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Za hranice fikčního světa: od ozvláštnění k estetické zkušenosti

100%
Skalický D.
Svět literatury – Časopis pro novodobé literatury (World of Literature – Journal for Modern Literatures)
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2016
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vol. 53
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issue 26
65-82
EN
The study turns back to Shklovkyʼs term defamiliarization and Jakobsonʼs poetic function to show that, despite they are still stimulating aesthetic conceptions exposing the social role of art, they cannot wholly explain what happens during reading a work of art. Theories of fictional worlds can clarify more, showing that the semantic energy rising from defamiliarization makes us to create an autonomous fictional world. However, the semantic energy of art goes also beyond such a world — it becomes a part of our experience resonating in our future life. A few conceptions of aesth
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Ostranenie Does Not Equal Ozvláštnění: An Issue of a Term Transferred and Misunderstood

70%
Heczková L., Svatoňová K.
Slovo a smysl - Word & Sense
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2015
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vol. 12
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issue 24
50-58
EN
The text focuses on the question of the transfer and translation of several Formalist concepts, such as ostranenie and tochka zrenia. The interpretation is based on Boris Uspensky’s A Poetics of Composition, it revisits the original definition provided Viktor Shklovsky and illustrates it by the work of the German photographer Barbara Probst.
CS
Text se věnuje problematice transferu a překladu několika pojmů (ostraněnije, točka zrenija a dalších) ruské formální školy. Interpretace pojmů vychází z knihy Borise Uspenského Poetika kompozice, vrací se zpět k původnímu konceptu Viktora Šklovského a ilustruje je pomocí tvorby německé fotografky Barbary Probst.
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