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Czech intonation: A tonal approach

100%
Duběda T.
Slovo a slovesnost: časopis pro otázky teorie a kultury jazyka (Slovo a slovesnost: A journal for the theory of language and language cultivation)
|
2014
|
vol. 75
|
issue 2
83-99
EN
In this article we describe a model of Czech intonation that is based on Daneš’s system of nuclear contours (1957), though, unlike Daneš’s system, it is formally inspired by autosegmental (tone-based) theory. After discussing the fundamental principles of the stylisation (prosodic phrase, types of tonal events, their scaling and their functions) we present and illustrate the inventories of prenuclear accents, boundary tones and nuclear contours. The findings of our analysis are based on two types of speech recordings (read newspaper texts and literary dialogues). Issues relating to the application of tonal events to prosodic phrases (alignment of nuclear contours, intonational homonymy and synonymy, structure of the phrase) are also discussed. We conclude the article by providing a general typological overview of Czech intonation.
2
Content available remote

Czech intonation: a tonal approach

84%
Duběda T.
Slovo a slovesnost: časopis pro otázky teorie a kultury jazyka (Slovo a slovesnost: A journal for the theory of language and language cultivation)
|
2014
|
vol. 75
|
issue 2
83-98
EN
In this article we describe a model of Czech intonation that is based on Daneš’s system of nuclear contours (1957), though, unlike Daneš’s system, it is formally inspired by autosegmental (tone-based) theory. After discussing the fundamental principles of the stylisation (prosodic phrase, types of tonal events, their scaling and their functions) we present and illustrate the inventories of prenuclear accents, boundary tones and nuclear contours. The findings of our analysis are based on two types of speech recordings (read newspaper texts and literary dialogues). Issues relating to the application of tonal events to prosodic phrases (alignment of nuclear contours, intonational homonymy and synonymy, structure of the phrase) are also discussed. We conclude the article by providing a general typological overview of Czech intonation.
CS
Článek popisuje model české intonace založený na Danešově (1957) systému nukleárních kontur (kadencí, melodémů), avšak inspirovaný – na rozdíl od Danešova systému – formalismem autosegmentální (tonální) teorie. Po vyložení základních principů stylizace (promluvový úsek, typy tonálních událostí, jejich výškové zakotvení a funkce) představujeme a ilustrujeme inventáře prenukleárních akcentů, hraničních tónů a nukleárních kontur. Analýza je založena na dvou typech řečových nahrávek (čtený publicistický text a literární dialog). Pozornost je věnována také otázkám propojení tonálních událostí s promluvovými úseky (asociace nukleárních kontur s textem, intonační homonymie a synonymie, struktura promluvového úseku). Závěr článku tvoří celkový přehled české intonace na obecně typologickém pozadí.
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