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Między tradycją a nowoczesnością. Czterowiersze Chalilullaha Chaliliego

100%
Kłagisz M. M.
Przegląd Orientalistyczny
|
2016
|
issue 3-4
297-311
XX
The quatrain (rubaʼi) is one of the most popular classical Persian literary genres. Its master lived between the 11th and 12th AD – Omar Khayyam, who perfected the art of keenly observing reality and commenting upon it. His quatrains reflect a bitter-sweet picture of the meaningful(/less)ness of the human existence. The formal features of the rubaʼi developed by Khayyam provided a model for the next generations of artists, including an Afghan poet – Khalilullah Khalili (1907–1987). The source of Khalilullahʼs rubaʼi topics should be thus sought in the poetry of Omar Khayyam that, undoubtedly, refers to Khalilullahʼs complicated life, full of twists and turns. Some examples indicate that Khalilullah attempted to modernize the genre and to adapt its modernized form to the needs of the contemporary times. In this way he involuntarily became an artist who returned to Afghan poetry one of its leading means of expression – the quatrain.
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„Impresa: Calando poggiando”, „Krótkość żywota” i „Na toż” Daniela Naborowskiego jako parafrazy tetrastychów Pierre’a Matthieu i Claude’a Guicharda

84%
Bielak A.
Prace Filologiczne. Literaturoznawstwo
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2019
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issue 9(12) cz.2
13-28
EN
Journeys of Daniel Naborowski to France (between 1605−1608), except for the tour of diplomatic duty on behalf of Janusz Radziwiłł, were also an occasion for coming into contact with poets from the court of Henry IV. One of the popular literary movements of that time was moral poetry also called moral tetrastichs (established by Guy de Pibrac). Among the members of this current were Pierre Matthieu and Claude Guichard, aulic poets and historians. The aim of this article is to show resemblances and parallels between writings of the above mentioned poets and poems by Daniel Naborowski (Impresa: Calando poggiando, The Brevity of Life) and pieces ascribed to him (On this, Secular Alternation).
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