Search results - CEJSH

1

Radio that Listens

100%

Westerkamp H.

Audiosfera. Koncepcje – Badania – Praktyki

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2015

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issue 2

1-8

EN

The founding of Vancouver Co-operative Radio in the 1970s provided any interested citizen in this Canadian city with the opportunity to explore radio and its experimental, as well as creative potential. In this talk, I will trace how my personal experience of broadcasting Soundwalking— a weekly one-hour programme that took the listener into the soundscape of Vancouver and its surroundings — not only gave me valuable radio-making experience on many levels, but also changed my relationship to the city I lived in — a shift that happened for everyone with a radio programme at the station. Some insight will be given into the workings of Co-op Radio, its structure, decision-making processes, the notion of “participating listener”, and what it means to have the opportunity to “speak back” to the world through the medium of radio. Various creative/artistic possibilities for such radio making will be examined, e.g. “radical radio”, a concept coined by R. Murray Schafer, and in particular the idea of a radio listening through its microphones to the world: instead of merely broadcasting at us, we listen through it

2

Rynek radiowy w Polsce w latach 2001–2011

100%

Dzierżyńska-Mielczarek J.

Zeszyty Prasoznawcze

|

2012

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vol. 55

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issue 4

30-53

EN

The changes in reception of traditional media and in ways of financing them lead to the analysis of radio market in Poland. Radio, unlike e.g. printed press, does not lose audience nor advertising revenue. Its popularity is still great, however – especially among younger listeners – the time of listening is shortening and the way of reception of radio programs is changing. Advertising revenues of radio stations show an upward trend, yet they do not increase shares in the advertising market signifi cantly. It determines the financial situation of the radio sector which – omitting the national broadcaster – has no other source of funding. Therefore, commercial stations show heavy dependence on the economic situation of the advertising market. Despite being present on digital platforms and cable networks, due to a lack of custom of using the radio in this way, they do not receive fees from their operators for access to the paid content. The number of radio stations is gradually increasing but the phenomena of their networking and program formatting is also progressing. Only one-third of Polish radio stations act independently, the rest of them belonging to big radio groups. The radio market is intensively concentrated in terms of shares in audience and advertising revenues. It can be even concluded that it expands quantitatively, but not qualitatively.

3

Radio, które słucha

100%

Westerkamp, H.

Audiosfera. Koncepcje – Badania – Praktyki

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2015

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issue 2

9-17

4

O językowej konwencji podróży w audycji Radia Szczecin „Machina czasu”

85%

Szlachta A.

Studia Językoznawcze. Synchroniczne i diachroniczne aspekty badań polszczyzny

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2017

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vol. 16

255-266

PL

Niniejszy artykuł został poświęcony językowej konwencji podróży realizowanej w audycjach radiowych „Machina czasu”, wyemitowanych na antenie Radia Szczecin w latach 2012–2015. Łącznie analizie poddano 165 programów o średniej długości 55 minut. Materiał badawczy został zgromadzony w postaci nagrań oraz transkrypcji. Zastosowano leksykalno-semantyczną metodę opisu tekstu radiowego. Dzięki prowadzonej analizie można stwierdzić, że cały program utrzymany jest w konwencji podróży, o czym świadczy zarówno podejmowana w nim tematyka, jak i liczne środki językowo-stylistyczne. W artykule zamieszczono cytaty pochodzące z audycji, co umożliwiło ukazanie omawianych subtelności komunikacji językowej w szerokim kontekście.

EN

The subject of the article is the linguistic convention of a journey used in the Radio Szczecin programme “Time machine” broadcasted in 2012–2015. Altogether 165 broadcastings were analysed of average length of 55 minutes each. The research material was collected in the form of the recordings and transcriptions. A lexical-pragmatic method of description of the radio text was used to identify the lexis specific to the selected problems and point to its pragmatic functions. The whole programme adopted the convention of a journey, which is visible both in its subject-matter and in a wide range of the linguistic and stylistic devices. The article contains the quotations from the analysed broadcastings, thereby demonstrating the discussed nuances of language communication in a broad context.

5

Radio publiczne w Szwecji – dylematy i perspektywy

85%

Wiśniewska D.

Studia Medioznawcze

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2014

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issue 4 (59)

141-151

PL

Celem artykułu jest przedstawienie stanu debaty nad przyszłością radiowego nadawcy publicznego w Szwecji – Sveriges Radio AB. Autorka skoncentrowała się na trzech głównych dylematach z tym związanych: na kwestii własności i koncentracji rynku, cyfryzacji rynku oraz jego rosnącej komercjalizacji. Za podstawę analizy i oś rozważań został przyjęty dokument Propozycja rządu. Edukacja i dostęp – radio i telewizja publiczna 2014–2019 przedstawiony przez rząd szwedzki w 2013 r. i poddany pod dyskusję w związku z opinią wydaną przez parlamentarną komisję kultury i komisję konstytucyjną.

EN

The main goal of this article is to present the ongoing debate over the future of the Swedish public service broadcaster Sveriges Radio AB. The Author discusses three dilemmas: the ownership and market concentration as well as the processes of digitalization and commercialization. The arguments are being discusses with a reference to The Government Bill culture and accessibility – public radio and television 2014–2019 prepared by the Swedish government in 2013.

6

The American Broadcast My Lobotomy as an Example of a Radio Feature in the West

80%

Kowalska N., The University of Lodz F. o. P., natalia.t.kowalska@gmail.com

Acta Universitatis Lodziensis. Folia Litteraria Polonica

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2016

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vol. 35

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issue 5

EN

This article consists of two parts. In the first one, I analyse relations between a reportage and a feature. Differences can be found in the way these notions are defined by scholars in Poland and in Western Europe. Polish radio documentaries are based on authenticity, while in a feature the truth intermingles with fiction. My Lobotomy, by David Isay and Piya Kochhar, serves as an example of a work which presents both authentic characters and some fictional elements. In the second part of the article I focused on the analysis of this American feature. As far as I am concerned, what makes the work most interesting is the relationship between the protagonist’s authentic and spontaneous reactions and the read out narrative sequences.

7

Łódź jako temat regionalnego reportażu radiowego

80%

Klimczak K., Uniwersytet Łódzki W. F., Kinga Klimczak – adiunkt w Katedrze Dziennikarstwa i Komunikacji Społecznej UŁ j. b. n. k. s. w. d. r., kinga.klimczak@gmail.com

Acta Universitatis Lodziensis. Folia Litteraria Polonica

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2015

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vol. 29

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issue 3

EN

In the text, the author describes the specifics of the regional radio documentary, and discusses the themes and characters that appear in documents from PR Lodz. The author proposes a division of themes focused on various regional aspects. The research material includes recorded programming published on the radio station’s website during the early days of the site’s existence.

8

Opcje strategiczne mediów publicznych - doświadczenia Polskiego Radia Gdańsk SA

80%

Kreft J.

Zarządzanie Mediami

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2015

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vol. 3

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issue 1

1-19

EN

The inconstancy of business and competition models influence the need for constant redefining of media enterprises strategy. In case of polish regional radio station companies, the destabilization of subscription revenue and rules governing their division is an additional factor underlining the instability of management conditions. The purpose of this article is to demonstrate that in the face of persistent destabilization of external factors, public media companies have limited strategic choices and may maximize their income by increasing activity in the advertising market and value co-creation with the users of media products. The paradox of those companies actions lies in the fact that they seek for stabilization of their financial situation in the highly competitive and unstable advertising market and that the forced competition with other commercial media must accompany carrying out the public media mission. Those solutions are based on the example of the Polish Radio Gdańsk SA.

9

The model of radio broadcasting in the second polish republic. Concepts – struggle for the license – experimental radio of the Polish radio technical

80%

Kaszuba E.

Społeczeństwo i Ekonomia

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2014

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issue 1 (1)

133-153

EN

The Second Polish Republic was re-established as a whole composed of peripheral areas of three powers. In these circumstances, after regaining independence, the idea of restoring unity at various levels became the focus of the Polish raison d’etat. At that time the radio, which at the end of World War I revolutionised communication and the transfer of information, could prove useful in supporting the process of unifying the state and society by means of extensive propaganda campaigns. Two main attitudes were presented in a public debate on the shape of the national radio in Poland. The citizens’ movement promoted a model of the radio as a monopolistic organisation subject to the State, operating on the basis of a license and subscription, responsible for carrying out a mission for the benefit of the state and society. Polish Radio S.A. preferred the private and commercial model of radio. In this configuration, two interesting personalities faced each other, Zygmunt Chamiec with the support of Polish Radio and Stanisław Odyniec, a participant and co-coordinator of the social radio amateur movement for the development of national broadcasting, closely associated with the Polish Radio Technical Society.

10

Radio ombudsman services of Brazilian Public Radio (EBC) as media accountability instruments

80%

Filho L. L., Paulino F. O., Da Silva L. M.

Central European Journal of Communication

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2012

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vol. 5

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issue 2(9)

EN

This paper aims to analyze and provide parameters for radio ombudsman services, considering the ombudsman experience carried out by the Brazilian Public Communications Enterprise (EBC) radio stations. The analysis of the listeners’ feedback during July 2008–September 2011 allows us to conclude that the ombudsman experience may be considered a Media Accountability Instrument (MAI) focused not only on journalism but also on music and entertainment. The ombudsman performance may be a MAI because it provides visibility and transparency to errors, issues and dilemmas associated with the media actions. Thus it stimulates more credibility, prompt discussion with readers, listeners and viewers, and could encourage a culture of greater accountability in the newsroom. The EBC ombudsman sought to be a mediation channel that provides visibility to matters raised during the weekly radio program: Radio in Debate.

11

O drugiej wojnie w Zatoce Perskiej w wiadomościach Radia Olsztyn S.A. Operacja Wolność dla Iraku

80%

Cichy M.

Zeszyty Naukowe Ostrołęckiego Towarzystwa Naukowego

|

2015

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vol. Zeszyt

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issue XXIX

148-158

EN

The target of publication is presenting and analysis of content the message Radio Olsztyn relating wars in Persian Gulf. Messages from Iraq dominated regional inquiry services at the beginning of 2003, together with beginning of armed conflict between coalition of international powers and army of Iraq. Inquiry services on all the world gave Information from that battle-field. In article considered themes like: beginning of occupation of Iraq, conquest Bastra and Bagdad, imprisonment two Polish correspondents of: Polish Radio and television TVN24, and next liberation of them. After end of activities war – radio informed about social situation in Iraq, catching Saddam Husajn and continued occupation of country by international powers. Analysis the message of Radio Olsztyn showed, that political information from world was 30 pct in year 2003. So detailed remittance from war – activities in Iraq disturbed regional character of broadcasting station.

PL

Celem opracowania jest zaprezentowanie i analiza treści wiadomości Radia Olsztyn dotyczących wojny w Zatoce Perskiej. Wiadomości z Iraku zdominowały regionalne serwisy informacyjne na początku 2003 roku, wraz z rozpoczęciem konfliktu zbrojnego między koalicją sił międzynarodowych a armią Iraku. Informacje z pola walki podawały serwisy informacyjne na całym świecie. W artykule poruszane są takie tematy, jak: rozpoczęcie okupacji Iraku, zdobycie Basry i Bagdadu, uwięzienie dwóch polskich korespondentów: Polskiego Radia i telewizji TVN24 oraz ich uwolnienie. Po zakończeniu działań wojennych radio informowało o sytuacji społecznej w Iraku, schwytaniu Saddama Husajna i dalszej okupacji kraju przez siły międzynarodowe. Analiza wiadomości Radia Olsztyn wykazała, że w roku 2003 informacji politycznych ze świata było 30 proc. Tak szczegółowy przekaz z działań wojennych w Iraku zaburzył regionalny charakter rozgłośni.

12

Pozaantenowe formy rozrywki jako dopełnienie przekazów stacji radiowych w Polsce

80%

Czarnek P., Uniwersytet Łódzki W. F., Paulina Czarnek – doktorantka w Katedrze Dziennikarstwa i Komunikacji Społecznej Uniwersytetu Łódzkiego. Przygotowuje rozprawę doktorską pod kierunkiem prof. Elżbiety Pleszkun-Olejniczakowej na temat rozrywki we współczesnej radiofonii komercyjnej. Uczestniczyła w kilkudziesięciu ogólnopolskich i międzynarodowych konferencjach naukowych c. e. s. s. p. a. w. m. o. c. n. W. z. K. B. m. R. w. m. Ł. W. p. T. e. r. o. c.-o. i. P. c. r. s., paulina.czarnek@uni.lodz.pl

Acta Universitatis Lodziensis. Folia Litteraria Polonica

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2014

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vol. 23

|

issue 1

EN

The situation on the contemporary media market, including radio, has led to the building of a radio network’s value becoming more than just the result of an interesting programme offer that meets listeners’ needs. Listeners also desire other elements that strengthen their attachment to a particular brand. For this reason, radio broadcasters quite often prepare for listeners different forms of entertainment that take place outside the radio studio; examples include summer concert tours, trips to well-known health resorts during winter and summer holidays, New Year’s Eve parties, special-occasion concerts, football matches, etc. This article is a review of entertainment offers that are part of a strategy of interaction with the audience outside of the radio studio and an attempt to evaluate their influence on building the market position of a radio brand.

13

Zachodni ‘feature’ radiowy na przykładzie amerykańskiej audycji „My Lobotomy”

80%

Kowalska N., Uniwersytet Łódzki W. F., Natalia Kowalska – doktorantka w Katedrze Dziennikarstwa i Komunikacji Społecznej Uniwersytetu Łódzkiego. W centrum jej zainteresowań badawczych znajdują się polskie i zagraniczne audycje radiowe typu feature oraz rola j. p. e. z. w. r. d. N. t. t. p. j. d. d. p. k. p. E. P.-O. J. a. o. M. p. a. z., natalia.t.kowalska@gmail.com

Acta Universitatis Lodziensis. Folia Litteraria Polonica

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2014

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vol. 23

|

issue 1

EN

The article consists of two parts. In the first, I analyse the relations between reportage and the feature. There are differences in the definitions of the two genres, in statements by researchers, and in the Polish and western European understanding of the feature and reportage. The main element in Polish radio documentaries is authenticity, while in the feature truth is mixed with fiction. An example of work with a mix of authentic characters and fiction is My Lobotomy by Dave Isay and Piya Kochher. In second part of the article, I focus on an analysis of this American feature. In my opinion, the most interesting aspect is the relation between the authentic, spontaneous reactions of the main characters and the narrative parts, which are read.

14

Radio Rajdowe Rozgłośni Regionalnej Polskiego Radia w Olsztynie 1998–2016

80%

Szydłowska M.

Acta Universitatis Lodziensis. Folia Litteraria Polonica

|

2017

|

vol. 39

|

issue 1

131-145

EN

Radio, seen as an accompanying medium needs to participate in the evolution of needs: change its style, create new forms of mutual relations, make use of a multitude of genres resulting from its multimedia status. In a certain sense radio is becoming a new medium, although it happily avails itself of its previously acquired attributes. In this context, the subject we are addressing is clearly included in this definitional composition. “Radio Rajdowe” is a specific media construction, the only initiative of its kind in public radio in Europe. It is a form created by the presence of the broadcaster in the public space. A broadcaster that is its chronicler and participant. It is also an event and an interesting project, well adapted to the Internet. It is the quintessence of the broadcaster-listener correlation, a symbiotic radio structure, combining in one the parent station and its creative “progeny”. It is an interesting communicative phenomenon, and thus worthy of such attention and analysis.

15

Serwis informacyjny jako ważny element realizacji misji regionalnych rozgłośni radiowych na przykładzie Radia Olsztyn

80%

Doliwa U.

Acta Universitatis Lodziensis. Folia Litteraria Polonica

|

2017

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vol. 39

|

issue 1

147-168

EN

In accordance with the Act on radiophony and television a public broadcaster, such as the regional broadcasters of Polish Radio, is required to fulfil the so-called public mission. One important element of the programme which fulfilling this mission entails is the news bulletin. News bulletins emitted on Polish Radio Olsztyn in selected weeks of 2015 and 2016 are analysed. From this analysis, it emerges that particular attention is paid to this element of the programming in Radio Olsztyn. This is testified to both by the frequency with which bulletins are broadcast – as much as 28 times a day on weekdays, or the number of news items in each bulletin and their wide-ranging character, as well as the large number of journalists involved in the preparation of this scheduled item, the network of correspondents and local studios in Elbląg and Ełk. The radio station is an important source of regional and local information. However, although the method of preparing the information for the bulletins may be described as easy on the ear, their choice is typified by a high degree of conventionalisation.

16

Reportaż radiowy – problemy z współczesną terminologią genologiczną

80%

Białek M.

Acta Universitatis Lodziensis. Folia Litteraria Polonica

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2017

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vol. 39

|

issue 1

73-81

EN

Looking at the various definitions of radio documentary found in academic literature, several common elements can be found which typify the genre. These are: sound as the main constructional element, authentic events constituting the starting point, stress on the aesthetic quality of the relation, the considered authorial concept and its functioning through the medium of radio. In the last two decades, alongside the hitherto functioning and recognised terms applied in relations to radio news reporting, have appeared new ones: the feature; documentary programme/documentary radio broadcast/fictional radio broadcast/docudrama; radionovel; news blogs. In the age of new media, convergent forms have also appeared, among which we should mention: photocasts; multireports; sound maps. This situation means that it’s worth thinking about the hitherto genres, because they seem to be insufficient in the current media situation. Hence, the article presents a proposal for a typology of artistic aural forms. It presents a division based on the channel used to deliver the message, the means of production and governing function.

17

The American Broadcast My Lobotomy as an Example of a Radio Feature in the West

80%

Kowalska N.

Acta Universitatis Lodziensis. Folia Litteraria Polonica

|

2016

|

vol. 35

|

issue 5

159-167

EN

This article consists of two parts. In the first one, I analyse relations between a reportage and a feature. Differences can be found in the way these notions are defined by scholars in Poland and in Western Europe. Polish radio documentaries are based on authenticity, while in a feature the truth intermingles with fiction. My Lobotomy, by David Isay and Piya Kochhar, serves as an example of a work which presents both authentic characters and some fictional elements. In the second part of the article I focused on the analysis of this American feature. As far as I am concerned, what makes the work most interesting is the relationship between the protagonist’s authentic and spontaneous reactions and the read out narrative sequences.

18

Gdyby nie Malik…

71%

Żurakowska M.

Zeszyty Naukowe KUL

|

2018

|

vol. 61

|

issue 2

217-225

EN

The article presents the profile of the scholar, based on his cooperation with the regional radio that resulted in a series of radio programs on literature. In the archive of Radio Lublin there are twelve broadcasts on the subject matter that fascinated Malik – literary biographies, Prus and contemporary writers. Currently these tapes are not available to the public, which renders the presentation of some of them all the more interesting. The article includes a description and an analysis of selected programs, cites parts of the recordings and presents the circumstances of the registration of the material. The programs let the audience get acquainted with the scholar’s specific argumentation style, his knowledge of authors’ biographies, the passion with which he studied literature and his unusual attachment to Lublin and the region. The listener also learns about the people who were important to the professor, his idols; Malik often referred to the figure of the great literary scholar Prof. Stanisław Fit, whom he called the Master. Attached to the article is the list of the programs that are held in the Radio Lublin archive and that Prof. J. Malik took part in.

PL

Artykuł prezentuje sylwetkę uczonego w oparciu o jego współpracę z radiem regionalnym, która zaowocowała audycjami poświęconymi literaturze. W archiwum Radia Lublin znajduje się dwanaście programów o tematyce jaka fascynowała Malika – literackich biografiach, Prusie a także pisarzach współczesnych. Obecnie nagrania te nie są udostępniane dla szerokiego odbiorcy, tym ciekawsza wydaje się prezentacja części z nich. Artykuł zawiera opis i analizę wybranych programów, przywołuje cytaty zaczerpnięte z nagrań, podaje okoliczności w jakich dokonano rejestracji materiału. Audycje pozwalają poznać specyficzny styl argumentowania uczonego, znajomość biografii pisarzy, pasję z jaką profesor badał literaturę i niezwykłe przywiązanie do Lublina i regionu. Słuchacz uzyskuje także wiedzę o ludziach dla niego ważnych, autorytetach, Malik często nawiązywał do postaci wybitnego literaturoznawcy, jakim był prof. Stanisław Fita, nazywany przez niego Mistrzem. Do pracy dołączony jest wykaz, znajdujących się w archiwum RL programów, w których brał udział prof. J. Malik.

19

Kryptonim „Nadajnik”. Służba Bezpieczeństwa PRL wobec Radia Solidarność w Świdniku w latach 1983-1989

71%

Rzeczkowska E.

Roczniki Humanistyczne

|

2017

|

vol. 65

|

issue 2: Historia

149-176

PL

W latach 1983-1988 w Świdniku działało podziemne Radio Solidarność, które w ciągu kilkuminutowych audycji przekazywało słuchaczom informacje o rzeczywistej sytuacji w kraju, informowało o działalności opozycji w Świdniku oraz o represjach SB wobec opozycjonistów. Funkcjonariusze aparatu bezpieczeństwa przez 5 lat usiłowali doprowadzić do zaprzestania emisji audycji przez podziemne radio. W tym celu używano różnorodnych metod, między innymi posłużono się specjalną aparaturą przeznaczoną do namierzania i identyfikowania nadajników, wykorzystywano informacje pochodzące od tajnych współpracowników oraz dane z obserwacji osób podejrzanych o działalność podziemną. Najbardziej skuteczną metodą okazało się wprowadzenie tajnego współpracownika do środowiska radiowców, który doprowadził do przejęcia przez funkcjonariuszy SB nadajnika oraz aresztowania osób dokonujących emisji programów.

EN

In the years 1983-1988 in Świdnik, there operated an underground radio station called Solidarity, which during its several-minute broadcasts gave the listeners information about the real situation in the country, informed about the activities of the opposition in Świdnik and the repressions of the Security Service against the oppositionists. Security Service officers had been trying to stop the broadcast of the underground radio station for 5 years. For this purpose, various methods were used. Among others, a special apparatus was used to track down and identify transmitters, information from secret collaborators and data obtained through observation of people suspected of underground activity were also used. It turned out that the most effective method was the introduction of a secret collaborator to the radio community, which led to the seizure of the transmitter by the Security Service officers and to the arrest of persons broadcasting the programs.

20

Wystraszyć i rozbawić: Mediatyzacja emocji w headach radiowych serwisów informacyjnych

71%

Misiuk S.

Roczniki Kulturoznawcze

|

2019

|

vol. 10

|

issue 4

73-91

PL

Informacja radiowa, ze swej natury obiektywna, niesie za sobą często ogromny ładunek emocjonalny. Nadawcy, chcąc zatrzymać słuchacza, odwołują się do skrajnych emocji: na jednym biegunie za cel stawiają sobie wywołanie poczucia zaniepokojenia, na drugim próbują rozbawić odbiorcę lub dostarczyć mu rozrywki. Media bombardują doniesieniami dotyczącymi terroru, krwawych wypadków, sporów politycznych czy katastrof ekologicznych. Aby rozładować to napięcie, nadawcy sięgają po infotainment, informacje lekkie, zabawne, czasami wręcz infantylne. Najsilniej nacechowane emocjonalnie są heady zapowiadające serwisy informacyjne. I to właśnie te elementy serwisów informacyjnych Radia ZET z okresu od 6 do 12 maja 2019 r. stanowią materiał do analizy. Badania ilościowe pokazują, po które emocje nadawcy sięgają najczęściej, natomiast analiza jakościowa pozwoli przyjrzeć się środkom językowym wykorzystywanym do tego celu.

EN

Seemingly objective radio-information sharing often exhibits a significant amount of emotional weight. Senders tend to invoke extreme emotions in order to rivet listeners’ attention. On the one hand, they focus on the feeling of anxiety, however, on the other the primary goal is to amuse and entertain. Media bombards us with news regarding terror, bloody accidents, political disputes or ecological disasters. Senders often use infotainment — light-weight, humorous, and at times infantile information — to release the tension. The strongest emotional impact can be found in the news’ headings. Aforementioned headings presented during the Radio ZET’s broadcasts (for the period ranging from 6th until 12th of May 2019) construct the corpus on which the analysis is conducted. The quantitative research indicates which emotions are most frequently exploited, however the qualitative research allows for the further examination and analysis of stylistic devices used.

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