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1

Polichromia drewnianych stalli w kolegiacie w Żółkwi

100%

Chmielewski K.

Ochrona Zabytków

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1997

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issue 1

71-74

EN

The presbytery o f the collegiate church in Żołkiew contains wooden stalls covered with polychromy. The original painted decoration was to a considerable degree concealed by the second layer o f oil repainting. Conducted studies determined the range and degree o f the preservation o f the original polychromy and its chemical composition. The polychromy was executed directly on w ood with plant-derived black mixed with egg white binder, and probably with the addition o f ferric-gallate ink. In the beam part, the ornament was painted on white priming ground whose fundamental component is calcium carbonate. A considerable part of the polychromy was transferred to the base with the help of suitable patterns. The whole was covered by semi-transparent resin lasing, only partially extant. Research into the repainting showed the satisfactory state of the original painted decoration of many elements of the stalls. Its form, similarly to the style of the carved decoration, carries distinct Manneristic features, combined with an earlier Late Renaissance element. Presumably, the stalls were made in the first quarter of the seventeenth century, and comprised one of the elements of the original church decoration. The author postulates complete conservation of the wooden construction, damaged to a large extent, and the removal of the repainting, followed by a conservation of the polychromy and the reconstruction of the missing fragments.

2

Styl otwocki

100%

Szałygin J.

Ochrona Zabytków

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1998

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issue 4

361-369

EN

The Otwock construction style, created at the end o f the nineteenth century by Michal Elwiro Andriolli, earlier than the earlier Zakopane style devised by Stanislaw Witkiewicz, is little known and insufficiently appreciated. The summerhouse architecture o f the environs o f Otwock is an unique phenomenon on the scale o f Mazovia. Many wooden buildings representing the style in question are no longer standing and numerous examples are decaying; nonetheless, a number o f houses displaying magnificent w ood carving is still to be found. Unfortunately, methods o f protecting wooden houses built in the Otwock style and their preservation for future generations have not been proposed up to now. This problem cannot be solved by listing particular objects in a register o f historical monuments. The salvage o f existing buildings by their present-day owners cannot be achieved without the assistance o f municipal authorities and the State Service for the Protection o f Historical Monuments.

3

Ołtarz Trójcy Świętej z pocysterskiej katedry w Oliwie. Ikonografia i zagadnienie autorstwa

58%

Droździecka O.

Studia Gdańskie

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2014

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issue 34

255-275

PL

W katedrze oliwskiej znajduje się wybitne dzieło snycerskie – dawny ołtarz główny ufundowany przez Rafała Kosa, bratanka opata Dawida Konarskiego. Pierwsze informacje o ołtarzu, powstałym w latach 1604 – 1606, znajdują się w rocznikach klasztoru pisanych przez przeora Filipa Adlera. Czas poprzedzający powstanie dzieła obfitował w trudne wydarzenia. Na skutek postępów reformacji, konfliktów o godność opata oraz zniszczenia świątyni i opactwa w roku 1577 nastąpił kryzys gospodarczy, a dyscyplina klasztorna uległa rozprzężeniu. Proces odnowy przybrał na sile pod rządami opata Dawida Konarskiego, który przywrócił zgromadzenie do stanu świetności. Zasługą opata były też liczne fundacje i starania o godne wyposażenie katolickiej świątyni funkcjonującej w pobliżu protestanckiego Gdańska. Skomplikowany program ikonograficzny ówczesnego ołtarza głównego spełniał kontrreformacyjne postulaty dotyczące sztuki.

EN

In the Cathedral of Oliva there is an outstanding piece of woodcarving. This is the former main altar, which was built from the foundation of Abbot David Konarski’s nephew – Rafał Kos. The first information about the altar, formed in the years 1604-1606, can be found in the monastery chronicles written by prior Philip Adler. The time before the emergence of this art work abounded in the difficult events. As a result of the progress of the Reformation, conflict among abbots and the destruction of the Abbey in 1577, there was the economic crisis and monastic discipline has been loosened. Recovery process took on the rise under the rule of Abbot David Konarski, who restored the Abbey to the state of splendor. The merit of the Abbot was also trying for an impressive facilities for the Catholic church located near by the centre of Protestants situated in Gdańsk. Complicated iconographic program of the altar meets Counter-Reformation recommendations for art. This is a unique work of art. Excellent state of preservation and no subsequent interference highlights its exceptional value.

4

Restytucja wnętrz sal historycznych Zamku Królewskiego

58%

Krakowska-Pilch E.

Ochrona Zabytków

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1987

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issue 1-2

108-117

EN

O rigina l parts of the equipment and decor of the interiors of the Royal Castle, preserved from destruction, stored first in various store-rooms in Warsaw, a fter the war were put in order and preliminarily registered by the staff of the National Museum and of the Historic Museum of the City of Warsaw. All preserved parts of the decor of the in te riors were passed on to the Workshop fo r the Conservation of Works of Art (the PKDS) attached to the Ateliers for the Conservation of Cultural Property (the PKZ), Department fo r the Reconstruction of the Royal Castle as the main constructor of the decor of the interiors. Out of the to ta l number of 1,988 elements the following ones have been singled out: 431 parts of stucco works (architectonic and sculptor’s details), 1,370 elements of wood-carving work, frames, listels, 106 elements of wa in scot, wood and window woodwork and 73 details of p a in tings. The article gives a detailed description of individual groups of elements including th e ir identifica tion , location, structure, condition of individual layers, results of the studies, employed conservation procedure, models made and reconstruction. To make the information still more precise, the number of executed architectonic, sculptors’, wood-carving works and the quantity of golden foil used were also quoted. One of the subjects discussed in the article has been the entire work of the PKDS in executing the restitution of Castle’s interiors. Cooperation of individual teams of conservators, modellers, wood-carvers, carpenters and gilders has also been described. In the years 1973—1986 the work of the workshop was headed by the following specialists: M. Baranowski, T. Kubalski, M. Żołqdek, Zb. Majcerowicz and E. Kierzkowska- -Kalinowska. Altogether more than 200 workers were employed at th a t time. A ll of them contributed to a larger or smaller extent to the execution of the task. 45 names of those who distinguished themselves with exceptional a b ilities and involvement have been listed,

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3 Ochrona Zabytków

1 Studia Gdańskie

1 Chmielewski K.

1 Droździecka O.

1 Krakowska-Pilch E.

1 Szałygin J.

1 2014

1 1998

1 1997

1 1987

Polichromia drewnianych stalli w kolegiacie w Żółkwi

Styl otwocki

Ołtarz Trójcy Świętej z pocysterskiej katedry w Oliwie. Ikonografia i zagadnienie autorstwa

Restytucja wnętrz sal historycznych Zamku Królewskiego