom fighter Jan Karski are a telling illustration of what is at stake in the contemporary reception of Polish literature in France and, more generally, of all the issues regarding that country.
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