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Między autografem, kopią i edycją. Aktualny stan badań źródłowych nad twórczością Johanna Jacoba Frobergera

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Piekutowski P.

Aspekty Muzyki

2012

vol. 2

147-172

The content of this article is based on source studies in creative activity of Johann Jocob Froberger (1616–1667). The author aims to present the current stage of these studies, which are based on surviving sheet music from the Baroque period, as well as modern editions of Froberger’s works. Musical sources such as the composer’s autographs, copies of his works from the XVII and XVIII centuries, and the earliest printed editions are presented. Froberger’s most valuable preserved sources are his autographs: Libro Secondo di Toccate, Fantasie, Canzone, Allemande, Courante, Sarabande, Gigue, et altre Partite; Libro quarto di Toccate, Ricercari, Capricci, Allemande, Gigue, Courante, Sarabande, and Libro di capricci e ricercati), located at the Österreiche Nationalbibliothek in Vienna; also, a new autograph was recently found and sold in the Sotheby in London on 30 November 2006. Besides the above-mentioned autographs, there are many preserved copies that include compositions other than those in the surviving autographs. In recent years, several valuable sources with Froberger’s compositions have been found. First of all, manuscript No. SA 4450 (Berlin, Sing-Akademie) and Bulyowsky Ms. (Dresden, Sächsische Landesbibliothek Staats- und Universitäts-Bibliothek). First editions of Froberger’s works are of no lesser value to the studies in his music. These sources are the basis of modern editions of Froberger’s works. Until now, there have been several critical editions of “complete works” of the composer.

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1 Aspekty Muzyki

1 Piekutowski P.

1 2012

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Między autografem, kopią i edycją. Aktualny stan badań źródłowych nad twórczością Johanna Jacoba Frobergera