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Prace Etnograficzne
|
2014
|
vol. 42
|
issue 2
135–145
EN
This paper, based on the results of a field research, presents an intercultural folklore festival, along with the world of cultural heritage and folkloristic traditions, as a dynamic and self-updating sociocultural construct, that despite the strong institacutionalization, mythologizing and hegemony still has a large potential for emancipation. This event is not entirely artifi cially created by widely understood experts, activists and leaders of folkloristic movement, according to presumed needs and preferences of festival audiences, but it is also an immanent reality, constantly being created by all participants. It is a metacommentary of contemporary folk actuality, constructed and negotiated in the course of interactions, activities and meaningful social practices which have highly performative character.
EN
The article focuses generally on the functioning of commentary or metacommentary within postmodern narrative texts. Two Czech authors from the second half of the 20th century have been chosen to illustrate the theory outlined in the introductory part of the article: Ludvík Vaculík and Jiří Kratochvil. From the point of view of interpretation the structure that is being opened by commentary inside some narratives is called posthermeneutic. The article argues that posthermeneutic situation can be found in the perverse situation of samizdat publishing in Czechoslovakia in the 1970s (as depicted by Vaculík’s Český snář) and in the role played by women in Kratochvil’s short story Příběh krále Kandaula. The article concludes that the postmodern might stand the reader in front of an ethical choice as far as the function of literature and art is concerned.
CS
Na obecné úrovni se článek zabývá fungováním komentáře či metakomentáře v postmoderních prozaických textech. K doložení a rozpracování teoretických východisek využívá článek texty Jiřího Kratochvila a Ludvíka Vaculíka. Z pohledu hermeneutiky je struktura, která se odhaluje uvnitř literárních textů právě prostřednictvím komentáře, nazvána posthermeneutickou. Článek ukazuje, že tato posthermeneutická struktura je pevně spojena s perverzní situací ineditního publikování v Československu 70. let jak ji zachycuje Vaculíkův Český snář, stejně jako se situací ženského subjektu zobrazené v Kratochvilově povídce Příběh krále Kandaula. Článek dochází k závěru, že postmoderna staví čtenáře či recipienta před etickou volbu co se role literatury a obecně umění týče.
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