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Lingwizm jako antropomorfizm. Wokół poetyckiej historiozofii Zbigniewa Bieńkowskiego

100%

Stankowska A.

Przestrzenie Teorii

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2013

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issue 19

41-56

EN

The sketch presents the reconstruction of Zbigniew Bieńkowski’s theory of linguistic poetry. This author who is classified by critics and researchers as a member of linguistic poetry movement is by no means uncritical of its various perspectives and accomplishments. This complicated approach is reflected in the dispute that Bieńkowski was engaged in with Karpowicz and the poets of the New Wave in his critical sketches. He unfairly accuses them of being too minimalistic and of paying too much attention to linguistic experiments. He claims that distrust of language and its communicative functions in New Wavers’ programs overshadowed the broad philosophical and ideological functions of word games. Instead he proposed his own poetological project “Trzy poematy” [“Three poems”], where avant-garde traditions mingled with symbolist ones and called for breaking the numbness of language for broader, idealistic purposes. Referring to Vico’s historiosophy, Bieńkowski wishes to treat linguistic poetry both as a tool (a trick) and space for intervention, whose final purpose is to rebuild the anthropogenic locus amoenus in language.

2

Dwa przecinki i jeden dywiz Krystyny Miłobędzkiej

63%

Żurek Ł.

Forum Poetyki

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2017

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issue 8-9

126-135

EN

This interpretative essayistic article is devoted to a detailed micrological analysis of Krystyna Miłobędzka’s poems in her book Imiesłowy (Participles). The author attempts to show how three punctuation signs – two commas and one hyphen – can diametrically alter the surface interpretation of a work in the event of such seemingly minor details being omitted. In his conclusion, the author raises the question of whether it is possible, within a micrological analysis, to speak of separating interpretation from the philologist-collector’s pure overinterpretation.

PL

Artykuł-szkic interpretacyjny poświęcony jest szczegółowej, mikrologicznej analizie dwóch wierszy Krystyny Miłobędzkiej z tomiku Imiesłowy. Autor stara się pokazać, jak trzy znaki interpunkcyjne – dwa przecinki oraz jeden dywiz – potrafią diametralnie zmienić powierzchowną interpretację utworów, w której obecność wspomnianych detali zostałaby pominięta. W zakończeniu autor stawia pytanie o to, czy w ramach analizy mikrologicznej możliwe jest mówienie o oddzieleniu od siebie interpretacji od czystej nadinterpretacji filologa-kolekcjonera.

3

Od apokryfu do „anarchomistycyzmu”. Postsekularne narracje (liryczne) Joanny Mueller

63%

Bogalecki P.

Świat i Słowo

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2015

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vol. Świat i Słowo 2015, nr 1 (24)

129-144

EN

The article is an attempt to interpret poetic works by Joanna Mueller from the point of view assumed in her 2013 book Powlekać rosąnce (apokryfy prenatalne) [To Coat the Growing (prenatal apocrypha)] – seen as both a piece of literary criticism and, in her own formulation, “autobiographical silva rerum.” The author focuses mainly on the problem of narrative's presence and function in contemporary non-narrative works; thus he will perform his research on at least three levels. Firstly, he will analyse Powlekać rosnące, especially with regard to the organising framework of subsequent parts of Christian Liturgy, pervading the work. Secondly, he will regard Mueller as a critic, who builds her – as she calls it – “anarchomystical” narrative within literary criticism, devoting it to three Polish contemporary female writers: Agnieszka Kuciak, Bianca Rolando and Lidia Amejko. Thirdly, he will concentrate on Mueller as a poet, suggesting the possible reinterpretation of her own poems in light of the model she explicitly puts forward analysing the above mention female authors. In this light, Mueller's poetry may seem postsecular in character, revealing many correlations with the idea of the “weakness of God,” developed by such authors as Gianni Vattimo and John D. Caputo.

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1 Forum Poetyki

1 Przestrzenie Teorii

1 Świat i Słowo

1 Bogalecki P.

1 Stankowska A.

1 Żurek Ł.

1 2017

1 2015

1 2013

Lingwizm jako antropomorfizm. Wokół poetyckiej historiozofii Zbigniewa Bieńkowskiego

Dwa przecinki i jeden dywiz Krystyny Miłobędzkiej

Od apokryfu do „anarchomistycyzmu”. Postsekularne narracje (liryczne) Joanny Mueller