Search results - CEJSH

1

Niewyrażalne, a jednak wyrażone prawdy żywe romantyzmu. Tajemnica miłości romantycznej

100%

Danek D.

|

2018

|

vol. 72

|

issue 1-2(320-321)

PL

Przedmiotem analizy jest miłość romantyczna jako szczególne doświadczenie młodego bohatera literatury okresu romantyzmu. Autorka przeciwstawia się rozpowszechnionemu w badaniach historycznoliterackich ujmowaniu miłości romantycznej jako li tylko literackiej konwencji czy stylizacji albo pozy bohatera romantycznego, a więc jako wymysłu literackiego pozbawionego wartości poznawczych. Wykazuje, że łącząc warsztat badacza literatury z warsztatem psychoanalitycznym można dostrzec w miłości romantycznej wyraz pewnych istotnych, a nawet prekursorskich odkryć psychologicznych. Analizy autorki wykrywają w doświadczeniu miłości romantycznej określone reminiscencje wczesnodziecięcej przeszłości emocjonalnej bohatera związanej z osobą matki, przeszłości, która u każdego człowieka, mimo że zazwyczaj znika z pamięci świadomej, zachowuje się w pamięci nieświadomej i wpływa na całe dalsze życie.

EN

This analysis focuses on Romantic love conceived as a particular experience of the young protagonist in literature from the era of Romanticism. The author opposes the interpretation of Romantic love – widely disseminated in studies on the history of literature – as a mere literary convention, stylisation or pose of the Romantic protagonist, i.e. a literary concept devoid of cognitive values. In doing so she demonstrates that while combining the workshop of the researcher dealing with literature and the psychoanalytical workshop it is possible to perceive Romantic love as an expression of certain essential and even precursory psychological discoveries. The author’s analyses discover in experiencing Romantic love distinct reminiscences of the protagonist’s emotional past going back to early childhood and connected with the mother figure; this is a past that in the case of each person is retained in unconscious memory and impacts a whole life despite the fact that it usually vanishes from conscious memory.

2

Późny romantyk w świecie duchów. Gotycyzm w powieści Jana Bittnera Dziennik kustosza

87%

Gawarecka A.

Poznańskie Studia Slawistyczne

|

2011

|

issue 1

EN

Romanticism, one of the most important philosophical and artistic periods in modern European culture, was never the mainstream tradition in Czech literature. Nor did the Gothic novel influence this literature in a significant way. In his Deník kastelána (Custodian’s Diary), Jan Bittner tries to use the formulas of traditional literary horror. The main aim of this renovation seems to be to search for a narrative form which is appropriate to show the problems and priorities of the modern self. The hero of the novel, who runs away from Prague and decides to live far from the postmodern civilization with its relativity of values and lack of metaphysical horizons, finds in the haunted baroque village castle a place where he can once again define the sense of life.

3

Xavier Forneret odczytany przez surrealistów i czytany Norwidem

80%

Kowalska M.

Przegląd Humanistyczny

|

2017

|

vol. 61(4 (459))

173-184

PL

The author discusses the history of Xavier Forneret’s (1809–1884) reception focusing on the trend which portrayed the Romantic as a surrealist and a precursor of vers libre. At the heart of the considerations there is the volume Vapeurs, ni vers, ni prose (1838) regarded as exceptional in both the publishing format and the content. The author, however, argues that the poet’s innovation can also be seen in his presentation of typically romantic themes: love, death, poetic vocation, as well as oneiric poetics. The last part of the article is a comparative analysis of the Forneret’s poem “Elle” and Cyprian Norwid’s poem “Polka” [Polish Woman], which allows showing both romantic anticipations and traditional forms of poetic description of a woman.

4

Eleganty, czyli Précieuses ridicules Moliera dla sceny Sturm und Drang Periode

80%

Marczuk B.

Między Oryginałem a Przekładem

|

2014

|

vol. 25

105-118

EN

The paper discusses the anonymous Polish translation of Précieuses ridicules by Molière. The translation, sixth in the chronological order, dates from the beginning of the 19th century. The analysis of the text in question demonstrates the complete substitution of the French cultural indicators of the Louis XIV era by the German ones, reflecting the literary debates of the Sturm und Drang Periode. The article highlights also the adaptations for the new theatre stage that the original text underwent: the sketch of characters was further developed and the rapid plot twists were introduced. The analysis permits to discover the intermediary between the French original and the Polish translation: the adaptation produced by J.H.D. Zschokke (1771‑1848), entitled Die Eleganten. A hypothesis is put forward that the Polish version might have been developed in the milieu of Wojciech Bogusławski.

5

Rorty on Politics, Culture, and Philosophy: A Defence of his Romanticism

80%

Nyírő M.

Human Affairs

|

2009

|

vol. 19

|

issue 1

60-67

EN

Rorty's historicist romanticism is a peculiar and oft criticized feature of his neopragmatism. I attempt to show that it should be regarded not so much as a more or less exceptionable philosophical approach, but rather, as a practice in ‘cultural politics’-which is his ultimate definition for philosophy-prompted by his acute political concerns and his views on the nature of moral progress.

6

Motyw wspomnień w późnej liryce Piotra Wiaziemskiego

80%

Toczyńska-Pęksa A.

Acta Neophilologica

|

2020

|

vol. XXII/2

151-160

EN

This article discusses the motif of memory which can be noticed in Vyazemsky’s late poetry: poems written in the 1850s, 1860s and 1870s. Peter Vyazemsky was a poet, literary critic, and letter writer appreciated for his talent not only in Russia but also in Poland. In his late poetry Vyazemsky recalls his close friends, his beloved mother as well as places he visited during journeys abroad. The poet presents his thoughts about his own life, ancestors, and human life in general. The poems are strongly influenced by the ideas of Romanticism.

7

О некоторых параллелях в польской и русской поэзии ХIХ-ХХ вв. (поэма Густава Зелинского Киргиз и русский перевод Георгия Гребенщикова)

80%

Abdullina L.

Acta Polono-Ruthenica

|

2014

|

issue 19

7-16

EN

In this article on a material of the poem Kyrgyz of the Polish poet of the XIX century G. Zelinsky and its Russian translation by the Kazakhstan writer-ethnographer of the XX century G. Grebenshchikov the creative nature of the ethnographic interest is researched. The idea of freedom embodied in the image of young Kyrgyz inspired both artists. The romantic color and lyrical identity of the texts find realistic dimensions due to lthe ethnographic realities of a steppe landscape.

8

Květomluva Karla Slavoje Amerlinga

80%

Peirsetova L.

Česká literatura (Czech Literature)

|

2007

|

vol. 55

|

issue 5

650-668

EN

This article is devoted to 'Kvetomluva', the only work of fiction by Karel Slavoj Amerling, which includes his adaptations of regional tales connected with the 'language of flowers'. Analysing its text we try to show that its author intends to reach more aims at the same time and the result of his effort is interesting and sometimes even unintentionally comic heterogeneity of his text. Amerling's 'Kvetomluva' interfaces not only between cultural peripheral communication code of the 'language of flowers' and an attempt at high literature but also between belles-lettres and scientific literature. This syncretism (Vladimir Macura's term) fits in the synthetic character of the culture of the Czech national movement in general. However, we try to document that the main goal of 'Kvetomluva' was in our opinion presenting the complete system of the ancient Slavic mythology as the background of the stories of the book. In accordance with the romantic approach to folklore this mythology was presented as a reconstruction based on regional tales, which were considered to be relicts of the old myths, but in fact it is purely constructed to fulfil the wishful thinking about the old Slavic myths as an evidence of the glory of the Czech nation.

9

Reinterpretacje romantyzmu. Radykalny nacjonalizm wobec dziedzictwa epoki wieszczów

80%

Kuciński P.

Politeja : Pismo Wydziału Studiów Miedzynarodowych i Politycznych Uniwersytetu Jagiellońskiego

|

2014

|

issue 5(31/1)

31-64

EN

In the presented article the author is studying arguments occurring between the nationalism in its radical version and with poetry engendered in the environment of Polish national radicals in the 30. of XX century. These groups have often appealed to the Polish literary tradition, mainly of Romanticism and included in it (then taken over and reinterpretated by Polish nationalists) topoi (topoi of flight, youth, idealism).

10

Causa „Černoboh bamberský“

80%

Podolan P.

Acta historica Neosoliensia Vedecký časopis pre historické vedy

|

2015

|

vol. 18

83-99

EN

Ján Kollár (1793 – 1852) was well known Slovak representative, celebrated poet and ideologist. However his scientific career is still not well illuminated. This paper focuses on Kollár's interest in history and his discovery of the supposed Slavic pagan idol. During the honeymoon in autumn 1835 Kollár visited town Bamberg in Germany. Near entrances of the Bamberg cathedral he found two ancient sculptures of lions and copied supposed runic inscription. He believed that they represent Slavic deity "Černoboh" [Dark/Evil God] and that the inscription is evidence of the runic letters of the ancient Slavs. About his discovery he wrote to friends. Pavel Jozef Šafárik (1795 – 1861) informed the scientific spheres and also German scientists began to occupy themselves with problems of the sculptures and inscription. Although the final achievements proved that the inscription was not real Slavic relic and sculptures were created in the Middle Ages, Kollár believed in their authenticity for the rest of his life. The discovery also influenced his later scholar activities, when he became a professor of Slavic archaeology and occupied himself with problems so-called "Prillwitz idols".

11

Archiwariusz na dnie rozlewiska

80%

Dajnowski M.

Jednak Książki. Gdańskie Czasopismo Humanistyczne

|

2017

|

issue 8 "Jak czytać (pop)literaturę?"

255-264

EN

The paper is a short critical essay concerning the history of Polish nineteenthcentury fantastic and its relationships with Lithuanian and Byelorussian (Albaruthenian) folklore.

12

Introducion

80%

Szczeglacka-Pawłowska E.

Colloquia Litteraria

|

2017

|

issue 2

7-8

13

LUSTRA IMAGOLOGICZNE MICKIEWICZA

71%

Kuziak M.

Porównania

|

2017

|

vol. 20

|

issue 1

39-51

EN

The article discusses Mickiewicz’s imagological discourse. It served to construct projects related to culture and literature and more broadly to the identity relating to the vision of Poland and Slavia. This discourse is changing and heterogeneous. It involves not only a reflection of the romantic thinking about the nation and nationalities but also the testimony of inventing national traditions under oppression, threats of nation deprived of state existence.

PL

Artykuł poświęcony jest Mickiewiczowskiemu dyskursowi imagologicznemu. Służył on poecie do konstruowania projektów – tak związanych z kulturą oraz literaturą, jak i szerzej: tożsamościowych, odnoszących się do wizji Polski i Słowiańszczyzny. Dyskurs ten ma charakter zmienny i heterogeniczny. Stanowi nie tylko odbicie romantycznego myślenia o narodzie i narodowości, ale i świadectwo wynajdywania tradycji narodowej w sytuacji opresji, zagrożenia egzystencji narodu pozbawionego państwa.

14

Trzecie oblicze Ofelii [rec. Katarzyna Czeczot: Ofelizm. Romantyczne zawłaszczenia, feministyczne interwencje. Warszawa: Instytut Badań Literackich PAN. Wydawnictwo, 2016, ss. 331.]

71%

Włodzyńska E.

Śląskie Studia Polonistyczne

|

2018

|

vol. 11

|

issue 1

233-243

EN

The following analysis of Katarzyna Czechot’s book Ofelizm. Romantyczne zawłaszczenia, feministyczne interwencje [Ophelism. Romantic appropriations, feminist interventions], published in 2016, is a chronological record of ophelic images proposed by this gender studies researcher. The aim of the paper is to demonstrate Czeczot’s dialogue with the traditional representations of Shakespeare’s tragic female figure. In the review the author pays attention to the subversive potential of the subsequent chapters of the work. The portrayals of a female, and sometimes feminized, body, which are linked together by an “ophelic code”, are often interpreted as a certain kind of medium of social revolutions, of changes in human expectations and desires.

15

Galicyjska recepcja Chopina. W kręgu Marceliny Czartoryskiej i Stanisława Tarnowskiego

71%

Stachura-Lupa R.

Poznańskie Studia Polonistyczne. Seria Literacka

|

2021

|

issue 41

125-149

EN

The paper is dedicated to the role of princess Marcelina Czartoryska, a friend and student of Chopin, as an initiator of the research into his life and work, and to Stanisław Tarnowski’s essay about the composer. On 19 March 1871, in the hall of the Saski Hotel, a public lecture on Chopin was presented by Tarnowski, accompanied by Czartoryska’s magnificent performance. The income from this event was donated to Towarzystwo Wzajemnej Pomocy (mutual help association) for the support of the poor students of the Jagiellonian University. Czartoryska accompanied Tarnowski, illustrating his speech by playing the piano. Tarnowski published his work twice: in 1871 and 1892. He set the life and work of Chopin in the context of the period. Based on the sources, he reconstructed the spiritual biography of the artist, his creative personality both in terms of the psychological and the social aspects. He saw in Chopin “the fourth greatest poet of the divided Poland,” the fourth Bard.

16

Духовна естафета поколінь: творчість Тараса Шевченка в літературно-критичному осмисленні Івана Франка

71%

Hołod R.

Studia Ucrainica Varsoviensia

|

2016

|

vol. 4

355-371

PL

In this article the hereditary connection between Taras Shevchenko and Ivan Franko’s creative work is studied in Ukrainian literary tradition discourse. Through the prism of Franko’s literary and critical reception of T. Shevchenko’s creative work the causes of coincidences and differences in the ideas and aesthetic conceptions of both writers are determined. The author of the article proves the existance of the indissoluble connection between the different literature generations’ representatives on the idea and content levels, as well as on the formal and aesthetic level. The importance of T.Shevchenko and I.Franko’s creative heritage for Ukrainian culture and literature is also evaluated.

17

Julius Zeyer i Stanisław Wyspiański. Modernistyczny projekt krytycznej mitologii narodowej

71%

Mielczarek J., Uniwersytet im. Adama Mickiewicza I. F. l. S., Ph.D. b.

Collectanea Philologica

|

2014

|

vol. 17

EN

The Czech and Polish modernistic project of the critical national mythology is, in general, a form of the artist’s discussion with his own cultural tradition which was represented by the common, collective awareness. This collective awareness was, at that time, deprived of official form, due to the lack of state independence. In the works of Stanisław Wyspiański and Julius Zeyer, we can see the aspiration to achieve the recent, non-fixed look at the national tradition in its literary shape. There was the idea of tragic conflict which has been used by Wyspiański, first of all, in the cycle of his historical plays: Bolesław Śmiały and Skałka. Julius Zeyer’s most famous work, the epic poem named Vyšehrad, refers to the most important tradition of Czech romanticism, namely, to the way of the functioning of folklore in literary tradition. Zeyer also took up the discussion with the tradition of the alleged medieval manuscripts (the so-called Rukopis královédvorský and Rukopis zelenohorský) and suggested a critical using of national mythology. Critical – in this case – means: non-particular, non-provincial, opened to influence and reinterpretation.

18

Ukraina i stosunki polsko-ukraińskie w twórczości Aleksandra Grozy (1807–1875) na przykładzie Starosty Kaniowskiego

71%

Mikinka A. E.

Acta Polono-Ruthenica

|

2021

|

vol. Tom 2 Nr XXVI

39-52

PL

Aleksander Karol Groza (1807–1875) był jednym z pomniejszych twórców tzw. „szkoły ukraińskiej” w poezji polskiej. Inspirując się rodzimym folklorem i eksplorując najbliższe miejscu zamieszkania tereny – zgodnie z zaleceniem swojego przyjaciela i mistrza, Michała Grabowskiego – Groza stworzył zarówno sugestywne i krwawe powieści poetyckie z silnie zarysowaną postacią Kozaka (Starosta kaniowski, Hryć), jak i przepełnione malowniczym krajobrazem stepów dumy, będące często autorską „wariacją na temat” bajek ukraińskich. Mówiono, że „przyswoił sobie świat tak zwanej wiary w duchy żywiołowe (...), na wierze, czyli jak dziś mówimy, na zabobonie gminu oparte”. Najbardziej znanym tekstem poety pozostaje do dziś powieść poetycka Starosta kaniowski. W artykule analizuje się utwór pod kątem obrazu Ukrainy wyłaniającego się z tekstu, by odpowiedzieć na pytanie, jakie były Kresy Aleksandra Grozy oraz czy jego twórczość może być dowodem na to, że Ukraina polskich poetów to sztuczny, fałszywy, zmyślony konstrukt.

19

Le Rayon vert de Jules Verne. La confrontation ironique des discours météorologiques

71%

Becker K.

Studia Romanica Posnaniensia

|

2021

|

vol. 48

|

issue 1

55-67

EN

Jules Verne’s Le Rayon vert (1882) is at the same time a scientific novel and a love story, a repertory of knowledge and a criticism of clichés. Telling the amusing attempts of a little group of travelers that tries in vain to catch sight of the “green ray” – the last impression of sunset – on the horizon from the Scottish coast, the author confronts in an ironical way different stereotypical discourses about weather phenomena which coexist in the bourgeois society of the late 19th century. Verne mocks equally scientific, folkloristic and romantic ideas about meteorological observations and uses these opposite explications of the mysteries of nature to characterize his protagonists and to develop the suspense of the narration.

20

« De la poésie polonaise » d’Auguste Lacaussade et Le cimetière du Père Lachaise de Juliusz Słowacki

71%

Pawłowska M.

Academic Journal of Modern Philology

|

2022

|

vol. Special Issue

|

issue 17

131-139

EN

Auguste Lacaussade, in his article ‘De la poésie polonaise’, has identified the relevant features of Polish romantic poetry: the originality and harmony of the language, the favourite themes (silence, shadow, ghosts, and the tendency to rise above the real) and the fundamental dominants (mysticism, patriotism, suffering and the pain of expatriation). All of these elements can be found in the poem Le cimetière du Père Lachaise by Juliusz Slowacki. It is obvious that the French poet was able to reach a wider and more general point of view, but with a literary insight uncommon at the time.

Refine search results