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1

Tekst poetycki jako materiał źródłowy do poznania modernistycznych sposobów konceptualizacji świata (na przykładzie analizy semantycznej leksemu dziewanna)

100%

Kuryłowicz B.

Poznańskie Studia Polonistyczne. Seria Językoznawcza

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2012

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vol. 19

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issue 2

65-85

PL

The present article discusses the role of poetic texts in recreating and reestablishing modernist means for the conceptualization of the world. The article has been divided into two parts. The first part is to present the theoretical considerations on the participation of poetic materials in revealing the meaning of lexical units and the world’s conceptualization generated by a language lexicon. The other part includes a semantic analysis of the lexeme dziewanna (mullein), whose conceptual model has been reconstructed on the basis of modernist poetic texts. The analysis of artistic texts has made it possible to demonstrate conceptually the fundamental, though not attested in systemic facts, special features of the lexeme: [dziewanna] “has golden and yellow leaves”, “has a long and straight stem”, “is tall” and “blooms in summer”. Poetic texts also attest to the attribution “grows on barren land”, which has been preserved in the Polish proverb: Gdzie rośnie dziewanna, tam bez posagu panna (literally: [homestead] where mullein grows is where a portionless maid lives) All considerations done so far also indicate that the most important place within the conceptual framework of the word is occupied by the elements that belong to the domain: PHYSICAL FEATURES, and the range of colour characteristics in particular. These elements form a strong part of the semantic core of the name and determine numerous connotations such as: “beauty”, “perfectness”, “brightness”, “purity”, “joy”, “vitality”, “biological determination”, “joy of living”, “youth” and “health”, “fertility of nature”, “fertility”, “abundance”, “richness”, “eroticism” and “sexual appeal”. The conventionalized character of the elements of the sub-framework: PLACE OF GROWTH – “grows on sands, waste grounds”, “grows in desolate places” influences the relatively well-developed structure of this section of the conceptual model of the word. The environmental features of the name justify, in turn, the following connotations: “penury”, “loneliness” and “abandonment”. Its locative characteristics also includes the image of the flower in which the connotations such as “heroic loneliness”, “perseverance despite the odds” come into the foreground.

2

Strategie przekładu Adama Pomorskiego na przykładzie tłumaczenia wiersza Метель Borysa Pasternaka

88%

Plakueva-Olejniczak M.

Acta Polono-Ruthenica

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2018

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vol. Tom 3 Nr XXIII

127-140

EN

The subject of this article’s research is the problem of translation of poetic texts on the basis of a poem Метель by Boris Pasternak. The work aims to analyse certain mechanisms and processes involved in the translation of poetic texts which are not limited to the rhythmical layer but also include lexical and phonological dimension. The article examines strategies of translation created by Adam Pomorski, a critic, essayist and recognised translator of Russian, German and English belles-letters, and a chairman of the Polish PEN Club. Pomorski reckons that translation is a “reconstruction of the prototype” within the norms and conventions, while all rest is a result of individual style. While cre- ating literature, some artists recall the sounds that they associate with the literary pictures. This way, the language goes beyond the sematic layer of a work, while trying to imitate the sounds through onomatopoeic words, acoustic expressions and also other ways that influence the rhythmisation of a poem and bring out the connotation to the musical side of things. We will try to investigate how the poetic word of a prototype changed upon a translation on the basis of a Метель poem Pasternak.

3

Лексико-семантический анализ стихотворения Н. С. Гумилева „Сады души”

76%

Kasperova L. Т.

Stylistyka

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2015

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vol. 24

229-236

EN

This article presents a lexico-semantic analysis of Nikolay Gumilev’s “Garden of the Soul” poem (1907). In the early 20th century, there appeared a special type of depiction in art – a depiction of the author’s inner state. Analyzing the idiostyles (individual styles) of the poets from the Silver Age, we have defined it as a psychological self-portrait, the type of character depiction wherein the poet uses the artistic format to characterize his or her mental state when creating the work of art. One of NikolayGumilev’s early poems, “Gardens of the Soul” (1907), fits into the category of the psychological self-portrait. In his early poems, the poet had already demonstrated the basic features of the future neo-romantic trend in Russian poetry, known as acmeism (from the Greek Üêìç (acme), the height of the blossoming season), founded by Nikolay Gumilev himself. By opposing themselves to the symbolists, the acmeists turned to the description of the material world. First and foremost, they tended to replace the referent with characterization in metaphorical constructions, and describe abstract notions through analogies with the material world. In his poem “Gardens of the Soul” the author describes his inner world through the metaphor of the garden. On route from referent denotations of the words garden and soul to the metaphorical meaning of the phrase “gardens of the soul”, the readers find themselves neutralizing the concrete semantic components, while other semantic components are actualized. The study uses lexicosemantic analysis and socio-philological experiments. The article summarizes the results of a survey, in which the respondents of various age and social groups interpret the text of the poem. The metaphorical transfer between the notions of the soul and the garden is carried out through not one, but several ways: epidigmatic (3%), lexicosemantic (39%), attributive (25%) and lexico-derivational (33%).

4

Słowotwórcze i składniowe sygnały tekstowej reinterpretacji świata

75%

Filar D., Piekarczyk D.

Język a Kultura

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2015

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vol. 25

315-329

EN

The purpose of the paper is to demonstrate that the grammatical structure of a language is derived from conceptual models belonging to the linguistic image of the world. Grammatical categories are connected with historical, cultural, social areas of experience creating models of knowledge contained in the human mind. Every language expresses the interpretation of the world and make the interpretation possible; it is “the mediator” between people and the world. The conventional character of a language is specially emphasized in creative (poetic) texts; it is often the subject of individual reflection: a conventionalized way of expressing human experience may be dubious, provoke discussions, surprise or become the subject of poetic games with the language. The games with grammar (creating new word formations, new syntactic schemas, using grammatical categories which are contrary to the principles of the language) lead to the disclosure that we speak about the world that we see, not about the world that really is. The article analyzes unconventional expressions found in present-day poetry. Such expressions prove that the poetic interpretation of the world is connected with the linguistic worldview but can also express textual re-interpretation of the way of thinking characteristic of a given speech community.

5

ЛІНГВОПЕРСОНА ЛІНИ КОСТЕНКО: АКТУАЛІЗАЦІЯ ФРАЗЕОЛОГІЗМІВ У ЇЇ ПОЕТИЧНИХ ТЕКСТАХ

71%

Filipiak A.

Studia Ukrainica Posnaniensia

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2019

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vol. 7

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issue 1

61-67

EN

This article focuses on the analysis of the phraseological links used by Lina Kostenko in the collection of the poetry "Trysta poeziy". The phenomenon of a linguistic personality has been described, pointing to the fact that Lina Kostenko undoubtedly belongs to one of the most vivid linguistic personalities in Ukrainian literature. The idioms have been analyzed, including their division into the lexical phrases, the author-made the phrases and the aphorisms. The right tendencies have been also proposed and the perspective of the research has been defined.

PL

Niniejszy artykuł poświęcono analizie związków frazeologicznych wykorzystanych przez Linę Kostenko w poetyckim tomie Триста поезій. Opisano fenomen osobowości językowej, wskazując na fakt, iż Lina Kostenko bez wątpienia należy do jednej z najbardziej jaskrawych osobowości językowych w literaturze ukraińskiej. Wspomniane frazeologizmy poddano analizie, uwzględniając ich podział na wyrażenia słownikowe, autorskie oraz aforyzmy. Zaproponowano właściwe tendencje, a także określono perspektywę badań.

6

Метафорика и интертекстуальность: ещe раз об изоморфизме и функционировании (на материале русской и белорусской поэзии)

63%

Кураш С.

Acta Universitatis Lodziensis. Folia Linguistica Rossica

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2022

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issue 21

81-94

EN

The purpose of the study is to characterize the isomorphism of metaphorics and intertextuality and to identify concrete linguistic forms of intertextual metaphors, represented in the language of Russian and Belarusian poetry, mainly of the 20th century. Based on the works of domestic and foreign scientists, the problem of intertextual and intercultural poetic interaction is investigated. The isomorphism of metaphorics and intertextuality leads to the closest union of these two phenomena; metaphors dialogizing in poetic speech undergo certain structural and semantic changes both within the language of one national literature and in the interaction of different national literary and poetic traditions. The research methods are structural-functional, component, contextual and oppositional analysis. The results of the study. The effect of the tropeic mechanism beyond the source text is revealed. Various methods of linguistic realization of intertext dialogue in Russian and Belarusian poetry at the level of the trope (continuation, branching of the metaphorical image, its denial, etc.) are identified and systematized. Conclusions, research prospects. The conclusion highlights the unity of the literary and cultural continuum, within which both traditional and unique, individually authored metaphorical tropes of Russian and Belarusian poets are dialogized. The active interaction of metaphorics and intertextuality is largely explained by their isomorphism. The proposed approach can serve as a working model for the study of other elements of the figurative structure of a poetic text as figurants of an intertext dialogue.

RU

Цель исследования – охарактеризовать изоморфизм метафорики и интертекстуальности, выявить конкретно-языковые формы воплощения интертекстуальных метафор, представленные в языке русской и белорусской поэзии преимущественно ХХ века. С опорой на труды отечественных и зарубежных учeных освещается проблема межтекстового и межкультурного поэтического взаимодействия. Изоморфизм метафорики и интертекстуальности ведeт к теснейшему союзу этих двух феноменов; диалогизирующие в поэтической речи метафоры претерпевают те или иные структурно-смысловые изменения как в пределах языка одной национальной литературы, так и во взаимодействии разных национальных литературно-поэтических традиций. Методы исследования – структурно-функциональный, компонентный, контекстный и оппозитивный анализ. Результаты исследования. Раскрывается действие тропеического механизма за пределами текста-источника. Выявлены и систематизированы разнообразные приeмы языковой реализации интертекстового диалога в русской и белорусской поэзии на уровне тропа (продолжение, разветвление метафорического образа, его отрицание и др.). Выводы, перспективы исследования. Сделан вывод о единстве литературно-культурного континуума, в пределах которого диалогизируют как традиционные, так и уникальные, индивидуально-авторские метафорические тропы русских и белорусских поэтов. Активное взаимодействие метафорики и интертекстуальности во многом объясняется их изоморфизмом. Предложенный подход может служить рабочей моделью для исследования иных элементов образной структуры поэтического текста как фигурантов интертекстового диалога.

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“Aquarium in the Sea”: Awareness Evaluation of Authors the New York Group of Poets

51%

Ivanova I.

Intercultural Communication

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2019

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issue 6

9-19

EN

The article deals with meaning, scope and structure of the occasional adverbs, describes two groups of occasionalisms used in contemporary modernist poetry by the New York Group of poets. The research has been conducted on the basis of occasional adverbs consideration. The adverbs have been considered as the ones created within the framework of modern poetic text aesthetics. Purpose is examination and analysis of the content, reasons for using specific verbal components, occasional adverbs, that represent certain stylistic nominees, experiments with the word, influence the language creation, function as significant elements of relevance to the poetic text modern aesthetics. Methods cоmbine general scientific apprоaches that are inductive and dеductive as wеll as the methоd of interdisciplinary study. Results. Ukrainian language involves a lot of linguistic innovations, among which prominent place is occupied by occasional adverbs. New poetic forms allow presenting a poetic image originally, emotionally, precisely, assisting to create necessary stylistic effects. For this purpose the word-building potential of the language is involved, semantic and stylistic accents are changed. Experiments with the word make the poetry of the New York Group of Poets authors a peculiar and notable phenomenon not only in the Ukrainian but also in all cultural world.

UK

У статті розглянуто зміст, обсяг і структуру поняття “оказіональний прислівник”, описано дві групи оказіоналізмів, що використовуються в сучасній модерній поезії авторів Нью-Йоркської групи. Дослідження проведене із залученням оказіональних прислівників, створених в межах модерної естетики поетичного тексту. Мета дослідження. Метою дослідження є розгляд та аналіз змісту, причин використання специфічних вербальних компонентів, оказіональних прислівників, що репрезентують певні стилістичні номінанти, експерименти зі словом, впливають на мовотворчість, є знаковими елементами приналежності до сучасної модерної естетики. Методи дослідження. Дослідження ґрунтується на комплексному підході. У статті застосовано індуктивний та дедуктивний методи, метод міждисциплінарного дослідження, а також враховано можливості інтерпретативної методології. Висновки. У сучасній українській літературній традиції багато мовних інновацій, серед яких важливе місце займають оказіональні прислівники. Новотвори дозволяють представити поетичний образ оригінально, емоційно, точно, дозволяють створювати потрібні стилістичні ефекти. З цією метою залучається словотворчий потенціал мови, змінюються семантичні та стилістичні акценти. Експеримент зі словом робить поетику авторів Нью-Йоркської групи окремим та помітним явищем не тільки в українському, але й у світовому культурному просторі.

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Razdioba konstitutivnih parametara za strukturni nacrt poetskog stila

51%

Lemac T.

International Journal of Slavic Studies Transgressive, Pragmatic and Speculative Horizons of Popular Literature and Culture

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2020

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vol. 1

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issue 2

EN

In this paper we offer structural draft of poetic style which is based on three descriptive parametars. These are lyrical subject, poetic text and metaphore. Lyrical subject is viewed in the relation to the author and like a derivation of poetic text. Poetic text is based on unity of content and style and metaphore is based on Jakobsonian paradigma like micro-and macrometaphore. These descriptive parametars are distributed in many organisational and projective parametars so that the structural style concept would be analythicaly functional and operational effective in pedagocial and academic study of lyric. Theoretical and methodological frames of this paper are based on linguostylistics, text stylistics, stylistics of the literal media and stylistics of discourse.

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1 Acta Polono-Ruthenica

1 Acta Universitatis Lodziensis. Folia Linguistica Rossica

1 Intercultural Communication

1 International Journal of Slavic Studies Transgressive, Pragmatic and Speculative Horizons of Popular Literature and Culture

1 Język a Kultura

1 Poznańskie Studia Polonistyczne. Seria Językoznawcza

1 Studia Ukrainica Posnaniensia

1 Stylistyka

1 Filar D.

1 Filipiak A.

1 Ivanova I.

1 Kasperova L. Т.

1 Kuryłowicz B.

1 Lemac T.

1 Piekarczyk D.

1 Plakueva-Olejniczak M.

1 Кураш С.

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