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Dantovská povídka Jaroslava Vrchlického

100%
Hubáček J.
Svět literatury – Časopis pro novodobé literatury (World of Literature – Journal for Modern Literatures)
|
2018
|
vol. 58
100-112
EN
The study analyses Vrchlický’s short story Růže (Povídky ironické a sentimentalní, 1886) which is an original interpretation of a passage from Dante Alighieri’s Vita Nuova. It shows Vrchlický’s elaborate work with intertextual references to Dante’s literary work, which simultaneously construct a unique portrait of Dante’s life and work. The creation of this image was intentional as is showed in connection with Vrchlický’s poetry, where he often deals with Dante Alighieri as a subject.
2

Sensualne oblicza śmierci w opowiadaniach Richarda Weinera (na wybranych przykładach)

100%
Woźniak K.
Slavica Wratislaviensia
|
2019
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vol. 168
303-313
EN
Sensual images of death in short stories by Richard Weiner (selected examples) The author of the article analyzes a selection of stories by Richard Weiner with regard to the leading theme — a sensual image of death. Attention is drawn to polisensuality of expression and the construction of the world depicted on the basis of sensual antinomies, e.g. silence/sound, movement/stillness, dead/alive, visible/invisible. The author refers to selected short stories from Weiner’s collections: Netečný divák (1917), Lítice (1918), Škleb (1919), and Lazebník (1929).
CS
Smyslná tvář smrti v povídkách Richarda Weinera (ve vybraných příkladech) Autorka článku analyzuje vybrané povídky Richarda Weinera z pohledu úvodního motivu, jímž je smyslná tvář smrti. Věnuje pozornost mnohasmyslnosti výpovědi a stavbě světa představeného na základu smyslových antinomií jako například: ticho–zvuk, pohyb–klid, mrtvé–živé, viditelné–neviditelné. Autorka se odvolává na vybrané povídky Weinera ze sbírek: Netečný divák (1917), Lítice (1918), Škleb (1919) i Lazebník (1929).
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Věcnost v povídkách Ladislava Dvořáka

71%
Pokorná Z.
Slovo a smysl - Word & Sense
|
2017
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vol. 14
|
issue 28
96-114
EN
The article examines the prosaic works of Ladislav Dvořák (1920–1983), specifically the collection of short stories entitled Šavle meče. It analyses the construction of Dvořák’s texts with regard to their significant aspect, the connection between reality and the world depicted in the narrative. It argues against the approach that take the stories as a source for study of the author’s biography and reverse the relation, thus the author’s life is merely a basic material for constructing the literary universe. The analysis is based on the theories of Přemysl Blažíček and Milan Jankovič, who treat the specifics of creating meaning in literature. With the help of the concept of ‘objectivity’, adapted for literary interpretation, the role of facts, description and narrator in the text is explored. The study concludes that the meaning in the short stories of Ladislav Dvořák is created mainly by situatedness of the narrator, whose goal is to mediate his own life experience in the process of its formation and its indefiniteness.
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