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Man, History and Poetry. Dominant Tendencies in Lithuanian 21st-Century Documentary Films

100%
Mikonis-Railiene A.
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
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2014
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vol. 15
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issue 24
77-90
PL
This brief study presents the main streams in Lithuanian documentary film in our century. It discusses the most interesting work of three generations of Lithuanian directors, and the nature of their politics and narrative structure. Although film expression in the Lithuanian documentary has become more varied at the turn of this century in terms of subject matter, nonetheless, an attempt to return to the film aesthetics of the 1960s through the poetic fusion of the visual with documentary information from the outside world still dominates. The search for formal constructs, the painstaking composition of the visual aspect, narrative lyricism, and an authorial point of view are all typical traits of the contemporary documentary in Lithuania. One could argue that the history of the Lithuanian documentary film is one that is imbued with a poetical style that creatively interprets the world outside. It places at the very centre of the world out there humanity’s fate, and draws reflections on its condition in the contemporary world. Documentaries devoted to history and biography constitute a separate group that introduces variety and, consequently, broadens the field of subject matter featured in the Lithuanian documentary. In addition, one of the important changes that has taken place in Lithuanian films is the subject of the Holocaust in Lithuanian culture and interpreting reality from the perspective of the woman's “patient eye”.  
2
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Pole bieli w wierszach Juliana Tuwima

86%
Seniów A.
Studia Językoznawcze. Synchroniczne i diachroniczne aspekty badań polszczyzny
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2015
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vol. 14
147-160
EN
The linguistic exponents of the colour white in Julian Tuwim’s poetry are both primary and secondary names of the colour white. For the sake of creating poetic images of the nature, human appearance, his physiology and emotions Tuwim used conventional connotations of the colour white.
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Barwa złota w utworach lirycznych Juliana Tuwima

86%
Seniów A.
Studia Językoznawcze. Synchroniczne i diachroniczne aspekty badań polszczyzny
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2012
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vol. 11
187-208
EN
In the poems of Julian Tuwim that were taken into consideration during the research 27 words from the semantic field of the word 'gold' occurred in 110 of text implementations. Gold was used in order to create diversified elements of the world, such as nature, human, appliances, food or even abstract ideas. The poet made use of well-known culturally connotations of the colour gold and used it in harmony with current trend. In Tuwim's poetry gold is very often associated with ennoblement, very rarely with irony. Colour gold intensified also the poetry of images while it was the component of a great amount of stylistic devices like metaphors, personifications, periphrasis or comparisons.
4
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Pole czerwieni w wierszach Juliana Tuwima

86%
Seniów A.
Studia Językoznawcze. Synchroniczne i diachroniczne aspekty badań polszczyzny
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2013
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vol. 12
165-187
EN
The linguistic exponents of the colour red in Julian Tuwim’s poetry are both primary and secondary names of the colour red, with the latter dominated by expressions referring to the prototypes of fire and blood. For the sake of creating poetic images of human appearance, his physiology and emotions Tuwim used conventional connotations of the colour red. However, what draws attention is the poet’s proneness to the description of morbidity and ugliness. Additionally, the colour red and its synonymous names were used for the linguistic creation of political events and the description of nature. What is interesting is the phenomenon of frequent occurrence of the colour discussed in the autothematic poems, in which the colour reflects unusual fervency of the poetic afflatus and the toil of creative work.
5
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Jubilující básnířka Karla Erbová

72%
Harák I.
Bohemistyka
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2020
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issue 1
72-82
EN
Ivo Harák is paying attention to her latest collections of poetess Karla Erbova. This authoress celebrated 85 years of his life this year. In the full work of your work. Which is also known to readers abroad, for example, in Poland. Author seeks to capture the spiritual roots and the gradual transformation of the poetry of the jubilant poetess
CS
Ivo Harák věnuje ve své studii pozornost posledním vydaným sbírkám básnířky Karly Erbové. Tato spisovatelka letos oslavila 85 let svého života. A to v plné práci na svém díle. Které je známé také čtenářům v zahraničí, například v Polsku. Autor se snaží postihnout především duchovní kořeny a postupnou proměnu poezie jubilující básnířky.
6
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Razdioba konstitutivnih parametara za strukturni nacrt poetskog stila

58%
Lemac T.
International Journal of Slavic Studies Transgressive, Pragmatic and Speculative Horizons of Popular Literature and Culture
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2020
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vol. 1
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issue 2
EN
In this paper we offer structural draft of poetic style which is based on three descriptive parametars. These are lyrical subject, poetic text and metaphore. Lyrical subject is viewed in the relation to the author and like a derivation of poetic text. Poetic text is based on unity of content and style and metaphore is based on Jakobsonian paradigma like micro-and macrometaphore. These descriptive parametars are distributed in many organisational and projective parametars so that the structural style concept would be analythicaly functional and operational effective in pedagocial and academic study of lyric. Theoretical and methodological frames of this paper are based on linguostylistics, text stylistics, stylistics of the literal media and stylistics of discourse.
7
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„Stopy szukają w trawie – jest ziemia”. Ziemia w twórczości poetyckiej Karola Wojtyły – Jana Pawła II

51%
Ołdakowska-Kuflowa M.
Roczniki Humanistyczne
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2020
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vol. 68
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issue 1
33-49
EN
This article deals with the widely understood motif of “earth” and its polysemy in the poetic works of Karol Wojtyła / John Paul II. The method of literary analysis and interpretation has allowed for the discerning of a semantic field and to demonstrate the function of the motif of “earth” in the author’s outlook on material reality, his attitude towards the fertility of the soil, nature, fatherland, the Earth, the cosmos and, finally, spiritual reality, combined, in man, with material reality in a particular way, through the Incarnation and Redemption. The analysis of the individual poetic style, especially the method of evoking landscapes, has proved to be a particularly useful interpretational tool, and helps distinguish Karol Wojtyła from his predecessors, interwar poets, and contemporaries – the young poets of the war generation.
PL
W artykule podjęte zostało zagadnienie szerokiego rozumienia słowa „ziemia”, jego wieloznaczności w utworach poetyckich Karola Wojtyły – Jana Pawła II. Metoda literackiej analizy i interpretacji pozwoliła na wyznaczenie pola semantycznego oraz na ukazanie funkcji, jaką pełni motyw ziemi w prezentowaniu stosunku Autora do rzeczywistości materialnej, do urodzajności gleby, do przyrody, ojczyzny, ziemskiego globu oraz kosmosu, w końcu do rzeczywistości duchowej, z którą rzeczywistość materialna łączy się w człowieku, od czasów Wcielenia i Odkupienia w szczególny sposób. W odczytaniu sensów ideowych przydatna okazała się analiza indywidualnego stylu poetyckiego Autora, zwłaszcza sposobów ewokacji krajobrazów. Metoda przywoływania wybranych elementów przyrody odróżnia go od poprzedników, od tworzących w dwudziestoleciu międzywojennym oraz rówieśników – młodych poetów wojennego pokolenia.
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