Full-text resources of CEJSH and other databases are now available in the new Library of Science.
Visit https://bibliotekanauki.pl

Results found: 3

first rewind previous Page / 1 next fast forward last

Search results

Search:
in the keywords:  obrazy przeszłości
help Sort By:

help Limit search:
first rewind previous Page / 1 next fast forward last
1
Publication available in full text mode
Content available

Modele polskiej polityki pamięci. Obrazy wojny o Lwów w listopadzie 1918 roku w polskich periodykach polityczno-społecznych w miesiącu stulecia niepodległości Polski

100%
Stryjek T.
Kultura i Społeczeństwo
|
2019
|
vol. 63
|
issue 2
99-131
PL
This article contains a comparative analysis of presentations in selected Polish periodicals in November 2018 of the war between Poland and the Western Ukrainian People’s Republic over Lviv and Eastern Galicia in the years 1918–1919. In an analysis of the media discourse the author takes into account factographic, axiological, teleological, ideological, and political dimensions. He distinguishes five conventions for the presentation of the events: national-dramatic, national-heroic, martyrological-defamatory, tragic, and tragi-comical. He argues that not all have been represented in the different models of memory policy functioning in the public debate in Poland under the governments of the Law and Justice party (2015–2019). He considers that there have been four such models: the nationalist-Catholic, conservative-nationalist, universalist-patriotic, and self-critical. He argues that the rightist political party (Law and Justice) has long aligned itself with the conservative-nationalist model, while centrist groups, and especially the leftist group, do not attach great importance to memory policy. The author points to the danger resulting from neglect of historical issues in the Polish media.
2
Publication available in full text mode
Content available

Niezgodni wewnętrznie. Ukraińcy i Polacy wobec II wojny światowej i rządów komunistycznych w historii swych krajów

80%
Konieczna-Sałamatin J., Stryjek T.
Kultura Współczesna. Teoria. Interpretacje. Praktyka
|
2018
|
vol. 101
|
issue 2
204-223
EN
This article includes an analysis of results of a research on collective memory, carried out by authors at the request of the National Centre of Culture (Ukraine, 2016) and within the project financed by the NCC (Poland, Ukraine, 2018). The analysis reveals the diversity of attitudes towards World War II and the communist/Soviet rule amongst the residents of four different regions in each of the countries, basing on the assessment of historical role and feelings of support or opposition towards the individuals and events of those times. The diversity of opinions in Ukraine turned out high. Integrated group of national heroes includes individuals from the times of revolution (1919–1921) and the dusk of Soviet rule, but not the World War II period. Whereas in Poland a larger integration of collective memory referring to the 20th century history is present, nevertheless big differences in the level of knowledge about individuals and historical events between the regions were observed.
3
Publication available in full text mode
Content available

Художній образ факту в романі Марічки Крижанівської "Тіні"

80%
Danyłenko L.
Studia Ukrainica Posnaniensia
|
2022
|
vol. 10
|
issue 2
83-96
EN
The author of the article is interested in the specifics of artistic documentaries in Soviet-era prose. The purpose of the study is to characterize the features of artistic documentary in Marichka Kryzhanivska’s novel Shadows, dedicated to the film director Serhiy Paradzhanov and the history of the filming of the film “Shadows of Forgotten Ancestors”. The author explains the meaning of the intertext, reveals the specifics of the image of famous figures, analyzes the expediency of combining mysticism and reality. It is determined here that the facts used in the novel vividly demonstrate the traumas of the colonial past. The combination of reality and mysticism provide an original image of the past, creating a dynamic plot.
PL
Autorkę artykułu interesuje specyfika beletryzowanego dokumentu traktującego o okresie sowieckim. Celem pracy jest scharakteryzowanie cech literatury faktu w powieści Mariczki Kryżaniwskiej Cienie, poświęconej reżyserowi Serhijowi Paradżanowowi oraz historii kręcenia filmu Cienie zapomnianych przodków. Autorka wyjaśnia znaczenie intertekstu, ujawnia specyfikę wizerunku znanych postaci, analizuje celowość połączenia mistycyzmu i rzeczywistości. Ustalono, że fakty przytoczone w powieści wyraźnie pokazują traumę kolonialnej przeszłości. Połączenie rzeczywistości i mistycyzmu dało oryginalny obraz przeszłości, tworząc dynamiczną fabułę.
first rewind previous Page / 1 next fast forward last
JavaScript is turned off in your web browser. Turn it on to take full advantage of this site, then refresh the page.