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1
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(Prze)grać w kości. Franz Mon: granice poezji, granice interpretacji

100%
Kołodziej D.
Przestrzenie Teorii
|
2019
|
issue 31
71-92
EN
This article attempts to discuss borders of interpretation in the light of concrete poetry. The paper compares Franz Mon’s pieces to earlier works, especially A throw of the dice will never abolish chance by Stephane Mallarme. This research is conducted in the context of Mon’s and Mallarme’s metapoetic commentary, who both show interest in the categories of playing and musical scores. The article attempts to transfer this perspective into an interpretation of four texts by Mon.
2
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Hyper-parametric Generalized Autoregressive Scores (GASs): an application to the price of United States cooking gas

81%
Olanrewaju R. O., Olanrewaju S. A., Isamot O. W.
Statistics in Transition new series
|
2023
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vol. 24
|
issue 4
93-107
EN
This paper presents the framework of the Generalized Autoregressive Score (GAS) model with a variety of symmetric conditional densities of different time-varying hyperparameters. The distinctive trait and goal of the observation-driven GAS model is to use its score and information functions as the compeller of time-variation via hyper-parameters of conditional densities. 10 robust hyper-parametric conditional densities were used as random error drivers for the GAS model with an application to the price of the United States cooking gas in the period between 2005 and 2020. Out of the 10 robust hyper-parametric conditional noises for the GAS model, the Asymmetric Student–t with one tail decay parameter (AST1) outperformed other categories of its variants and other conditional densities subjected to the GAS model, achieving a minimum reduced-error performance of AIC=11943.277 and BIC=12014.525. The hyper-parametric model obtained a location score and scale score of - 1.2634 and 0.6636, respectively, while its location information and scale information was 0.2691 and 0.0362, respectively. Furthermore, the GAS model via AST1 proved more efficient than the core volatile conditional heteroscedasticity model of the Generalized Autoregressive Conditional Heteroscedasticity (GARCH) at GARCH (1,1) via a Gaussian distributed noise.
3

Animals Hidden in Notes and Instruments

70%
Michalak B.
Dialogue and Universalism
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2014
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issue 1
131-140
EN
Music and animals have been in a close relationship in the history of music: starting from musical instruments made of birds’ bones, through animal voices illustrated in medieval songs and presented in later instrumental music up to chirping and trilling written by Olivier Messian in his birdlike pieces and animal sounds recorded and matched with ideas of the 21st century composers. The purpose of this article is to show the change of the context in which animals were introduced in music from the ancient to contemporary period.
4

Ocenianie rozprawki egzaminacyjnej, czyli od klucza do skali

58%
Brożek A., Dobkowska J.
Edukacja
|
2012
|
issue 3(119)
63-74
PL
Autorzy artykułu krytycznie omawiają klucz punktowania rozprawki stosowany na egzaminie gimnazjalnym w latach 2002–2011. Przedstawiają podejmowane w Instytucie Badań Edukacyjnych próby opracowania holistycznej skali oceny tej formy wypowiedzi, które przyczyniły się do wprowadzenia zasadniczej zmiany w ocenianiu egzaminacyjnej rozprawki oraz stały się inspiracją dla zespołu pracującego w Centralnej Komisji Egzaminacyjnej nad modernizacją egzaminu maturalnego z języka polskiego.
EN
The authors of the article give a critical analysis of the essay evaluation criteria used in the final lower secondary school examinations in the years 2002–2011. Subsequently they present the attempts at preparing a holistic scale of essay evaluation undertaken at the Educational Research Institute. The attempts eventually resulted in the implementation of a significant modification in the essay evaluation criteria, which provided an inspiration for the team working on the modernization of the final general lower secondary school of Polish language examination.
5

Blade kłosy na odłogu… – an unknown poem by Norwid

47%
Chlebowska E., Chlebowski P.
Studia Norwidiana
|
2016
|
vol. 34 English Version
101-124
EN
This article is a republication of an unknown poem by Norwid, entitled Blade kłosy na odłogu [Pale ears on the fallow...]. The text is taken from the sheet music edition of two songs published by Kazimierz Lubomirski (the latter song is authored by Lucjan Siemieński), developed for voice and piano. Most probably, the score was published in the spring of 1851. The article attempts to unveil the circumstances of how the work came into being and it settles the problem of its unclear authorship and roots. Moreover, it shows a story of a musical piece that has for long remained unknown, and which was well-recognized in the realm of household musical culture at the turn of the 20th century.
6
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Podstawy motywacji osiągnięć fachowca turystyki

47%
Łozowiecka W.
Społeczeństwo. Edukacja. Język
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2016
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vol. 4
169 - 177
EN
The article deals with the motivation of specialist tourism industry achievement. Psychologists distinguish two main groups of motives. The first concerns the achievement of a just solution, the search for truth, formation of appropriate situational behavior. The second is the need to maintain a sense of dignity, self-respect due to the opinion of other people. Other important motives relate to cognitive matching, coexistence with the environment, the need for achievement in a particular field of activity, in particular, specific discoveries, the desire to do something different, to reach a high level of financial status, to implement the planned career. It is stressed that in the case of essence of human nature motivation based on the sense of connection between human actions and their results, namely the internal sense of control, a person is successful. Achievement motivation involves a person’s ability to take responsibility for the future, considering the fact that people with internal locus of control deal better with difficult situations while achieving success. The most important component of achievement motivation is self-confidence. The one, who believes in himself and knows him to be able to cope with life’s difficulties in achieving goals, is able to succeed. The main components of achievement motivation are: specific objectives, conscious need for achievements, and the desire to know the real conditions of activity, search for favorable circumstance of cooperation with the employers, appropriate knowledge, skills and competence. The basic principles of achievement motivation of specialist tourism industry achievements: self-improvement, the ability to take risks, readiness for sustainable development in the context of socio-economic changes, systemic perception of the activity situations as situations of achieving success
PL
W artykule rozpatruje się wpływ motywacji osiągnięć człowieka, w tym fachowca turystyki, na odpowiednie formy ludzkiego zachowania, wyróżniając dwie główne grupy motywów. Pierwsza odnosi się do osiągnięcia prawidłowego rozwiązania problemu, tworzenia odpowiedniego zachowania sytuacyjnego. Druga wiąże się z koniecznością zachowania godności, samooceny spowodowanej opinią innych. Motywacja osiągnięć przewiduje istnienie poczucia związku między własnymi działaniami i ich skutkami, wzięcie odpowiedzialności za swoją przyszłość. Najważniejszym elementem motywacji osiągnięć jest zaufanie. Człowiek, który wierzy w siebie, jest zdolny do podołać wszystkim trudnościom i osiągać konkretne cele. Głównymi składnikami osiągnięć motywacyjnych są: konkretne cele; świadoma potrzeba osiągnięć, aspiracje w zakresie wiedzy o rzeczywistych warunkach pracy, znalezienie sposobów współpracy ze współczesnymi pracodawcami, nowoczesna wiedza, umiejętności i kompetencje. Podstawą motywacji osiągnięć współczesnego człowieka jest: samodoskonalenie, zdolność do podejmowania ryzyka, gotowość do zrównoważonego rozwoju w kontekście zmian społeczno-gospodarczych
7
Publication available in full text mode
Content available

Blade kłosy na odłogu… – an unknown poem by Norwid

36%
Chlebowska E., Chlebowski P.
Studia Norwidiana
|
2016
|
vol. 34 English Version
101-124
EN
This article is a republication of an unknown poem by Norwid, entitled Blade kłosy na odłogu [Pale ears on the fallow...]. The text is taken from the sheet music edition of two songs published by Kazimierz Lubomirski (the latter song is authored by Lucjan Siemieński), developed for voice and piano. Most probably, the score was published in the spring of 1851. The article attempts to unveil the circumstances of how the work came into being and it settles the problem of its unclear authorship and roots. Moreover, it shows a story of a musical piece that has for long remained unknown, and which was well-recognized in the realm of household musical culture at the turn of the 20th century.
8

Blade kłosy na odłogu… – nieznany wiersz Norwida

36%
Chlebowska E., Chlebowski P.
Studia Norwidiana
|
2016
|
vol. 34
101-124
EN
This article is a republication of an unknown poem by Norwid, entitled Blade kłosy na odłogu [Pale ears on the fallow...]. The text is taken from the sheet music edition of two songs published by Kazimierz Lubomirski (the latter song is authored by Lucjan Siemieński), developed for voice and piano. Most probably, the score was published in the spring of 1851. The article attempts to unveil the circumstances of how the work came into being and it settles the problem of its unclear authorship and roots. Moreover, it shows a story of a musical piece that has for long remained unknown, and which was well-recognized in the realm of household musical culture at the turn of the 20th century.
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