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1

Composition and Perception of Background Music in Selected Hospitality Facilities in the Czech Republic

100%
Weberová D., Bačuvčík R., Kazík M., Černá J.
Communication Today
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2022
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vol. 13
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issue 1
108-129
EN
The aim of this research study is to analyse the state of background music played in facilities of the hospitality industry in the Czech Republic in relation to how customers perceive said music. The study draws from a part of the findings of a quantitative survey focused on the analysis of music currently used in commercial spaces. The survey, which took place in 2019, consisted of respondents’ in-person visits and led to the production of a total of 6,909 reports, of which 1,190 (21%) came from facilities in the hospitality industry. The results have been analysed using methods of descriptive and inferential statistics, such as the ANOVA test, Tukey’s HSD test, chi-squared test, and Pearson correlation. While the results confirm that the use of background music in the form of popular song mixes played from the radio or other sources is prevalent, they also show that this option is rated the least positively by the respondents.
2
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Stopy metryczne jako jednostki kształtujące przebieg utworu fortepianowego

100%
Knapiński K.
Kwartalnik Młodych Muzykologów UJ
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2022
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issue 4(55)
5-37
EN
In this paper, I make an attempt to present the analytical possibilities offered by using metric feet as units that shape the course of a (piano) piece. This approach results from cognitive studies that clearly show that the perception of auditory events is based on grouping them into larger units on the basic strong–weak axis. In this approach, the foot is a scheme of one strong sound and one or two weak sounds (in different combinations) that repeats regularly in the course of the work. In this article, I present the most common ways of distinguishing strong sounds: using duration, dynamics, and pitch (features derived analogously from language, distinguishing strong syllables from the speech stream) and characterising the most common feet.
3
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Аксиологическая парадигма музыкального произведения

75%
Rusak M.
Heteroglossia. Studia Kulturoznawczo-Filologiczne
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2021
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issue 11
181-190
EN
The main purpose of the article is to analyse the phenomenon of axiologization of a musical work and the process of creation and perception of music. The aim of the study is to identify the correlation between the cognitive functions of music and the way in which its values are conveyed by the composer, the work itself, the performer/musicologist and the listener. The object of the research was the evaluative components of the interaction between participants in the scheme given above and responses to the theme of music, contained in the scientific monograph of the musicologist Heinrich Neuhaus Тhe Art of Piano Playing. The relevance of the study manifested the need for expand the knowledge base about the cognitive processes of music perception. The analysis revealed that the axiological component is present at every stage of the perception of a musical work and is associated with the cognitive sphere of human activity. The concept of performing a musical work requires the use of special means of expression, including metaphors, comparisons and associations. Moreover, social and philosophical functions of axiologization of music have been revealed in the article. They were investigated from an anthropocentric perspective in the terms of value interaction between musical art and human world and vice versa.
4

Preferencje muzyczne i dobór repertuaru w muzykoterapii

63%
Panasiuk B.
Zamojskie Studia i Materiały – Seria Pedagogika
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2013
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vol. 15
31-42
PL
Muzykoterapia powinna przebiegać w warunkach dobrej znajomości preferencji muzycznych osoby poddanej terapii. Poprzez niewłaściwy dobór muzyki, słuchacz nieprzygotowany do percepcji dzieła muzycznego, nierozumiejący go, nie preferujący rodzaju i gatunku eksponowanej muzyki, może zastać wprowadzony w stan znudzenia a nawet irytacji. W artykule przedstawiono przedmiot muzykoterapii, uwagi na temat preferencji muzycznych młodzieży oraz propozycje skutecznego wykorzystania literatury muzycznej w percepcji muzyki.
EN
Music therapy should be conducted in the conditions of good knowledge of the musical preferences of the person undergoing such a therapy. By an inadequate selection of music, the listener who is not prepared for the perception of a particular music piece, may not understand it, or may not like the kind and genre of music he or she is exposed to, and may be put in the state of boredom or even irritation. The article presents the idea of music therapy and includes notes on the musical preferences of young people and suggestions for the effective usage of music literature in the perception of music.
5
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Musical Imaginations. Interdisciplinary Perspectives on Creativity, Performance, and Perceptions, red. David Hargreaves, Dorothy Miell, Raymond Macdonald, New York 2012 Oxford University Press, ss. 482. ISBN 978-0-19-956808-6

51%
Grabiec D.
Muzyka
|
2018
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vol. 63
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issue 2
113-125
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