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„Crowd”. Noktorama teatru Gisèle Vienne

100%

Tórz K.

Didaskalia. Gazeta Teatralna

2022

issue 172

84-111

The author presents the theatre of Gisèle Vienne, a French-Austrian director and choreographer, as a laboratory exploiting darkness being a place for the becoming of the subject, for experiencing disturbed reality, for abolishing the opposition between the living and the dead. Exploring twilight, the director touches upon phenomena that violate the norms that in the general perception belong to the field of negativity, reveals that which is covered, that which activates the imagination. Darkness becomes a space for an intimate narration of hidden human dispositions. This article is an analysis of the performance Crowd (2017), in particular the three components that determine its structure and dramaturgy, i.e. time, light and space. The author engaged in a process of overt participant observation; she followed the rehearsals for the performance from 2016 to 2017 and created her own archive of the research process.

Freetekno jako objekt mediální pozornosti: nosnost morální paniky a reálněsocialistické analogie

72%

Slačálek O.

Studie z aplikované lingvistiky - Studies in Applied Linguistics

2018

vol. 9

issue 1

92-108

This article presents research concerning the image of the annual rave party Czechtek (1994–2006) and its media coverage by Czech media. It shows how the framework was established for the description of these rave parties, which were characterised by schematic images during annual moral panics — key images depicted the contamination of the surrounding area, drugs, the strange and erratic nature of participants and the dishonouring of the state. This study shows that this media coverage played a repressive role in relation to the subculture by attracting the attention of the public, mobilising large numbers of visitors, and demanding repressive solutions. The article enters into a debate with previous analyses of Czechtek media coverage, and the comparisons they draw with the media coverage of alternative culture during the state socialist dictatorship of the 1970s. The article argues that the one-sided use of the analogy with repressive socialist-era discourse regarding alternative culture is not fruitful, and that it is more interesting to compare and analyse the differences between the two. Post-socialist media discourse is also ideological and repressive, but it is, nevertheless, different to the media discourse of the socialist dictatorship.

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1 Didaskalia. Gazeta Teatralna

1 Studie z aplikované lingvistiky - Studies in Applied Linguistics

1 Slačálek O.

1 Tórz K.

1 2022

1 2018

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„Crowd”. Noktorama teatru Gisèle Vienne

Freetekno jako objekt mediální pozornosti: nosnost morální paniky a reálněsocialistické analogie