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Skrzywdzony poemat. O książce Jerzego Winiarskiego Wokół „Wojny chocimskiej” Ignacego Krasickiego. Dyskursy możliwe tekstów kultury

100%
Nalepa M.
Dydaktyka Polonistyczna
|
2019
|
issue 5 (14)
248-255
EN
The article is a historical and literary reflection on Ignacy Krasicki’s book Around Chocim’s War (Wojny chocimskiej). The possible discourses of Jerzy Winiarski’s cultural writings, are the first monographic attempt to explain the complexities of interpretation and reception of the underestimated poem XBW. Some possible reasons for this work’s omission by writers from the circle of “Thursday dinners” were pointed out, even though it was commissioned by King Stanisław August Poniatowski, as well as unjust comments by the critics especially those of the Romantic and 20th century. The cultural contexts of the epic were discussed using a metalinguistic key and the tools of negative poetics.
2

POETYKA KONTRASTU. WOKÓŁ HISTORII MANIAKÓW ROMANA JAWORSKIEGO

100%
Koczor D.
Rocznik Przemyski
|
2015
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vol. 51
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issue 2(19): Literatura i Język
13-23
EN
The aim of the article is to study the mechanism of creating grotesque in Roman Jaworski’s collection of short stories titled Historie Maniaków (Stories of Madmen). The analysis of the structure of Jaworski’s work (plot, character construction, metaliterary passages) has shown that the contrast between the figure of fulfilment and its degeneration is the semantic category which constitutes the grotesque world of his stories. Meaningful with regard to ontology, epistemology and axiology negative categories such as nothingness, deformation or ugliness, within the historical-literary context function as an opposition to dominant at that time poetics of symbolism. Simultaneously, they become an expression of the typical of modernist awareness crisis of the subject, and of the doubt in the cognitive and representative potential of language.
3
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La purification ardente et l’échec. Antonin Artaud lu par Josep Palau i Fabre

67%
Castella-Martinez S.
Cahiers ERTA
|
2023
|
issue 33
69-93
EN
Antonin Artaud’s « Théâtre de la cruauté » consists in the extreme display of the conflictive nature of the world. The Catalan poet Josep Palau i Fabre highlighted the poetic and negative dimensions of Artaud’s project and insisted on its failure, addressing its impossible objectivation and its similarity with alchemy. The article aims to identify the central elements of Palau’s interpretation, annihilation and debirth, and to assess their inscription in an experimental poetics proposal inspired by alchemy.
4
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Pustka

48%
Cieliczko M.
Forum Poetyki
|
2015
|
issue 1
98-109
EN
This text constitutes an attempt to describe the category of the void, understood as a specific artistic tactic used in European and particularly Polish cultural texts of the 20th and 21st centuries. In the first part (The Void in science and art – philosophical prolegomenon) the author completes a short survey of earlier ways of understanding the void in various areas of thought and scholarship. The second part (the Void as an artistic procedure) presents the author’s proposal for a conceptualization of contemporary manifestations of the category in question, based on an analysis of various works from the realms of the literary and visual arts. The tactic is divided into: concept, intervention and element, allowing for the creation of a new definition of the void. The final part (the Void and related conceptualizations) is devoted to selected theoretical and philosophical contexts relating to the void, but not identical with it, e.g. places of indefinition, negative poetics (keeping) silence, and non-existing texts.
PL
Tekst stanowi próbę opisania kategorii pustki rozumianej jako swoisty chwyt artystyczny obecny w europejskich, ze szczególnym uwzględnieniem polskich, tekstach kultury XX i XXI wieku. W części pierwszej (Pustka w nauce i sztuce – prolegomena filozoficzne) autorka dokonuje krótkiego przeglądu wcześniejszych sposobów ujmowania pustki w różnych dziedzinach myśli i nauki. Druga część (Pustka jako zabieg artystyczny) to autorska propozycja konceptualizacji współczesnych realizacji omawianej kategorii, dokonana na podstawie analizy różnorodnych dzieł z przestrzeni sztuki wizualnej i literatury. Podział tego chwytu na: koncept, ingerencję oraz element pozwolił na stworzenie oryginalnej definicji pustki. Ostatnia część (Pustka a pokrewne konceptualizacje) poświęcona jest wybranym kontekstom teoretycznym i filozoficznym bliskim pustce, lecz nietożsamym z nią, mowa między innymi o miejscach niedookreślenia, poetyce negatywnej, (prze)milczeniu czy tekstach nieistniejących.
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