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ИНТЕРТЕКСТУАЛЬНЫЙ И СОЦИОКУЛЬТУРНЫЙ КОНТЕКСТ ДИЛОГИИ ЮРИЯ БРЕЗАНА O КРАБАТЕ

100%
Sharypina T. A.
Acta Neophilologica
|
2018
|
vol. XX/2
61-72
EN
This article analyzes intertextual references and the transformation of pan-European mythological motifs and images in J. Brězan’s dilogy novel about Krabat. It is concluded that the era of globalization as well as the German reunification make German writers search for new artistic ways of embodying traditional ontological conflicts in literary texts. This actualizes the usage of postmodern poetics’ principles, and also leads to a synthesis of juxtaposed biblical, historical, fable and mythological motifs and images within one piece of literature, a mode of writing untypical in the past.
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CОРБСКИЙ МИФ О KРАБАТЕ В КОНТЕКСТЕ НЕМЕЦКОЙ КУЛЬТУРНОЙ ТРАДИЦИИ

72%
Шарыпина T.
Acta Neophilologica
|
2014
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vol. XVI/1
215-224
EN
Multiculturalism in German literature is most vividly displayed in the creative work of Jurij Brězan, a representative of Lusatian Sorbs. The uniqueness of the bilingual writer is that well-defi ned national particularity of his literary compositions and profusion of poetics of his novels with motives and images of Sorbian folklore are harmoniously interwoven into the cultural context of German aesthetic tradition and subjected to lofty panhuman moral and ethical issues.
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