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1
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Utylitarne i modne. Późnośredniowieczne zapinki ze zbiorów Muzeum Archeologiczno-Historycznego w Stargardzie

100%
Wojciechowska I.
Materiały Zachodniopomorskie
|
2022
|
vol. 18
73-98
EN
The article focuses on the collection of 17 brooches stored in the Archaeological and Historical Museum in Stargard. They are dated to the 13th and 14th centuries. Their form and ornament match ring brooches which are being discovered in the Baltic region and in the area where Hanseatic trade was conducted. The majority of the Stargard objects were recovered during archaeological excavations.
2
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Cechy osobowości a preferencja muzyki metalowej – wstępna metaanaliza dotychczasowych badań

100%
Pluta J.
Annales Universitatis Paedagogicae Cracoviensis. Studia de Cultura
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2018
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issue 10(3) "Studia nad kulturą metalową"
19-33
PL
W artykule przedstawione zostały związki pomiędzy cechami osobowości, a upodobaniem do słuchania muzyki metalowej w świetle dotychczasowych badań psychologicznych. Pierwsze doniesienia na temat wpływu cech osobowości na preferencję określonego rodzaju muzyki pojawiły się w połowie ubiegłego wieku (Cattel i Anderson 1953). Stereotypy społeczne na temat fanów heavy metalu miały wpływ na formułowanie takich hipotez badawczych, w świetle których grupę tę charakteryzują zachowania antyspołeczne, a także skłonności samobójcze, depresyjność, nadużywanie narkotyków, problemy w szkole i dysfunkcje systemu rodzinnego. Jednakże w dotychczasowych badaniach udowodniono predyktywną wartość innych cech, na przykład otwartości na nowe doświadczenia, podejmowania ryzyka, ekstrawertyzmu oraz poszukiwania doznań.
EN
The article presents the relations between personality traits and preference for metal music in view of previous psychological research. First reports concerning the influence of personality traits on music preferences appeared in the middle of the 20th century (Cattel & Anderson 1953). Social stereotypes relating to heavy metal fans have had an impact on formulation of research hypotheses according to which this group is characterised by antisocial behaviour, suicidal tendencies, depressive moods, substance and alcohol abuse, school problems and dysfunctional families. However, past researches have demonstrated a predictive value of different traits, such as openness to experience, risk-taking, extraversion and sensation seeking.
3
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Understanding the role of metal within the Late Bronze Age community at Mycenae: challenges and potential approaches

99%
Aulsebrook S. J.
Polish Archaeology in the Mediterranean
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2020
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vol. 29(2)
239-266
EN
It has been widely argued that metal played a decisive role in the development of Mycenae, which became one of the foremost centers on the Late Bronze Age Greek mainland. Yet, little is understood as to how metals were integrated into the lives of the inhabitants. Most scholarship has concentrated on the relationship between the ruling class and metal artifacts, drawing much of their evidence from the Linear B archives and top-down models of trade, society and internal redistribution that are increasingly considered untenable within the study of other aspects of Mycenaean life. This paper introduces a new project designed to investigate this issue by using a practice-orientated approach based around object biographies to study the use of metal across the entire social spectrum of the Late Bronze Age community at Mycenae (approximately 1700–1050 BC). The decision to take such an approach is justified through the presentation of a case study, based upon hitherto unpublished previous research, that examines the unexpected rarity of gold vessels in the Palatial period archaeological record from the perspective of social practice; its purpose is to demonstrate how the holistic use of evidence from multiple sources, as envisaged in this new project, can help overcome the difficulties inherent in the study of the use of metal in past societies.
4

The symbolism of hoard deposition places in the landscape of the late Bronze Age and the early Iron Age in the zone of the South Baltic Coastland and Lake Districts

85%
Maciejewski M.
Sprawozdania Archeologiczne
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2017
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vol. 69
113-132
EN
In different cultures the world is described by a variety of signs and symbols. Equally important as reading their meaning is an attempt to describe the relationships between them. Often seemingly unrelated elements of culture are linked by relations on a symbolic level. Research on the relationship between hoards (late Bronze Age and early Iron Age) and local settlement networks indicate such a symbolic connection between border and metal. Understanding these relationships is possible mainly thanks to empirical research yet it would not be possible without analysing the perception of borders and metal, as well as phenomena such as territoriality and the valorization of ‘foreign’ objects, places and people.
5
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Specificity of Leaking Nitric Acid From a Tank Vehicle

71%
Orinčák M., Müllerová J.
Security Dimensions: International & National Studies
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2017
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vol. 21(21)
62-74
EN
The paper deals with the leakage of nitric acid in road transport (ADR); its specifications, problems and complications during its leakage from the tank into the environment. The first part describes specific characteristics and their means of transport. Following part discusses the experimental investigation of the specific characteristics of HNO3 . The experiments on reaction of nitric acid in contact with diesel, gasoline, valvoline engine oil and coolant as well as with samples of common vehicle’s materials such as iron, aluminium, copper, tire rubber, ABS plastic and asphalt. Reactions observed not always met the expectations of strong reactions as described in Security data sheet. The third part describes a possible ways of acid leakage from the tank and its disposal. Recommendation concerning effective action of Fire units are described in order to stop the leaking and minimize the damage caused by nitric acid.
6
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Preface

71%
Zych I., Chrzanovski L.
Polish Archaeology in the Mediterranean
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2019
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vol. 28(1)
9-13
EN
Preface to a special collection volume on lamp studies gathering together material from new and old finds from Spain in the west to the Eastern Mediterranean and even India, mainly from the Hellenistic through Byzantine times.
7
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Odniesienia biblijne w twórczości polskich zespołów metalowych

71%
Socha K.
Annales Universitatis Paedagogicae Cracoviensis. Studia de Cultura
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2018
|
issue 10(3) "Studia nad kulturą metalową"
127-140
PL
Jednym z czynników, które przez wieki kształtowały kulturę Zachodu, jest tradycja judeochrześcijańskaoparta o Biblię. Motywy, cytaty i symbole zaczerpnięte z kart Biblii przenikałydo języków europejskich i oddziaływały, zarówno na kulturę wysoką, jak i popularną.Inspiracji biblijnych po wielokroć można doszukać się także w muzyce metalowej. Pracaniniejsza jest próbą krótkiego scharakteryzowania co oryginalniejszych motywów biblijnychpojawiających się w tekstach zespołów metalowych, zwracając jednocześnie uwagę naniewielkie dotychczas zainteresowanie tym aspektem tradycji biblijnej w opracowaniachnaukowych.
EN
One of the many factors which has been creating the west culture is the Judeo-Christiantradition based on the Bible. Motives, quotations and symbols that are coming from the Biblehave been permeating to the European languages as well as they have influenced both thehigh culture and the popular culture. Moreover, the biblical inspirations can be found in metalmusic as well. The underlying paper constitutes an attempt of brief characterization when itcomes to more original biblical motives that are constantly appearing in the lyrics of metalbands, simultaneously, it emphasizes a slight current interest of this biblical aspect in thescientific researches.
8
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Metal w cieniu kwitnącej wiśni. Specyfika i przemiany gatunku na gruncie japońskim

70%
Kiejziewicz A.
Annales Universitatis Paedagogicae Cracoviensis. Studia de Cultura
|
2018
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issue 10(3) "Studia nad kulturą metalową"
117-126
PL
W niniejszym artykule autorka zarysowuje cechy charakterystyczne japońskiego metaluw kolejnych dekadach jego rozwoju, co następuje poprzez przedstawienie twórczościwybranych zespołów, działalności fanów oraz wskazanie źródeł inspiracji artystów. Istotnymelementem zaprezentowanej analizy jest rozwój zjawisk kulturowych towarzyszącychprzemianom muzyki metalowej, takich jak subkultury zoku czy estetyka visual kei.Wychodząc od wpływu rockabilly, inspirowanego twórczością zachodnią, na pojawienie sięmuzyki rockowej, a potem metalowej, autorka pokazuje kierunki rozwoju gatunku, sytuującje w szerszej perspektywie przemian japońskiego przemysłu muzycznego.
EN
In the presented article the author depicts the distinctive features of the Japanese metalmusic in the different decades of its development, what she accomplishes through showingthe achievements of the chosen artists. She also focuses on pointing out the primary sourcesof their inspirations that influenced the described genre. The significant part of the presentedanalysis in the development of the cultural phenomena accompanying the development of themusic – such as zoku sub-cultures and visual kei aesthetic. Starting from the rockabilly musicthat influenced Japan in the 60s and contributed to rock and metal music, the author depictsthe ways of development of the metal genre, situating them in the broader perspective of thechanges in the Japanese music industry.
9
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Above Pekel med vodami toward Mohokos, Železna gora and Per(n)jak

62%
Bajuk L.
Poznańskie Studia Slawistyczne
|
2012
|
issue 3
PL
I  conducted  my  own  ethnographic  field  research  in  1998,  2004  and  2007.  Further  field research,  from  2010  to  2012,  under  the  title  ‘Folk  Piety  and  the  Transmission  of Ethnoheritage in  Upper  Meñimurje’, was  part of  Tomo  Vinšćak’s academic  project  Sacral Interpretation  of  Landscape,  organized  by  the  Matapur  Association  and  the  Ethnological and Anthropological Department of the Faculty of Philosophy in  Zagreb. The analysis and comparison  of  the  collected materials  has  contributed  to  research  into  the  fascinating and  still vibrant  –  though  under-researched  –  survival  strategies  of  pre-Christian  and Christian worldviews in the western and north-western parts of the northernmost districts of Croatia. 
10
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Scandinavian Approach to Multisensory Design

57%
Wiśnicka A.
Roczniki Kulturoznawcze
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2024
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vol. 15
|
issue 1
125-152
PL
Podejście sensoryczne jest nierozerwalnie związane z wzornictwem przemysłowym. Prototypy i/lub produkty wchodzące do produkcji są doświadczane na poziomie sensorycznym. Tekst ma na celu zbadanie metod i technik wykorzystywanych przez skandynawskich projektantów pod kątem multisensoryki. Aby podkreślić szerokie spektrum tematu, pod uwagę zostaną wzięte różnorodne materiały. Drewno zapewnia bodźce wizualne, dotykowe i zapachowe, które zostały wykorzystane zarówno w projektach koncepcyjnych, jak i komercyjnych. Szkło, często rozważane wyłącznie pod kątem wizualnym, wnosi walor dotyku w postaci kształtu i faktury. Słuchowa natura designu jest również wykorzystywana w nowej fali eksperymentów w sferze tekstyliów. W szerszej perspektywie wiele firm stosuje również techniki brandingu wykorzystujące olfaktoryczne konotacje skandynawskiego dziedzictwa. Podsumowując, zagadnienie multisensoryczności w skandynawskim designie, choć nie zostało jeszcze dokładnie zbadane w międzynarodowej literaturze, stanowi ciekawą perspektywę badawczą, interesującą zarówno z punktu widzenia krytyki designu, jak i kulturoznawstwa.
EN
The text aims to investigate methods and techniques introduced by Scandinavian designers which are beneficial to the overall sensorial aspect of their work. To emphasize the wide spectrum of the subject, various materials would be taken into consideration-wood, glass, metal, textiles. Thanks to the analysis of selected case studies it is possible to showcase the main ideas of how the multisensorial design practices have been implemented within the realm of Scandinavian design, focusing on diversity of examples. The methodology applied uses the analysis method of design history combined with the perspective provided by cultural studies and their analysis of the broad context. To enrich the latter, also certain cultural associations will be considered. Wood provides the visual, tactile, and olfactory experience which has been used in both conceptual and commercial projects. Glass, often considered by designers exclusively for its visual aspects, brings the tactile element of shape and structure, which are meant to mimic the contact with nature, vital for many Nordic projects. Metal and textiles can be considered as opposite sensorial features based on contrasting properties, hot–cold, soft–hard. The study serves as an introductory paper to touch upon the question of multisensory in Scandinavian design, not thoroughly investigated in international literature, by presenting further opportunities for in-depth studies.
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