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EN
The article presents the practice of subjectivizing scientific creativity by referring to the role of intuition in the creation process, introspective reports and comments on spatial information processing. One of the main emphases is placed on the interaction between the author’s sense of subjectivity with the idea generated and developed by him, as well as on how the reader senses this interaction. These findings became the basis for adopting assumptions about individual and disciplinary differences in strategy and the intensity of the subjectivization of scientific texts by creators and recipients. The article was prepared in a performative and dialogical formula.
EN
The first part of this study is an attempt to summarize Czech theories which develop the topic of reported speech (forms of presenting speech) and reported thought in literary works, that is, the use of direct speech/thought, indirect speech/thought, free direct speech/thought and free indirect speech/thought. Special attention is devoted to the internal monologue (the “reproduction” of unspoken utterances which only occurs as thoughts), most often based upon the alternation of free direct speech/thought and free indirect speech/thought, and how it is made into dialogue. This theoretical summary is based mainly on the works of L. Dole el, but on other authors as well (J. Haller, J. Hoffmannová, R. Adam, D. Hodrová, J. Koten and others). In the second part, these theories are applied in an analysis of texts by the young Czech author Petra Soukupová. In her individual works, we demonstrate coinciding as well as differing ways of subjectivizing the narrative: the narrator’s identification with the characters, the use of ich-forms, various forms of reproduction speech and thoughts (including hypothetical utterances) and the dialogized construction of internal monologues. The final part of the text focuses on the way in which typical elements of spoken Czech, above all syntactic ones, are utilized in the reproduction/reporting of the speech as well as the thoughts, reflections, and feelings of Petra Soukupová’s characters. On the one hand, there are linguistic means used to achieve reduction: the minimalization of expressions, concision and fragmentation (ellipsis, mainly the omission of the finite verb, parceling, in- dependent sentence elements, list structures, infinitive constructions). On the other hand, there is juxtaposition, which enables the free addition of syntactic units, which is often used for the associative construction of the internal monologue.
EN
The article contains consideration on changes of ways to create pictures of East in Polish literature after the second World War. In the 80s of the twentieth century writers start breaking stereotypes with assitance of intertextuality and subjectivization (e.g. Zostało z uczty bogów by Igor Newerly, Stankiewicz. Powrót by Eustachy Rylski, Drabina Jakubowa by Władysław Terlecki). In the twenty-first century those tendencies increased – an important example is Sońka written by Ignacy Karpowicz, the novel is very popular among young readers.
PL
Artykuł zawiera rozważania dotyczące przemian w kreowaniu obrazów Wschodu w powojennej literaturze polskiej. W latach 80. XX wieku pisarze zaczęli w rozmaity sposób naruszać istniejące stereotypy, przede wszystkim przez wprowadzanie intertekstualnych gier oraz subiektywizację obrazu (m.in. Igor Newerly Zostało z uczty bogów, Eustachy Rylski Stankiewicz. Powrót, Władysław Terlecki Drabina Jakubowa). W XXI wieku tendencje te zaczęły narastać – wyrazistym przykładem może być Sońka Ignacego Karpowicza, powieść, która zdobyła popularność także wśród młodych czytelników.
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