The following article focuses on the problem as to how the knowledge of reality is reflected in the drawings created by a child completely blind since birth. To analyse a drawing made by a blind person, I try to reach this fragment of knowledge in the mind of the author that generates the phenomenon created in the drawing. Therefore, I try to determine the scope of knowledge about the phenomenon by having a conversation with the child about his experiences, such as: – sensory experiences acquired through tactile perception, as well as other senses, – knowledge about the phenomenon contained in the mind (cognitive model). The subject of the analysis will concern convex drawings on the micro-grooved foil. The analysis tool will comprise of the model showing the content and form of the drawing, the creativity and the emotionality of the illustrator. These analyses will be compared and verified in accordance with the stages of the drawing skills of sighted children. I determine these stages using the studies of Szuman (1990), Lowenfeld and Brittain (1977) and Luquet (2001/1927). This tool takes into account current knowledge about art, stages of child’s plastic development and the abilities of blind people.
Artykuł niniejszy podejmuje problem projekcji wiedzy o zjawiskach rzeczywistości w rysunkach dziecka całkowicie niewidomego od urodzenia. Aby dokonać analizy rysunku osoby niewidomej, usiłuję dotrzeć do tego wycinka wiedzy tkwiącej w umyśle autora, który generuje kreowane w rysunku zjawisko. Staram się zatem ustalić zakres wiedzy o zjawisku za pomocą rozmowy na temat doświadczeń dziecka: – doświadczeń sensorycznych zdobytych drogą percepcji dotykowej, a także z udziałem pozostałych zmysłów, – wiedzy o zjawisku zawartej w umyśle (model kognitywny). Przedmiotem analizy staną się wypukłe rysunki na folii mikrorowkowanej, a narzędziem analizy model ukazujący: treść i formę rysunku, kreatywność i emocjonalność rysownika. Analizy te zostaną porównane i zweryfikowane zgodnie z etapami możliwości rysunkowych dzieci widzących. Ustalam je, korzystając z badań Szumana (1990), Lowenfelda i Brittaina (1977) oraz Luqueta 2001/1927). Narzędzie to uwzględnia aktualną wiedzę o sztuce, o etapach rozwoju plastycznego dziecka oraz o możliwościach osób niewidomych.
EN
The following article focuses on the problem of knowledge projection of reality shown in the drawings of a child completely blind since birth. To analyse a drawing of a blind person, I try to reach this fragment of knowledge in the mind of the author that generates the phenomenon created in the drawing. Therefore, I try to determine the scope of knowledge about the phenomenon by having a conversation with the child about his experiences: – sensory experiences acquired through tactile perception, as well as other senses, – knowledge about the phenomenon contained in the mind (cognitive model). The subject of the analysis will be convex drawings on the micro-grooved film. The analysis tool will comprise of the model showing the content and form of the drawing, the creativity and the emotionality of the illustrator. These analyses will be compared and verified in accordance with the stages of the drawing skills of sighted children. I determine them using the studies of Szuman (1990), Lowenfeld and Brittain (1977) and Luquet (2001/1927). This tool takes into account current knowledge about art, stages of child’s plastic development and the abilities of blind people.
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