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Skaz a Michail Zoščenko

100%
Kosáková H.
Svět literatury – Časopis pro novodobé literatury (World of Literature – Journal for Modern Literatures)
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2019
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vol. 60
117-130
EN
The present study deals with the narrative strategy which B. Eikhenbaum explored during the first two decades of the 20th century, and which is closely connected with the spontaneous verbal praxis. The Russian writer Mikhail Zoshchenko (1894–1958) offered a wide scale of application of this strategy in his work, including the communication with his readers. The goal of the study is to examine Zoshchenko’s variable types of skaz usage, and to offer alternative readings of his texts.
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Ostranenie Does Not Equal Ozvláštnění: An Issue of a Term Transferred and Misunderstood

70%
Heczková L., Svatoňová K.
Slovo a smysl - Word & Sense
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2015
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vol. 12
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issue 24
50-58
EN
The text focuses on the question of the transfer and translation of several Formalist concepts, such as ostranenie and tochka zrenia. The interpretation is based on Boris Uspensky’s A Poetics of Composition, it revisits the original definition provided Viktor Shklovsky and illustrates it by the work of the German photographer Barbara Probst.
CS
Text se věnuje problematice transferu a překladu několika pojmů (ostraněnije, točka zrenija a dalších) ruské formální školy. Interpretace pojmů vychází z knihy Borise Uspenského Poetika kompozice, vrací se zpět k původnímu konceptu Viktora Šklovského a ilustruje je pomocí tvorby německé fotografky Barbary Probst.
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