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Sensualne oblicza śmierci w opowiadaniach Richarda Weinera (na wybranych przykładach)

100%
Woźniak K.
Slavica Wratislaviensia
|
2019
|
vol. 168
303-313
EN
Sensual images of death in short stories by Richard Weiner (selected examples) The author of the article analyzes a selection of stories by Richard Weiner with regard to the leading theme — a sensual image of death. Attention is drawn to polisensuality of expression and the construction of the world depicted on the basis of sensual antinomies, e.g. silence/sound, movement/stillness, dead/alive, visible/invisible. The author refers to selected short stories from Weiner’s collections: Netečný divák (1917), Lítice (1918), Škleb (1919), and Lazebník (1929).
CS
Smyslná tvář smrti v povídkách Richarda Weinera (ve vybraných příkladech) Autorka článku analyzuje vybrané povídky Richarda Weinera z pohledu úvodního motivu, jímž je smyslná tvář smrti. Věnuje pozornost mnohasmyslnosti výpovědi a stavbě světa představeného na základu smyslových antinomií jako například: ticho–zvuk, pohyb–klid, mrtvé–živé, viditelné–neviditelné. Autorka se odvolává na vybrané povídky Weinera ze sbírek: Netečný divák (1917), Lítice (1918), Škleb (1919) i Lazebník (1929).
2

Zmysły a grzech w czeskiej moralistyce XVI i XVII wieku

100%
Koczur-Lejk K.
Slavica Wratislaviensia
|
2015
|
vol. 161
253 - 259
EN
Czech prose at the turn of the 17th century is characterized by alarge number of moralistic works to advise the readers, warn them and show them the clue to life in virtue. Some texts contain general instructions, the other refer to aparticular state — maiden, widow or marriage. Moralists often write about human senses as asource of sin, especially in the context of Ten Commandments (Commandment 6 and 9). They recommend, inter alia, to avoid the situations and contacts that provoke passion, as well as control own senses, that is to rely on suppressing individual organs of senses, “restrain the eyes, ears, tongue.”
3
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Velká válka, velké naděje, velké pochybnosti. Smysly, emoce a komplikovaný patriotismus v deníku Zofie Nałkowské

80%
Rodak P.
Slovo a smysl - Word & Sense
|
2018
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vol. 15
|
issue 30
16-27
EN
The article describes the experience of World War I and the period just after the war (1914–1919) as written in the diary of prominent Polish novelist Zofia Nałkowska (1884–1954). For Nałkowska, World War I presents strong sensory experiences (new sounds and images that permeate domestic and other private spaces). At the same time, war reveals the truth about human life — a life full of cruelty —, creating a situation in which the collective expression of patriotism demands individual sacrifice. This article explores the tension in Nałkowska’s diary between what is collective and patriotic, on the one hand, and what is individual and private on the other (patriotism is a valuable aspect of the national ethos for Nałkowska, but at the same time she realizes that it can be a source of nationalistic and chauvinistic behaviours). Finally, the article shows Nałkowska’s critical attitude at the end of the war and the immediate post-war period, connected with the awareness that the regained independence will not solve all Polish problems.
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