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OD DZIEJÓW HISTORIOGRAFII DO DZIEJOWOŚCI TEKSTÓW HISTORIOGRAFICZNYCH

100%
Julkowska V.
Historia@Teoria
|
2017
|
vol. 1
|
issue 3
53-60
EN
The article att empts to defi ne the history of historiography as a subdiscipline of history; it indicates the numerous competences of historians of historiography which are nessesary for undertaking an (auto)refl ection around the history of their discipline, for touching the theoretical and methodological aspects of historiography, and for the study of historicity of historiographical texts. Th e author asks about the current status of the history of historiography and new horizons of research. Regarding the fi eld of changes in the ways of comunication, she sees potential chances for increasing the interest of new recipients in the history of historiography. The author amplifi es the weft of reception, understood as a phenomenon that belongs to the comunication situation occuring between the author of transmission and his recipients. The author refers to the inspiration of the methodological conception of the school of reception aesthetics from Constance (W. Iser, R. Jauss) and the hermeneutics of H-G. Gadamer. Reception is a new concept for presenting the history of historiography as a fi eld of research on the historicity of historical works.
2

Świadectwa potocznych odbiorów sztuk fabularnych

72%
Sułkowski B.
Roczniki Nauk Społecznych
|
2017
|
vol. 9(45)
|
issue 4
19-66
PL
Artykuł dotyczy psychospołecznych praktyk recepcji literatury, dramatu, filmu, fikcji telewizyjnych. Tekst wpisuje się w tak zwaną estetykę recepcji lub odpowiedzi czytelnika, ale jest zakorzeniony filozoficznie. Kompiluje poglądy postmodernistycznej krytyki i pragmatyzmu z fenomenologią literatury (R. Ingarden), hermeneutyki (H.-G. Gadamer) i spojrzenia współczesnych kontynuatorów. W drugiej części tekst sugeruje typologię 12 stylów potocznych, nieprofesjonalnych praktyk odbioru fikcji artystycznych.
EN
The paper is interested in the psychosocial practices of reception literature, drama, film, television fictions. The text fits in so-called reception aesthetics or reader response, is rooted philosophically. Compiles the views of postmodern criticism and pragmatism with the phenomenology of literature (R. Ingarden) and hermeneutics (H.-G. Gadamer) and with the glances of contemporary followers. In the second part the text suggests the typology of 12 styles of colloquial, nonprofessional practices of the reception of art fictions.
3
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Zvětšeniny z metody Jaroslavy Janáčkové

51%
Jedličková A., Fedrová S.
Česká literatura (Czech Literature)
|
2015
|
vol. 63
|
issue 5
746-762
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