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La polyphonie dans le discours juridique : marqueurs de référence

100%
Sobieszewska M.
Orbis Linguarum
|
2018
|
issue 50
157–167
EN
Polyphony in legal discourse: reference markers Since the law is polyphonic, one can a fortiori consider legal discourse as polyphonic. In this article, we propose to shed some light on this phenomenon. The questions formulated for this problem are the following: What is polyphony? How does the Court construct a clear and coherent discourse by orchestrating the “voices”, “opinions” or “points of view” of different actors participating in the trial? How do these voices manifest themselves in the text of the judgment? Which reference marks make it easier to identify these “voices”? The corpus proposed for our study comes from the case law of the official website of the French Court of Cassation.
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Congruence de deux théories polyphoniques dans l’analyse stylistique des textes romanesques : intertextualité et dialogisme dans L’état z’héros ou la guerre des gaous de Maurice Bandaman

63%
Coulibaly D.
e-Scripta Romanica
|
2022
|
vol. 10
1-12
EN
L’état z’héros is a work in which Maurice Bandaman integrates the tale into the frame structure of the novel. Its discursivity is based on a number of oral intertexts including ritual songs, stanzas, opuses and references integrated in the form of a literary collage. At the narrative level, the voices of the narrators interact with those of the characters in dialogues and autonomous monologues by characters or narrators. These dialogic relationships highlight narrative metalepses that are polyphonic. It is one of the marks of literarity, the main driving force of stylistic analysis. The aims of this article are, firstly, to show that dialogism and intertextuality are two approaches echoing each other in the stylistic analysis of novelistic texts and, secondly, to prove that intertextual relations lead to polyphony and bring literarity to the fore.
FR
L’état z’héros est une œuvre dans laquelle Maurice Bandaman intègre le conte dans la structure du roman. Sa discursivité repose sur un certain nombre d’intertextes oraux dont les chants rituels, les stances, les opus et des références intégrées sous la forme d’un collage littéraire. Au niveau de la narration, la voix des narrateurs interagit avec celles des personnages dans les dialogues et les monologues autonomes des personnages ou des narrateurs. Ces relations dialogiques mettent en relief des métalepses narratives qui ressortent de la polyphonie. Celle-ci est l’une des marques de la littérarité, principal moteur de l’analyse stylistique. À travers un double objectif, primo, il s’agit de montrer que le dialogisme et l’intertextualité sont deux approches qui se font écho dans l’analyse stylistique des textes romanesques, en l’occurrence de ce texte de Maurice Bandaman. Secondo, il est question de prouver que les relations intertextuelles débouchent sur la polyphonie et mettent au premier plan la littérarité.
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