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Mediacja w świetle symbolicznego interakcjonizmu

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Dragon A.
Dyskursy Młodych Andragogów / Adult Education Discourses
|
2014
|
vol. 15
141-153
EN
In this paper the author presents an analysis of mediation in symbolic interactionism perspective, showing how in this trend the creativity of individuals is emphasized in the world of social meanings. The author shows the common elements of the mediation process and the counselling situation understood as a special experience. The paper indicates the “role” as a concept of an orientating function in an interaction. Drawing inspiration from Erving Goffman’s metaphor of the theatre, mediation participants are shown as actors of the social stage and an original theatre metaphor, applied to the mediation situation, is proposed. The author shows the dramaturgy of the mediation table, which constitutes the drama of the victim and the offender linked together by participating in the same process at the same time. Just as in a drama, there are actors, a common stage, an audience and a backstage, and the action happens according to the script. Demonstrating a different from the presented so far image of mediation helps to show its interactive and creative nature, as well as to draw attention to other-than-legal aspects of mediation in criminal cases. The presented vision of mediation reveals that the settlement written by the parties is not the only benefit of using this procedure, which, in contrast to the court trial, focuses not only on facts but also on relationships and interests of the parties. Looking at the process of mediation through the prism of a metaphor of the theatre may become a recommendation for practice, revealing the possibility of a mediator’s interference in the process, serving as inspiration and raising awareness and openness to the philosophy of restorative justice.
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Bohaterowie Arthura Schnitzlera w steatralizowanej przestrzeni Wiednia

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Surowiec J.
Białostockie Studia Literaturoznawcze
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2011
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issue 2
167-183
EN
The article deals with the work of a Viennese modernist Arthur Schnitzler in the context of the phenomenon of theatricalization in city-space. The author attempts to define the civilizational and cultural reasons for theatrical behaviours and the results of living modern life a la spectacle. She believes that Arthur Schnitzler, incorporating into literature one of the most important scientific discoveries of his time – psychoanalysis, showed the relationship between the city and mental diseases but also between the latter and the phenomenon of theatricalization.
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