Search results - CEJSH

1

Podmiot autorski w Wojnie polsko-ruskiej pod flagą biało-czerwoną Doroty Masłowskiej

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Wójtowicz A.

Postscriptum Polonistyczne

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2014

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issue 1(13)

111-134

EN

The author of the article suggests reading Dorota Masłowska’s debut novel Wojna polsko-ruska pod flagą biało-czerwoną from the perspective of the feminist literary critics. She uses Nancy K. Miller’s concept of arachnology. The author concentrates on parts of the novel that have been overlooked so far in reviews and interpretations. She examines a character in the book, a young girl, who is the author’s alter ego. The auctorial subject is revealed on different levels in the text: as a character in the novel, the author of the text that is being read and in a monologue of the narrator, Silny, whose narration is influenced by elements beyond his own consciousness and language. The experience of growing mature and writing is developed in the plot, through the consciousness of the main character and only revealed gradually. It is at the end of the novel that the author finally gives up the mask of the character and speaks for herself.

2

What Can “Integral” Mean in Education?

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Błajet P., Przyborowska B.

Kultura i Edukacja

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2012

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issue 6(92)

66-80

EN

There are many misconceptions about what is called “integral education”. We propose an integral approach to education based on the historical thinking of John Dewey and on the more recent AQAL concept by Ken Wilber. At the centre of integral education, there is a Subject. Subject equals his/her perspective. Integral education is a process of constructing/creating perspectives in the subject. We propose that four main perspectives can be applied to the educational process and the Integral Education Matrix includes these perspectives. The matrix can be a useful tool for planning actions and outcomes in the process of education.

3

Kryterium podmiotu przy wyodrębnianiu czasowników nieodmiennych przez osobę

100%

Pluskota K.

LingVaria : Półrocznik Wydziału Polonistyki UJ poświęcony zagadnieniom języka i językoznawstwa

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2013

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issue 16

163-177

EN

The paper discusses the problem of identification of a special type of modern Polish verbs that do not inflect for person. In the literature, they are known as czasowniki niewłaściwe, literally ‘improper verbs’, but the descriptions of their various interpretations lead to the conclusion that they can be no longer equated with verbs uninflected for person. The author proposes that the criterion of syntactic position of the subject can be used in their identification.

4

К ВОПРОСУ О ПРЕДЛОЖЕНИЯХ С ЛОКАТИВНЫМ СУБЪЕКТОМ

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Darda-Gramatyka J.

Przegląd Rusycystyczny

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2007

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issue 1

RU

The article is an attempt to present the structures in which the locative element plays the role ofthe subject, naming the place which a certain feature is attributed to. The lexical material comesfrom Russian texts belonging to the reproductive register of the speech (the narrative). The analysiswas based on the main ideas of Galina Zolotova’s functional grammar concept

5

Surrealist anthologies: the collective elaboration of an hybrid literary genre

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Vaillancourt T.

Quêtes littéraires

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2016

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issue 6

81-90

EN

What can be said of Pierre Klossowski’s works’ hybridism, he who, philosopher, writer, translator and painter, unabashedly claimed to be a « monomaniac » ? This gap brings about a tension between what we call « hybridism » in his writings (to talk about this sole medium) and a coherence in his « obsessions ». Furthermore, hybridism can be inferred from the variety from which his works take their source and the qualities which the remains of the notion of « subject » inherit. Klossowski’s work, itself a non-cartesian anthropology, calls upon theologians, latin classics, as much as so-called « transgressive » philosophers. Hence hybridism, once coupled with the simulacrum, becomes a guiding thread, kindling the word’s etymology (hybris and ibrida), in an « excessive » and « bastardised » style that does away with any form of identity, be that of the writer itself.

6

Hybridités de l’écriture et subversions du sujet : enjeux du simulacre autour de Pierre Klossowski.

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Vaillancourt T.

Quêtes littéraires

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2016

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issue 6

81-90

EN

What can be said of Pierre Klossowski’s works’ hybridism, he who, philosopher, writer, translator and painter, unabashedly claimed to be a « monomaniac » ? This gap brings about a tension between what we call « hybridism » in his writings (to talk about this sole medium) and a coherence in his « obsessions ». Furthermore, hybridism can be inferred from the variety from which his works take their source and the qualities which the remains of the notion of « subject » inherit. Klossowski’s work, itself a non-cartesian anthropology, calls upon theologians, latin classics, as much as so-called « transgressive » philosophers. Hence hybridism, once coupled with the simulacrum, becomes a guiding thread, kindling the word’s etymology (hybris and ibrida), in an « excessive » and « bastardised » style that does away with any form of identity, be that of the writer itself.

7

Особенности употребления вспомагательного глагола в формах перфекта в 1-м лице единственного числа в древнерусских грамотах XIV–XVI вв.

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Waraczewski M.

Studia Rossica Posnaniensia

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2019

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vol. 44

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issue 1

381-389

RU

This paper analyzes the use of perfect tense forms in a collection of Old-Russian charters: Testaments and Contractural Letters of the Russian Great and Appanage Princes of the XIV–XVI centuries. A special attention has been paid to the connection between the presence of an explicit subject and an auxiliary verb and their strict mutual dependence has been proved.

8

O frazie nominalnej liczebnikowej w pozycji podmiotu po raz kolejny

100%

Świdziński M.

LingVaria : Półrocznik Wydziału Polonistyki UJ poświęcony zagadnieniom języka i językoznawstwa

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2015

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issue 19

81-97

EN

The paper presents a formal account of sentences with a numeral-nominal subject and an adjectival complement, such as Tych pięciu facetów zostało zabitych ‘These five guys were killed’. The agreements in such sentences are highly idiosyncratic. To cope with them in the framework of a certain formal grammar of Polish, a number of extra means are proposed: special “numeral” realization of the nominal phrase in subject position, special “plural” adjectival complement, special rules that introduce the adjectival phrase in genitive, special valence frames for such strange phrases, and, finally, a special mechanism of interphrasal gender-number agreements. The paper argues for individual treatment of idiosyncrasies, instead of an artificial account in terms of general principles.

9

Od podejrzliwości do wiarygodności. Kilka wstępnych uwag do twórczości Michała Hellera w świetle teorii dyskursu

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Wielewska-Baka M.

Jednak Książki. Gdańskie Czasopismo Humanistyczne

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2015

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issue 4/2015 O Młodej Polsce mniej znanej

273-286

EN

This essay attempts at finding the essential connection between theory of discourse and the Michał Heller’s writing strategy. Some fundamental concepts of Michael Foucault become very stimulative in light of Heller’s vision of connecting disciplines (physics/cosmology, theology/religion, philosophy). The aim of this article is also to reveal the problems of using narrow meanings of some concepts (especially “institution”, “authority”).

10

The logical-semantic content of subject: A configurational view from syntax and LF

88%

Jurczyk R.

Poznań Studies in Contemporary Linguistics

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2015

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vol. 51

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issue 1

89-131

EN

The paper raises the topic of what the functional and logical notion of subject is. It examines the syntax-semantic nature of Icelandic and Polish quirky subject constructions (subjectless clauses in which the initial DP bears oblique Case) with psych-verbs. Of main interest is the full vs. default agreement on V which nominative DPs and quirky subjects always trigger, respectively. We attempt to define the primitive notion of subject from two standpoints – its LF representation and how it is mirrored syntactically by the predication relation of the subject with respect to vP/VP and the proposition of the sentence in TP between the subject and T′. We discuss the semantic and configurational dependencies between quirky subjects and nominative DPs and vP and TP/CP. The paper investigates also the landing site for non-nominative initial DPs and argues for the Topic Phrase in the Left Periphery (Rizzi 1997) as a most natural candidate to host quirky subjects. Hopefully, the conclusions reached here may offer some way of bringing the notion of subject towards its more satisfactory understanding and description within the generative approach.

11

MEDICÍNSKA BYROKRACIA A DEHUMANIZÁCIA SUBJEKTU V ZBIERKE IMUNITA OD M. FERENČUHOVEJ

88%

Cepková Feješová Z. C. F.

Conversatoria Litteraria

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2019

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vol. 13

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issue XIII

191-201

PL

The contribution focuses on the latest book produced by the contemporary Slovak authoress Mária Ferenčuhová. From all the different aspects of her poetry the article explores the phenomenon of dehumanization of the patient’s self. This dehumanization is conceived as a criticism of Cartesian dualism: transformation of the human subject into an impersonal object. This act of criticism is created through the poetic thematization of corporeity which is pushed into the foreground due to sickness, old age and treatment within a hospital environment ruled over by medical bureaucracy. As a result of this reification, the verses reveal a deep internal tension concerning its subject. Indeed, one of the signs of the objectification of the subject is the adoption of a sterile vocabulary from the ambient of medical bureaucracy which reduces human beings into mere objects of medical treatment.

12

Panpsychistické motivy ve filosofii Ladislava Hejdánka

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Tollar V.

Filosofický časopis (Philosophical Journal)

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2012

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vol. 60

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issue 2, Special No: Hledání ztraceného času

287-300

EN

The aim of this contribution is to introduce panpsychist motifs in the philosophy of Ladislav Hejdánek and to compare them with some other contemporary trends in the philosophy of mind, primarily that of David Chalmers. Hejdánek’s system remarkably fuses a continental understanding for the theme of subjectivity with a critique of the objectifying approach to reality prevailing in the natural science. Hejdánek starts from original ideas of G. W. Leibniz, A. N. Whitehead, P. Teilhard de Chardin, and most of all E. Rádl. The article seeks to show that Hejdánek’s considerations can even be inspirational for the contemporary global debate of this topic. In addition to the currently familiar texts, it builds on hitherto unpublished Diary of Ideas of Ladislav Hejdánek.

13

Society of control. Discursive practices in ‘Discipline and Punish’ by Michel Foucault

88%

Kłos-Czerwińska P.

Academic Journal of Modern Philology

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2019

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vol. 8

117-127

EN

According to Michel Foucault cultural patterns in discursive practices differ and reflect the discursive apriori, or episteme, of a given epoch. Episteme is a notion introduced by Foucault in order to explain changing systems of thought, it indicates “the underlying orders, or ‘conditions of possibility’ which regulate the emergence of various scientific or pre-scientific forms of knowledge during specific periods of history. These ‘epistemological fields’ give rise to ‘diverse forms of empirical science’” (Foucault 2009: 168). The work titled “Discipline and Punish” is the example of such an empirical approach to history, where all the rules, scientific or pre-scientific forms of knowledge are revealed. The book written by Foucault is a systematic and specific analysis of discursive practices that work in societies of control. Foucault analyzes many such practices starting from severe punishment of the convicted Damiens in 1757, through the hierarchic supervision and normative sanction at the turn of XVIII and XIX century, and ending with the explanations of the workings of contemporary discipline societies with its oppressive rigor in schools, hospitals and prisons.In my presentation I would like to describe these different discursive formations and practices that have been in use in the past or present societies and to present them as certain cultural patterns characteristic to various cultures and societies on different levels of development.

14

Metaphorical use of language vs. descriptive use of language in Wittgenstein’s work: Evidencing the production of [architectural] conceptual metaphors in Palais Stonborough

88%

Silvera M., Martínez Rodríguez J. J.

Poznań Studies in Contemporary Linguistics

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2014

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vol. 50

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issue 1

29-53

EN

This paper proposes a common ground for discussion between linguistic and architectural production in the framework of some late Cognitive Theories of meaning construc-tion like Conceptual Metaphor Theory (from Lakoff and Johnson 1980) and Conceptual Integration Theory (from Fauconnier and Turner 2002). This common ground will be analyzed from formal plan making reference to Wittgenstein's linguistic thesis. For instance, understanding his architectural production in Palais Stonborough requires a realistic knowledge of the author's specific conception of a work of art as an object seen sub specie aeternitatis. In the author's view, this construal demands the nullification of the subjective component, since the work of art must aim to become an objective description of the totality of existing states of affair, which is the world. Thus, following Wittgenstein's conception of art, beauty emerges from the objectivity of the work in a process that must run on the side-lines of subject's mediation. We are confronted with an inclusive representational problem: Is this objectivity of the work possible as conceptually constructed and linguistically expressed by Wittgenstein in his written essays? To answer this question, we will conceptually analyze the two subcategories of linguistic plan and formal plan focusing on the way they project partial structure from the domains of object and of subject; our aim is to prove, applying feasible cognitive poetic and linguistic principles, methods, and models, that artful ideas that are linguistically valid in Tractatus cannot be directly applied to architectural production. We conclude that both plans are not really interchangeable.

15

Active Passivity: On the Aesthetic Variant of Freedom

88%

Seel M.

Estetika: The Central European Journal of Aesthetics

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2014

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vol. 51

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issue 2

269-282

EN

‘Being with oneself in the other’ is a well-known formula that Hegel uses to characterize the basic relation of subjective freedom. This phrase points to the fact that subjects can only come to themselves if they remain capable of going beyond themselves. This motif also plays a significant role in Hegel’s philosophy of art. The article further develops this motif by exploring the extent to which this polarity of selfhood and otherhood is also characteristic of states of aesthetic freedom. It does not offer an exegesis of Hegel’s writings, but attempts to remain as close as possible to the spirit of Hegel’s philosophy – with some help from Kant and Adorno. The argument begins with some key terms on the general state of subjective freedom in order to distinguish it from the particular role of aesthetic freedom and then, finally, drawing again on Hegel, works out the sense in which aesthetic freedom represents an important variant of freedom.

16

Gunkel’s Deconstruction: Between the Fetish and the Need for a Dialectical Renewal

88%

Chankowski S.

Studia Philosophiae Christianae

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2022

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vol. 58

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issue 2

109-128

EN

The purpose of the essay is to critically analyze the influence of J. Derrida’s deconstruction on David J. Gunkel’s book Deconstruction (MIT Press 2021). Gunkel’s handbook is aimed at making deconstruction a tool of critical thinking accessible to non-professionals. It turns out that accomplishing this task comes at the expense of precisely the critical potential of deconstruction itself. Gunkel is well aware that his arguments are sometimes superficial and overlook deeper problems that should be addressed. Such a failure takes the form of a fetishistic denial, which in psychoanalysis is summarized by the formula “I know well, but all the same.” In turn, deconstruction itself, insofar as it is separated from Kant’s transcendental philosophy and Hegel’s dialectics, becomes an academic ideology. Restoring its proper subversive potential can only be done by returning to a philosophy of reflection, in which the thinker himself must ultimately consider his own position as an author and bring it under criticism. This is the path that Gunkel avoids, because he could then no longer be the author of a handbook on deconstruction, rather than someone who practices deconstruction.

17

Znaczenie podmiotu w dziele Marcela Prousta

88%

Bielawka M.

Stylistyka

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2008

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vol. 17

99-114

EN

The paper discusses - against the background of selected philosophical concepts - two basic problems related to the meaning of subject in the well-known novel by Marcel Proust entitled A la reserche du temps perdu. The first of the analyzed problems is related to the question what the meaning (signifie) of subject is, and the second, formulated in opposition to the postmodemistic standpoint of Gilles Deleuze, to the reasons why the significance (Bedeutsamkeit) of the subject is so intensively exposed in the novel. The subject that can be found in Proust’s masterpiece is considered as an egotic, individual, and stratified entity, whose deepest, spiritual layer ensures identity, and, most probably, exists beyond time. The spiritual subject is distinguished by persistent philosophical pursue of the essential truths of human being, and is also concentrated on the role of the author and art. The profound domain of truth remains hidden as long as we are absorbed by everyday life. It is the specific mental power pertaining to the spiritual subject, i.e. our intelligence, that allows us to reveal that domain. Only the non-mimetic literature, as postulated and realized in Proust’s novel, employing the method of “three-dimensional psychology” relying on intelligence, instead of commonly used “two-dimensional psychology”, can present to the eyes of potential readers, as if through the optical glasses, the essential truths of subjective worlds. The significance of the subject finds its expression not only in the application of the first-person narrative form, in the differentiation between the latent and revealed narrator - the fact that creates an aesthetic impression of surprise, in the monophonic character of the novel related to the structural unity imposed by the latent narrator, but also in the specific poeticity of the novel. Determining the style of Proustian prose, this poeticity evokes the atmosphere of clarity and happiness. The poeticity is achieved by such means of style as metaphors, various cultural references shown through the prism of subjective experience, phrasal complexity, melodiousness, and others.

18

O konsekwencjach podmiocentryzmu w badaniach stylistycznych

88%

Witosz B.

Stylistyka

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2011

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vol. 20

7-17

EN

Polish stylistics of the last twenty years. She is concemed with the subject as the research object (subject in a text, discourse, genre) and as the research subject, which is the author of a scientific text in the stylistic field. She notices the changes have taken place in both of the above cases. In the former, the category of the subject has been redefined (from the grammatical to the personalized conceptualization of this category). In the latter, the transformations covered the objectives and problems of the research process (from analysis to interpretation). Apprehension of the subject as a person revitalized the research on individual styles, and simultaneously significantly broadened the scope of manifestation of what has a specific character in social interactions. Subject-centrism caused that, among other things, the stylistics became the open discipline, establishing a dialogue with other branches of humanities, and at the same time the subject has become an element that integrates various methodologies.

19

The Grey Zone of Subjectivity. Phenomenology of the feminine body in Emmanuel Lévinas's thought

88%

Adamiak M.

Avant

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2015

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vol. 6

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issue 1

EN

The concept of a "woman figure" by Emmanuel Lévinas, is an example, inwhich the notions of "masculinity" and "femininity" serve to determine the character of a certain proposition of a Subject. Lévinas introduced sexualcharacteristics into the neutral subject, yet he is incon-sistent in his treatment of the idea of a Woman and, moreover, he assigned subjectivity to a single gender: the masculine. Nonetheless, the criticism of Lévinas’s model of femi-ninity from a feminist viewpoint is neither simple nor clear. Lévinas continu- ally evades such criticism. He re-established the body and sensuality as key aspects of meeting with the Other. And also, he criticizes the Western ontolog- ical tradition as a theoretical source of violence against the Other, since – as he claims – on a high level of abstraction it appears that thematisation itself is a violence. At the same time, Lévinas proposes ontology of a "woman". In rela-tion to this, one needs to ask the question: why does Lévinas, whilst stating theneed to be freed from ontology, at the same time create an ontological wom- an? And additionally, what are the philo-sophical and ethical consequences of the phenomenology of femininity that are presented by Lévinas?

20

The role of parents in developing the sense of subjectivity in children

88%

Zubrzycka-Maciąg T.

Problemy Opiekuńczo-Wychowawcze

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2020

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vol. 586(1)

70-80

EN

The child’s subjectivity means his right to build his own identity and self-fulfilment, based on his personal needs and interests, rather than on the will of adults. The influence of parents can contribute to or limit their children's subjectivity. The article points out selected conditions and opportunities for developing children’s personal dispositions in relations with parents. It also presents the results of a survey showing the effectiveness of a workshop for parents aimed at developing their competences as partners of children in double-subjective relationships.

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