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EN
In the article issues are tackled connected with establishing the authorship and correctness of Józef Czechowicz’s texts. Typescripts of his poems that he had left unsigned, and that are now among the signed manuscripts and typescripts, gave a lot of trouble to editors of the poet’s works. A lack of his signature caused hesitations as to the authorship; however, sometimes there was a possibility of completely ruling out the authorship of the Lublin poet. The problem of authorship is also complicated because of other poets’ poems that Czechowicz copied himself. New prospects connected with establishing the authorship of the texts are offered by reaching to the poet’s surviving original poems. Owing to this method – in several cases – it was possible to reconstruct their correct shape.
EN
Work with literary text is very important in the process of teaching Russian as a foreign language. At the lessons of reading we pay more attention on the text content, but when we work with students-phylologists we should teach them how to analyse the text, how to find the connection of form and content, how to find linguistic means, which help to understand the idea of the text. In this article we offer methodical research that can help the teachers, who conduct the practical lessons of the text analysis. In the course of the work the following methods were used: the method of observation, the method of contextual analysis, the method of pragmatic text analysis, the comparative-contrastive method. We proposed a variant of constructing a lesson of philological analysis of the text using as an example two stories written by Yu. Koval. The choice of this textual material is motivated by the fact that according to linguistic and extralinguistic characteristics it is suitable for use in a foreign language audience, working with it allows us to achieve the main objectives of the lesson of the philological analysis of the text with foreigners: to teach students the identification and interpretation of linguistic phenomena to determine the author’s intentions, generate respect and interest in Russian literature, to transform the skills of reading for detail into the skills of text analysis.
RU
Работа с художественным текстом на занятиях РКИ занимает важное место в процессе обучения русскому языку как иностранному. Если на занятиях по чтению основное внимание уделяется пониманию содержания текста, то работа с художественным текстом у студентов филологических специальностей предполагает, что они учатся анализировать, как форма выражения связана с содержанием, выявлять те языковые средства, которые помогают понять его идею. В данной статье предлагается методическая разработка в помощь преподавателю, ведущему практические занятия по анализу текста. В ходе работы использованы следующие методы: метод наблюдения, метод контекстуального анализа, метод прагматического анализа текста, сравнительно-сопоставительный метод. Нами предложен вариант построения занятия по филологическому анализу текста на примере двух рассказов Ю. Коваля. Выбор данного текстового материала обосновывается тем, что по лингвистическим и экстралингвистическим характеристикам он подходит для применения в иноязычной аудитории, работа с ним позволяет достичь основных целей занятия по филологическому анализу текста с иностранцами: научить студентов выявлению и интерпретации языковых явлений для определения авторских интенций, сформировать уважение и интерес к русской литературе, трансформировать умения и навыки изучающего чтения текста в навыки его анализа.
EN
The subject of the article are the covers of weeklies: Polityka, Przekro´j and Wprost. The aim of the philological analysis was to determine the applied marketing-oriented linguistic measures and compare the thematic content selection. The contents of the covers are deemed the most expressive medially and with the most marketing appeal. They are characterized by conciseness, persuasiveness and the presence of word games.
EN
Goal of research: to show the ways and possibilities of using various research techniques to analyze and interpret poetic texts including musical elements (references, musical quotes, intertexts) Methods of research: analysis of scientific texts on  literary-musical compositions. Philological and musicological analysis of poems by Barańczak. Elements of the heuristic method. Research outcomes: There is very little research connecting musicologist and literature-specialist methods of text analysis. Due to the existence of interdisciplinary and experimental texts the education needs to be interdisciplinary as well. The poems by Stanisław Barańczak (particularly those from the volume Winter Journey ) need to be studied double-sided: musicologically and literature-scientifically, in order to interpret them. When only one of the methods is used, we cannot see a  full picture of the work . Conclusions: to interpret the poems including musical context properly, interdisciplinary analysis connecting literature-scientific and musicological method is needed.  Unfortunately, there are very few such methods.
PL
Cel badań: Ukazanie sposobów i możliwości wykorzystania różnego typu metod badawczych służących analizie i interpretacji tekstów poetyckich, które zawierają elementy muzyczne (odwołania, cytaty muzyczne, interteksty). Metody badań: Analiza tekstów naukowych traktujących o utworach literacko-muzycznych. Analiza filologiczna i muzykologiczna wierszy Barańczaka. Elementy metody heurystycznej. Wyniki badań: Można odnotować badania łączące muzykologiczne i literaturoznawcze metody analizy tekstów, lecz jest ich niewiele. Z uwagi na występowanie tekstów pogranicznych, eksperymentalnych istnieje potrzeba kształcenia, które z gruntu byłoby interdyscyplinarne. Wiersze Barańczaka (szczególnie te, pochodzące z tomu Podróż zimowa) powinno się badać dwutorowo: muzykologicznie i filologicznie, by móc je poddać interpretacji. Wykorzystywanie w badaniach omawianych tekstów wyłącznie jednej z metod nie daje pełnego obrazu dzieła i pozbawia je zasadniczego kontekstu. Wnioski: Do właściwej interpretacji wierszy, które uwikłane są w muzyczne konteksty, potrzebne są analizy interdyscyplinarne, łączące metody literaturoznawcze i muzykologiczne. Niestety tego typu analiz jest niewiele.
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