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„Non omnis moria”: mowy pogrzebowe Arnaud Sorbina w świetle renesansowej tradycji retorycznej

100%
Giernatowska J.
Acta Universitatis Lodziensis. Folia Litteraria Romanica
|
2013
|
issue 008
113-125
FR
Les oraisons funèbres du XVIe siècle semblent s’inscrire dans la tradition rhétorique des "orationes" de l’Antiquité. Il n’en reste pas moins que, dans cette optique, la production littéraire d’Arnaud Sorbin, auteur encore très peu connu, se distingue du point de vue formel et thématique. Au niveau de la "dispositio", les oraisons de cet évêque se réfèrent au modèle antique ; cependant, la disproportion notable gardée systématiquement parmi les cinq parties successives du discours révèle déjà un apport particulier de l’auteur espérant ainsi mettre en valeur son érudition et influencer l’esprit du public. Il en est de même pour l’"inuentio" où l’ensemble des "topoï" majeurs, relatifs entre autres à la vanité de l’existence humaine ou à l’éloge des morts, est enrichi de réflexions auctorielles à caractère moralisateur et politique. C’est grâce à ces procédés que l’œuvre funèbre de Sorbin devient un instrument de polémique et reflète parfaitement la réalité religieuse et sociale de son époque.
2
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Pobożność szlachcianki w świetle polskich drukowanych mów pogrzebowych XVII wieku

63%
Kicińska U.
Folia Historica Cracoviensia
|
2012
|
vol. 18
EN
17th century funeral orations, as sources of didactic character, include numerous threads referring to the piety of baroque damsels. They are full of examples describing religiousness of women of virtually all ages and marital statuses (married, single and widowed). According to the model propagated by the clergy, a zealous catholic woman was supposed to be devoted to God and persistent in her belief. She should also worship Mary the Mother of God, Jesus and saint patrons, which was reflected in her participation in religious confraternities. It was also important that she attended religious services and pilgrimages as well as respected fasting periods and received holy sacraments. On every day basis, it was suggested that a God fearing Christian should live by the rules of the Decalogue, read religious books and contemplate the moment of death and prepare to it by reading ars bene moriendi guides. Charity work and generous donations to churches, monasteries, schools and homeless shelters were also important. Preachers also emphasised the personality features of a model catholic woman. Hence it was suggested that she should be hard working, reasonable, quiet and modest. Although clergymen emphasised deep and fervent religiousness of women whom they were describing in their sermons, we are actually unable to fully confirm the accuracy of their words. Therefore, it must be assumed that, on the one hand, this religiousness and piety was supposed to constitute an ideal role model, on the other hand, however, it resulted from the fear which accompanied people almost everywhere in turbulent times of the 17th century.
PL
17th century funeral orations, as sources of didactic character, include numerous threads referring to the piety of baroque damsels. They are full of examples describing religiousness of women of virtually all ages and marital statuses (married, single and widowed). According to the model propagated by the clergy, a zealous catholic woman was supposed to be devoted to God and persistent in her belief. She should also worship Mary the Mother of God, Jesus and saint patrons, which was reflected in her participation in religious confraternities. It was also important that she attended religious services and pilgrimages as well as respected fasting periods and received holy sacraments. On every day basis, it was suggested that a God fearing Christian should live by the rules of the Decalogue, read religious books and contemplate the moment of death and prepare to it by reading ars bene moriendi guides. Charity work and generous donations to churches, monasteries, schools and homeless shelters were also important. Preachers also emphasised the personality features of a model catholic woman. Hence it was suggested that she should be hard working, reasonable, quiet and modest. Although clergymen emphasised deep and fervent religiousness of women whom they were describing in their sermons, we are actually unable to fully confirm the accuracy of their words. Therefore, it must be assumed that, on the one hand, this religiousness and piety was supposed to constitute an ideal role model, on the other hand, however, it resulted from the fear which accompanied people almost everywhere in turbulent times of the 17th century.
3

„Pamięć, która jest trwalsza od prochów…” – rzecz o Annie Wazównie i mowie Martina Opitza jej poświęconej

51%
Wicha M.
Meluzyna. Dawna Literatura i Kultura
|
2018
|
vol. 2 (9)
19-35
EN
The article deals with the funeral of Anna Vasa, the sister of the Polish ruler Sigismund III Vasa. Young Anna Vasa decided to change her religion which influenced her further life. In consequence, her remains could not receive a solemn funeral for the next 11 years following her death. This text aims at analysing the work by German author Martin Opitz, which was ordered in commemoration by the Swedish princess’ nephew, Wladyslaw IV. Martin Opitz’s work, which undoubtedly brought him fame, is being analysed based on the rhetoric devices used by the author as well as the parenetic model of a woman that he created, based on the examples of the virtues of the deceased princess.
4
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„Powinność oddajecie Waszmościowie patriarsze”. Mowa Feliksa Kryskiego na pogrzebie prymasa Jana Tarnowskiego 9 października 1604 r. jako element staropolskiego ceremoniału pogrzebowego

51%
Gałuszka J.
Wschodni Rocznik Humanistyczny
|
2020
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vol. XVII (2020)
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issue 3: Dwór w Rzeczypospolitej i państwach ościennych, pod red. Artura Goszczyńskiego i A. Selina
83-96
PL
Artykuł prezentuje jeden z elementów XVII-wiecznych uroczystości pogrzebowych, jakim były okolicznościowe przemówienia bliskiego krewnego, przyjaciela lub znajomego, które uzupełniały kazania kaznodziejów. Niniejszy tekst stanowi omówienie i krytyczne wydanie źródłowe przemówienia Feliksa Kryskiego (1562–1618 na pogrzebie jego mentora i politycznego przewodnika, prymasa Jana Tarnowskiego (1552–1604). Kryski był znakomitym mówcą, pisarzem i politykiem. Wielokrotnie przemawiał w czasie obrad sejmu, nie stronił również od oratorstwa okolicznościowego. Celem utworu było dokonanie nowoczesnej edycji, która została przybliża tekst staropolski szerszemu kręgowi odbiorców.
EN
The article presents one of the elements of the 17th-century funeral ceremonies – occasional speeches given by a close relative, friend or acquaintance, which complemented the preachers' sermons. This text is an overview and critical source edition of Feliks Kryski's speech (1562–1618) at the funeral of his mentor and political guide, Primate Jan Tarnowski (1552–1604). Kryski was an excellent speaker, writer and politician. He spoke many times during the sessions of the Sejm and did not avoid occasional oratories. The aim of this article is to make a modern edition, which brings the Old Polish text closer to a wider audience.
RU
В статье представлен один из элементов похоронных обрядов XVII в. - случайные выступления близких родственников, друзей или знакомых, дополнявшие проповеди проповедника. Этот текст представляет собой обсуждение и критическое издание речи Феликса Крыского (1562–1618) на похоронах его наставника и политического наставника примаса Яна Тарновского (1552–1604). Крыски был прекрасным оратором, писателем и политиком. Много раз давал речи во время сеймов, не избегая также и случайного ораторского искусства. Целью работы было сделать современное издание, которое приблизило бы старопольский текст к более широкой аудитории.
5
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Pochwała medyka. Mowa Jana Zamoyskiego na pogrzebie Gabriela Falloppia, anatoma (1562)

51%
Ciszewska M.
Res Rhetorica
|
2023
|
vol. 10
|
issue 1
18-33
EN
The study considers the issue of praise of the medic in the XVIth century using an example of Latin oratio funebris delivered by Jan Sariusz Zamoyski during the funeral of Gabriele Falloppio in 1562. Fallopius was a brilliant anatomist whose findings have remained valid to this day, an excellent botanist, an outstanding surgeon and physician, and an esteemed lecturer at the University of Padua. Oratio funebris contained praise based on the biography of the deceased and thus it could realise the humanistic assumptions of providing personal models to follow in the pursuit of virtue. The article presents an analysis of choices made by the speaker regarding rhetorical inventio and amplificatio, and modes of praising.
PL
Studium podejmuje kwestię pochwały medyka w wieku XVI na przykładzie łacińskiej oratio funebris wygłoszonej przez Jana Sariusza Zamoyskiego na pogrzebie Gabriela Falloppia w 1562 roku. Fallopius był znakomitym anatomem, którego ustalenia do dziś pozostają aktualne, wybitym botanikiem, wyjątkowym chirurgiem i szanowanym wykładowcą Uniwersytetu w Padwie. Oratio funebris zawiera pochwałę opartą na biografii zmarłego i w ten sposób realizuje humanistyczne założenia poddawania wzorców osobowych do naśladowania w dążeniu do cnoty. Artykuł przedstawia analizę wyborów dokonanych przez mówcę w zakresie retorycznej inwencji i amplifikacji pochwały.
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