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„Żaden cud nie jest mniejszy...”. Sakralizacje w poezji Ireny Dowgielewicz

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Krysińska K.

In Gremium. Studia nad Historią, Kulturą i Polityką

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2015

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vol. 9

227-236

EN

The topic of this article is the sacred of Irena Dowgielewicz’s writings. It is visible especially in the poems from volumes Sowing parsley (1963) and Stadium for ladybird (1970). Religiosity of these texts can be seen in various aspects. The author refers to the particular conception of God and heaven, to the relationship between man and Creator, but also to the primary sacrum. Among the elements and features of religious mainstream in Dowgielewicz’ poetry, a few intertwining ones can be distinguished: perception of world’s transcendent dimension and God’s presence; items elevation; sacralization of everyday life and everyday activities; God’s creatures participation in the act of creating reality; sanctification of rich and full of contrasts nature; canonization of memory of the past; elevation of homeland and of the earth-mother; transmission of pain; relatives’ sacralization; sanctification of motherhood and marriage; interpenetration of God’s creatures and works; consideration of life in the categories of the gift and the miracle; humble looking at the world, sensitivity, simplicity of expression and personal relationship with God. The poems of Irena Dowgielewicz sanctify almost every component of the reality created by God. Such sacralization mainstream builds a space of harmony and sense.

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La musique sacralisée dans les œuvres de quelques écrivains romantiques

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Opiela A.

Quêtes littéraires

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2013

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issue 3

66-75

EN

This article analyses poetic visions, based on synesthesia and referring to Swedenborg’s correspondence theory, evoked by listening to music. In these visions the musical impressions are in some way sanctified and they contribute to the development of the spiritual area. This aesthetic phenomenon is noticeable in Balzac’s novels. The music for him is the light penetrating the listener’s soul and a means of accessing divine mysteries. Similarly, in George Sand’s works music is the inspiration to create soulful poetic visions and the character of Consuelo who, by her singing, is vouchsafed by divine revelations.

3

Sakralizacja konsumpcji jako fenomen globalizacji

70%

Ramocka M.

Annales. Etyka w Życiu Gospodarczym

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2009

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vol. 12

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issue 1

99-105

EN

The act of consuming in our new, global reality doesn’t have a lot in common with taking part in the classic ‘purchase and buy’ exchange relationship. The satisfaction of basic needs is no longer the main target of consumption. The contemporary consumer experiences a constant “hunger” and continual need for new objects and impressions, which is almost impossible to alleviate. It can cause frustration deepened by the feeling of spiritual emptiness. The article or the service itself becomes a fetish, indicating a change in relations between the object and subject. This is related to the revelation of a new dimension of consumption, which itself starts taking on the features of the sacrum. The act of shopping takes on a similarity to certain more sacral rituals. The „puzzle” of sales, special offers and special occasions such as holidays, Christmas, Valentine's Day, Mother’s Day etc, are the remains of the liturgical year. The impression of “sacralized consumption” is experienced in even greater depth when you step inside what has become known as the “new temples of consumption”, which take on the physical shape of the perfect space, full of harmony, where everything is fully controlled and totally safe, out of the context of time and place. The model of contemporary consumption gives a promise of immediate happiness and salvation, distracting the consumer from reality and giving him an ersatz of the medicine needed to treat his existential fears. Most members of Western society now accept this situation by taking part in it. The question is when they will start to reject those individuals who refuse this lifestyle and accuse them of acting against moral standards and the common good?

4

Media and sacralization of history

61%

Wasilewski K.

Central European Journal of Communication

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2016

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vol. 9

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issue 1(16)

114-130

5

Problem sakralizacji wina i chleba w późnym średniowieczu i w czasach nowożytnych

61%

Szajt J., Wachowski K.

Archeologia Polski

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2013

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vol. 58

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issue 1-2

199-224

EN

Both Catholics and later Protestants yearned to practice their faith at home. For both, the Last Supper held significance as it was then that Jesus requested the Apostles to drink wine and partake of bread, transfigured respectively into the blood and the flesh of the Lord. Catholics believed that the Transfiguration took place for real, hence their use of tin “Hansekanne” flagons with a pilgrim’s badge or devotional plaques inside them, most often with a scene of the Crucifixion. Protestants treated the Transfiguration in purely symbolic terms and used clay jugs with the scene of the Crucifixion depicted on the outside surface. Moreover, there is a clay plate with a scene of the Crucifixion, which presumably served to sacralize the bread that it held.

6

„Titofania”. Formy obecności symbolicznej Josipa Broza Tity w Jugosławii doby socjalizmu

53%

Bogusławska M.

Poznańskie Studia Slawistyczne

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2013

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issue 5

EN

Text is an analysis of symbolic strategies, serving creation of Josip Broz Tito’s authority as the leader of the socialist Yugoslavia; it also reveals their cultural and political motivations. Author indicates three dominant factors in the process of cult creation, which are characteristic for the cult of personality in totalitarian systems; as such they also remain a specific continuation of traditions as a base of the local power culture. In this perspective, the Tito’s cult and political mythology as its frame is an endemic embodiment of mythological provincionalism with universal aspirations – typical for communism. The function of this cult is a consolidation of multi-nation community and legitimization of federal state formula in the conditions of immaturity of the local political culture.

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Sakralizacja ciała. Związki erotyki i mistyki w poezji Bogusława Kierca

41%

Sołtys-Lewandowska E.

Ogrody Nauk i Sztuk

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2014

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issue 4

202-211

PL

Artykuł prezentuje interpretację poezji Bogusława Kierca w kontekście filozofi cznych odniesień do ciała, mistycyzmu chrześcĳańskiego i komunii, postsekularnej teorii nagości Georgia Agambena oraz kategorii epektasis. Występujące w tej poezji elementy, jak „wychylanie się z ciała” czy erotyzacja osoby Chrystusa są transgresją przeciw schematom zachowań religĳ nych w celu poszukiwania nieograniczonej jedności z Bogiem, łącznie z poetyką sakralizacji ujawniają dążenie twórczości B. Kierca do podkreślania wartości ciała i seksualności w doświadczeniu religĳ nym i możliwości tego doświadczenia w nowoczesności.

EN

The article presents the interpretation of the poetry of Bogusław Kierc in the context of philosophical references to the body, Christian mysticism and Communion, Agamben’s post-secular theory of nudity and the category of epektasis. Such elements of Kierc’s poetry as ‘leaning out of one’s body’ and erotization of Christ constitute the transgression against religious behavioral patt erns in an att empt to achieve absolute unity with God. Together with the poetics of sacralization, they reveal Kierc’s artistic att empt to emphasize the importance of the body and sexuality in a religious elevation and the possibility of experiencing it in the times of modernity.

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Сакралізацыя вобразу Радзімы ў творчасці беларускіх пісьменнікаў Польшчы

41%

Тарасава С.

Białorutenistyka Białostocka

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2014

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vol. 6

UK

Святлана Тарасава - Гродна

PL

W artykule omówiono problem sakralizacji obrazu ojczyzny w twórczości pisarzy białoruskich w Polsce. Obserwacja obiektów sakralnych, które składają się na pojęcie ojczyzny, pozwala sformułować wniosek, że ojczyna jest dla członków Białoruskiego stowarzyszenia „Białowieża” wartością najwyższą, pozostającą w zgodzie z wartościami chrześcijańskimi.

EN

The article considers the problem of sacralization of the image of homeland in works of Belarusian writers in Poland. In the process of the examination of sacred objects which constitute the notion of homeland, the idea that homeland being their highest value is consistent with basic Christian values has been confirmed.

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Znaczenia pieśni w wierszu Do obywatela Johna Brown

41%

Nurzyńska-Kozak A.

Tematy i Konteksty

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2022

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vol. 17

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issue 12

122-133

EN

The aim of this article was the analysis of the meanings of song and their transformations in the poem by Cyprian Norwid Do obywatela Johna Brown. As a result of interpretational close-ups (especially to the initial phrase and the climax of this poem) the polysemic song by Norwid appears not only as a lyrical genre, a term synonymous to poetry in general but also as an act with performative and transgressive features leading the lyrical subject – also through a specifically ‘musical’ shaping of this poem – towards the experience of epiphany of sacrum (Marian andChristological motives).

PL

Celem artykułu była analiza znaczeń pieśni oraz ich przekształceń w wierszu Cypriana Norwida Do obywatela Brown. W efekcie interpretacyjnych przybliżeń (szczególnie do frazy inicjalnej oraz momentu kulminacji utworu) polisemiczna „pieśń” Norwida jawi się jako nie tylko rodzaj utworu lirycznego, określenie synonimiczne dla poezji w ogólności, lecz także jako akt o właściwościach performatywnych i transgresyjnych, prowadzący podmiot wiersza – również na drodze specyficznie „muzycznego” ukształtowania tekstu – ku doświadczeniu epifanii sacrum (motywy maryjne i chrystologiczne).

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Kiedy car był bogiem, a uczony – rymopisem

41%

Chojnicka K.

Annales Universitatis Mariae Curie-Skłodowska, sectio G (Ius)

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2019

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vol. 66

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issue 1

EN

The article is about the phenomena of sacralization of the ruler in Russian literature of the 17th century. This phenomenon can be traced in the work of Michael Lomonosov. This exceptional polymath, scientific entrepreneur and pioneer of industry, among his contemporaries was primarily recognized as a poet. Among his literary works panegyric singing the praises of the ruling monarch was dominant. He compares the Tsar to God or directly gifts him with God-like characteristics. In his baroque poetry, he uses the picture of the ruler as a mythological god. This article grounds this literary heritage in the social context in which it was created and describes the functions that such literature plays. Finally, the article discusses the motives that Lomonosov had to pursue this type of poetry.

PL

Artykuł dotyczy zjawiska sakralizacji monarchy w literaturze rosyjskiej w XVII w. Było ono obecne w twórczości Michała Łomonosowa. Ten wybitny uczony, organizator nauki, pionier przemysłu, wśród współczesnych znany był przede wszystkim jako poeta. W jego twórczości przeważają panegiryki skierowane do panujących monarchów. Poeta dokonuje w nich porównań cara do Boga lub wprost przypisuje mu cechy boskie. W barokowej poezji Łomonosowa łączyły się one często z obrazem władcy jako mitologicznego bóstwa. Autorka skoncentrowała się na przedstawieniu sytuacji społecznej, w której powstawała taka literatura, jej funkcjach, a także na motywach, którymi Łomonosow kierował się jako twórca tej literatury.

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Introducing the Research Project “Sacred Narrative – The Political Dimension of Japanese Mythology”

36%

Antoni K., Dolkovski J., Neubronner L.

Nowa Polityka Wschodnia

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2023

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issue 2(37)

29-71

RU

Кодзики и Нихон сёки были неотъемлемой частью формирования японской идентичности, особенно с 18 века. Как таковые, они постоянно подвергались процессам сакрализации и десакрализации, т. е. присвоению и отстранению власти. Исследовательский проект «Священное повествование - политическое измерение японской мифологии» посвящен тому, как определенные системы мысли или идеологии использовали эти тексты таким образом, чтобы возвысить их или лишить их этого положения. Организованный по трем основным направлениям, проект исследует тему исторических изменений, которые претерпели Кодзики и Нихон сёки с точки зрения интерпретации и инструментализации от периода Эдо до современной Японии. Эти исследования включены в исследовательскую группу «Десакрализация текстов» в Тюбингенском университете, которая начала свою работу в январе 2022 года. В этом междисциплинарном контексте «Священное повествование» стремится способствовать интеграции восточноазиатской текстуальности в общую теорию. Образование.

EN

The Kojiki and Nihon shoki have been integral to the formation of Japanese identity, especially since the 18th century. As such, they were constantly exposed to processes of sacralization and desacralization, i.e., the attribution and removal of authority. The research project “Sacred Narrative – The Political Dimension of Japanese Mythology” is concerned with how certain systems of thought or ideology used these texts in a way that raised them to an elevated position or deprived them of it. Organized in three focus areas, the project delves into the topic of the historical change the Kojiki and Nihon shoki underwent in terms of interpretation and instrumentalization from the Edo period up to modern-day Japan. These investigations are integrated into the research group “De/Sacralization of Texts” at the University of Tübingen that started its work in January 2022. In this interdisciplinary context, “Sacred narrative” seeks to promote the integration of East-Asian textuality into general theory formation.

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„Żaden cud nie jest mniejszy...”. Sakralizacje w poezji Ireny Dowgielewicz

La musique sacralisée dans les œuvres de quelques écrivains romantiques

Sakralizacja konsumpcji jako fenomen globalizacji

Media and sacralization of history

Problem sakralizacji wina i chleba w późnym średniowieczu i w czasach nowożytnych

„Titofania”. Formy obecności symbolicznej Josipa Broza Tity w Jugosławii doby socjalizmu

Sakralizacja ciała. Związki erotyki i mistyki w poezji Bogusława Kierca

Сакралізацыя вобразу Радзімы ў творчасці беларускіх пісьменнікаў Польшчы

Znaczenia pieśni w wierszu Do obywatela Johna Brown

Kiedy car był bogiem, a uczony – rymopisem

Introducing the Research Project “Sacred Narrative – The Political Dimension of Japanese Mythology”