Results found: 2

Search results

Search:
in the keywords: primary emotions

Sort By:

Limit search:

Deconstruction of Emotional Discourse in the Novel Gullo Gullo by Miodrag Bulatović

100%

Đurišić-Bečanović T.

Poznańskie Studia Slawistyczne

2015

issue 9

The paper deals with a detailed analysis of the characteristics of emotional discourse, organized in a literary text, specifically in the novel Gullo Gullo by Miodrag Bulatovic. Since expressing of emotions can be verbal and non-verbal, both codes relating the organization of emotional discourse have been activated. In the analysis of literary coded emotional discourse the author had to consider two-instance system of art. The fiction as a basic distinctive feature of a literary text has a crucial influence on the emotional semiosis resulting in producing emotional meaning. That process has always been influenced by various features of poetic language and its combinatorics, which are significantly different from encoding in real chronotope expressed in native language forms, governed by quite different rules of expressing emotions and transferred by the people and not the literary structure. Since the fact that disorders of phatic function of a language, communication and culture, are defined as major agents of the process in question their accepted values novels written by Miodrag Bulatovic, the author points out the importance of carnival, grotesque, pornography and satire which have been used as the main degradation processes of the canonized cultural and communication patterns in the novel, whose destructive operation inevitably affects the emotional discourse.

Conceptualisation of Emotions

77%

Gruchoła M.

Roczniki Kulturoznawcze

2023

vol. 14

issue 1

15-32

Celem tego artykułu była konceptualizacja – zgodnie z klasyfikacją Stevena Gordona – emocji pierwotnych: szczęścia, strachu, smutku i gniewu wraz z „emocjami tła” oraz społecznych: empatia, współczucie (i samoświadomościowych: poczucie winy, wstyd, duma) w naukach społecznych, przy założeniu biologicznych podstaw i kulturowych uwarunkowań emocji (teoria „skryptów kulturowych” Norberta Eliasa, „reguły odczuwania” autorstwa Arlie Hochschild). Przedstawione są teoretyczne konceptualizacje emocji widziane z perspektywy antropologów, kulturoznawców, socjologów, psychologów i językoznawców. Oferowane są opisy przejawów emocji, sposobów ich wyrażania, objawów fizycznych, stopni natężenia, obszarów kluczowych, konsekwencji psychicznych i fizycznych oraz ich funkcji.

The objective of this article is the conceptualisation, in line with Steven Gordon’s classification, of primary emotions: happiness, fear, sadness, and anger, together with “background emotions,” and social emotions: empathy, compassion (and self-conscious emotions: a sense of guilt, shame, pride) in social sciences, with the underlying assumption of biological foundations and cultural conditions of emotions (the theory of “cultural scripts” by Norbert Elias, “feeling rules” by Arlie Hochschild). Theoretical conceptualisations of emotions are presented, viewed from the perspective of anthropologists, cultural experts, sociologists, psychologists and linguists. What is offered are descriptions of manifestations of emotions, ways of their expression, physical symptoms, degrees of intensity, crucial areas, mental and physical consequences, as well as their functions.

Refine search results

1 Poznańskie Studia Slawistyczne

1 Roczniki Kulturoznawcze

1 Gruchoła M.

1 Đurišić-Bečanović T.

1 2023

1 2015

Search results

Deconstruction of Emotional Discourse in the Novel Gullo Gullo by Miodrag Bulatović

Conceptualisation of Emotions