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EN
The paper critically interprets the analysis of characteristic features of the postmodern narrative fiction in Lubomír Doležel’s Heterocosmica (1998) and Heterocosmica II (2014). In particular, the author focuses on Doležel’s approach to metafiction and cumulation of contradictions as moves undermining (in a literarily productive way) the constitution and authentication of fictional worlds. Despite the explanatory power of Doležel’s analysis, the author points out that the same instruments (as well as some others analyzed by Doležel, like metamorphosis or construction of parallel and hybrid worlds) can be used with mimetic functions (in a rather non-traditional sense): in such cases, they cannot be reduced to moves within the postmodernist „ontological game“.
EN
The study primarily deals with Lubomír Doležel‘s latest book, Heterocosmica II: Fictional Worlds of Postmodern Czech Prose — its main aim is not only to analyse and describe Doležel‘s newest contribution to the investigation of the theory of postmodern literature but also to compare the methodological preconditions of his approach to this type of literature with other crucial approaches. Therefore, the crucial theses of his system of postmodern literature are critically compared with those of the approaches of Linda Hutcheon, Brian McHale, and David Lodge.
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