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Rywale, czyli opera mieszczańska w Krakowie. Historia, kontekst kulturowy, znaczenie

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Jagosz M.

Kwartalnik Młodych Muzykologów UJ

2022

issue 1(52)

55-77

During the period of stagnation in Kraków’s theatre culture in the 2nd half of the 18th century, an opera entitled Rivals, or the Tattoo in Kraków [Rywale czyli czapstrzyk w Krakowie] was created by Kacper Meciszewski (libretto) and Zagórski (music; not preserved to this day), unknown by first name. Although mentioned several times in the theatre studies literature, it has not been by far a subject of separate musicological research. This opera is an example of a work that can be described as a 'burgeois opera', i.e. a model of magnate operas, regarding to both theme and structure of the libretto, as well as to musical arrangement, transferred to the middle class standards and entrepreneurial capabilities of that time. Seemingly non-original, secondary and, due to its provincial character, relevant only to the 18th century residents of the former capital city, it seems to have a slightly deeper meaning. In order to understand the significance of Rivals in its full, this article will present the history of the comedy’s creation and staging, an analysis of the libretto and a hypothetical form of musical setting in the context and in comparison with analogous operas of that period. For a better understanding of the title tattoo meaning, the history of its creation and reception as well as the condition of Kraków regiment band will be outlined.

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1 Kwartalnik Młodych Muzykologów UJ

1 Jagosz M.

1 2022

Search results

Rywale, czyli opera mieszczańska w Krakowie. Historia, kontekst kulturowy, znaczenie