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Dzieło Jehana Titelouze’a i jego znaczenie w krystalizacji stylu organowego

100%
Pawlisz K., Karcz B., Tyrała R., Zając A., Delimat W., Janicki J. J., Malik J., Sterczewska L., UPJPII i., Pasek W., Karcz B., Malik J., Sterczewska L., UPJPII i., Pasek W.
Pro Musica Sacra
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2013
|
vol. 11
EN
The organ work of Jehan Titelouze has considerable meaning in developement of organ music in France. His two books: Hymnes de l’Eglise pour toucher sur l’orgue, avec les fugues et recherches sur leur plain-chant (1623) and Le Magnificat, ou cantique de la Vierge pour toucher sur l’orgue, suivant les huit tons de l’Eglise (1626) are a great testimony of french organ music at the beginnig of XVIIth century. Titelouze is considered both a traditionalist and an innovator. His organ style is firmly rooted in the structures and the compositional techniques of the renaissance polyphony. The significant inspiration for Titelouze was a new invented type of organ. Composer in a conscious way used its technical and sound possibilities for create new stuctures with diligent counterpoint, organ ornamentation and the linear stucture.
PL
The organ work of Jehan Titelouze has considerable meaning in developement of organ music in France. His two books: Hymnes de l’Eglise pour toucher sur l’orgue, avec les fugues et recherches sur leur plain-chant (1623) and Le Magnificat, ou cantique de la Vierge pour toucher sur l’orgue, suivant les huit tons de l’Eglise (1626) are a great testimony of french organ music at the beginnig of XVIIth century. Titelouze is considered both a traditionalist and an innovator. His organ style is firmly rooted in the structures and the compositional techniques of the renaissance polyphony. The significant inspiration for Titelouze was a new invented type of organ. Composer in a conscious way used its technical and sound possibilities for create new stuctures with diligent counterpoint, organ ornamentation and the linear stucture.
2
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The Book of Requiems, 1450–1550. From the Earliest Ages to the Present Period, ed. David J. Burn, Leuven: Leuven University Press, 2022, pp. 208. ISBN 978-94-6166-471-1

75%
Pintus R.
Muzyka
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2023
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vol. 68
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issue 4
125-127
PL
Recenzja zbioru esejów poświęconych najważniejszym przykładom renesansowego Requiem pod redakcją Davida J. Burna. The Book of Requiems, 1450-1550: From the Earliest Ages to the Present Period to pierwszy tom serii „Book of Requiems”, która traktuje Requiem jako specyficzny gatunek, z jego charakterystycznymi cechami i konwencjami oraz historycznym znaczeniem.
EN
The review of a collection of essays devoted to the most important examples of the Renaissance Requiem edited by David J. Burn. The Book of Requiems, 1450-1550: From the Earliest Ages to the Present Period is the first volume of the 'Book of Requiems' series, which treats the Requiem as a specific genre, with its distinctive features and conventions and historical significance.
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