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EN
Motivation and burden are two of the most important aspects that influence response rates and dropouts in online surveys. As a result, we focus our analyses on how pictures and Best Worst Scaling (BWS), two solutions for each problem, interact in the Web medium. We use an experimental design that compares a BWS with pictures, the experimental group, and BWS without pictures, the control group. Results show that pictures influence measurement of BWS in six out of 16 items. We also observe that Couper's (2001) conclusion that concordant text and images have an accentuation effect while a discordant relationship between the two has an interference impact is partly true in our data. Eight out of the 16 items are at least partially influenced by the concordant/discordant variable while four fully respect this model. We conclude by discussing the impact of our findings and its limitations.
EN
The study comprised 200 teaching faculty students. It was expected from the students to depict a moment from the future family lives that they expect to have. After the pictures had been drawn, a half-structured group interview was performed with the students about their pictures. The content analysis of the pictures was inspected by 1 pediatric development expert, 1 psychologist and 1 psychological consultant in 5 different sub-contexts and reviewed against the answers given by the students. According to the findings of the study, while female students drew pictures depicting them spending time with their partners and children, male students tended to draw pictures in which they are spending time more individually (e.g., watching TV, soccer matches, etc.). Another finding of the study is that every student wants a family life except 2. Nearly everybody wants a child, but there can be differences concerning the number of children they want. One of the most important results of the study is that, while there are traditional attitudes about families, there can also be differences in modern attitudes.
3
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On limbless heroes

88%
Progress in Health Sciences
|
2014
|
vol. 4
|
issue 1
254-264
XX
Usually articles on the history of amputation of limbs, focus on the surgeons, techniques and on the artificial limbs. Some people after amputation of limbs, survived even before the introduction of antibiotics, knowledge about antisepsis, sophisticated surgical techniques and the introduction of modern radiology. In my 40 years of experience in clinical rehabilitation medicine, I realize that most people with physical disability, do not seek sensation or risks. This article will focus on famous amputees who continued their military career in-spite of their injury and disability.
EN
Having a reputation as a painter of historical subjects, Jacob Lawrence (1917-2000) is particularly recognized for his illustrations of the early twentieth-century African-American migration. His best known series of paintings, The Migration of the Negro (1941), challenges earlier interpretations of Black Americans’ journeys to the North and their everyday lives in the cities. The article explores Lawrence’s visual narratives together with the accompanying textual elements and the ways they present the social, political and cultural implications of the largest ever movement of African-American people across the country. It also considers the series from the perspective of form with a view to reconfiguring the relation between words and images.
PL
W artykule przedstawiono metody badań wizualnych (VRM), procedurę zawierającą iteracyjne koło do wykrywania palaczy i niepalących wśród młodzieży i młodych dorosłych. Wykorzystano metody jakościowe i ilościowe do opracowania ram teoretycznych i kwestionariuszy, przeprowadzenia warsztatów, analizy danych i modelowania statystycznego oraz do zbadania i interpretacji wyników. Kontekst wizualny, który rozróżnia osoby niepalące i palaczy, dotyczy norm społecznych i środowiska, postaw, przekonań, wzorców do naśladowania, czynników indywidualnych, kontekstu sytuacyjnego oraz zdrowego i niezdrowego stylu życia. VRM dostarcza precyzyjne wyniki dotyczące tego zjawiska oraz oferuje rzeczowy i odpowiedni sposób na jego zbadanie. Interpretacja wizualnego kontekstu palenia dostarcza cennych informacji dla rozwoju metod zapobiegania paleniu w porównaniu z tradycyjnym kwestionariuszem werbalnym.
EN
This article presents the visual research methods (VRM), a procedure containing an iterative circle for detecting smokers and non-smokers among adolescents and young adults. Qualitative and quantitative approaches were used to develop the theoretical framework and questionnaires, conduct workshops, content analysis and statistical modelling, and to examine and interpret the results. The visual context that detects smokers and non-smokers concerns the social norms and environment, attitudes, beliefs, role models, individual factors, situational context and healthy vs. unhealthy lifestyle.
PL
Franka Wedekinda ,myślenie obrazami‘ szczególnie dobrze prześledzić można w jego późnym dramacie Franziska (1911). Tendencja wizualizacyjna przejawia się tu z jednej strony w zdjęciowej choreografii scenicznej, z drugiej w licznych odniesieniach do historii sztuki, poprzez które autor zabiera głos we współczesnym mu dyskursie. Cytaty obejmują szeroki okres od renesansu, poprzez prerafaelitów aż po sztukę współczesną, co otwiera bogate archiwum obrazów z figuracjami Fausta, Heleny, Mignon, Ewy, Maryi i innych. Cytaty optyczne pełnią funkcje ironicznej korekty tradycji chrześcijańskiej, dzięki czemu autor wpisuje się w sensualistyczne dziedzictwo antyku.
EN
Frank Wedekind’s visual thinking can be studied particularly clearly in his late drama Franziska (1911). The tendency to visualize is on the one hand visible in the tableau-style choreography and on the other – in numerous references to art history, through which the author takes a position in contemporary art discourse. The references range from Renaissance through Pre-Raphaelite painting to contemporary art, opening up a wide archive of images, among them the figures of Faust, Helena, Mignon, Eve, Saint Mary and others. These “optical allusions” form an ironic corrective to the Christian tradition, and allow the author to inscribe his work among the ‘sensualists’ in the heritage of antiquity.
DE
Frank Wedekinds ,Denken in Bildern‘ lässt sich im späten Stück Franziska (1911) besonders gut verfolgen. Zum einen manifestiert sich die Visualisierungstendenz in der tableauartigen Szenen-Choreographie, zum anderen in zahlreichen Bildzitaten, mit denen der Autor zum zeitgenössischen Kunstdiskurs Stellung bezieht. Die kunstgeschichtlichen Bezüge umfassen die breite Palette von der Renaissance, über die Präraffaeliten bis zur Kunst der 10er Jahre des 20. Jahrhunderts, womit ein reichhaltiges Bildarchiv mit u.a. Faust-, Helena-, Mignon-, Eva- und Maria-Figurationen eröffnet wird. Die visuellen Zitate fungieren als ein ironisches Korrektiv der christlichen Tradition, womit sich Wedekind als Sensualist in der Nachfolge der Antike profiliert.
EN
Heinz Piontek and Christa Wolf before the turnaround. A comparative study. The article is a comparative study. The aims of the study is to analyze the essays written by Heinz Piontek and Christa Wolf before the turnaround, mainly in the 1970’, and to discuss the similarities and differences between them. We can notice some points of contact in their literary work. Similar motives in similar constellations appear in both essays writing. Although they worked in different regimes, the same themes and literary tendencies are described by both of them, and some phenomenons are being similar assessed.
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